Steinberg HALION4 Mode D'emploi page 113

Filter mode
Morph 2
Morph 4
Morph XY
For compatibility reasons, the filter types HALion 3 and Waldorf are included. These
filters always use Single filter mode.
Filter Shape
Each filter type offers 24 different filter shapes. By selecting the filter shape, you
determine which frequencies are affected. Depending on the chosen filter mode, you
can either select one, two, or four shapes.
Filter shape
LP24
LP18
LP12
LP6
BP12
BP24
HP6+LP18
HP6+LP12
HP12+LP6
HP18+LP6
HP24
Description
This mode morphs between filter shape A and B. You can select the
filter shapes for filter shape A and B independently. Adjust the
morphing with the Morph Y parameter.
This mode morphs sequentially from filter shape A to D. You can
select the filter shapes for filter shape A, B, C, and D independently.
Adjust the morphing with the Morph Y parameter.
This mode morphs freely between the filter shapes A, B, C, and D. You
can select the filter shapes for filter shape A, B, C, and D
independently. Adjust the morphing with the Morph X and Morph Y
parameters.
Description
Low-pass filter with 24 dB/oct. Frequencies above the cutoff are
attenuated.
Low-pass filter with 18 dB/oct. Frequencies above the cutoff are
attenuated.
Low-pass filter with 12 dB/oct. Frequencies above the cutoff are
attenuated.
Low-pass filter with 6 dB/oct. Frequencies above the cutoff are
attenuated.
Band-pass filter with 12 dB/oct. Frequencies below and above the
cutoff are attenuated.
Band-pass filter with 24 dB/oct. Frequencies below and above the
cutoff are attenuated.
High-pass filter with 6 dB/oct plus low-pass filter with 18 dB/oct
(asymmetric band-pass filter). Frequencies below and above the
cutoff are attenuated. Attenuation is more pronounced for the
frequencies above the cutoff.
High-pass filter with 6 dB/oct plus low-pass filter with 12 dB/oct
(asymmetric band-pass filter). Frequencies below and above the
cutoff are attenuated. Attenuation is more pronounced for the
frequencies above the cutoff.
High-pass filter with 12 dB/oct plus low-pass filter with 6 dB/oct
(asymmetric band-pass filter). Frequencies below and above the
cutoff are attenuated. Attenuation is more pronounced for the
frequencies below the cutoff.
High-pass filter with 18 dB/oct plus low-pass filter with 6 dB/oct
(asymmetric band-pass filter). Frequencies below and above the
cutoff are attenuated. Attenuation is more pronounced for the
frequencies below the cutoff.
High-pass filter with 24 dB/oct. Frequencies below the cutoff are
attenuated.
113
Editing Zones in the Sound Editor
The Filter Section