Roland XV-3080 Mode D'emploi page 79

RHYTHM MFX OUT ([RHYTHM]-
[EFFECTS])
Output (assignation des sorties) A/B/C
6SpFLILH OD SDLUH GH SULVHV 287387 j ODTXHOOH OD VRUWLH GH
O·HQVHPEOH 0XOWL (IIHFWV HVW DVVLJQpH
Dry (niveau de sortie) 0–127
5qJOH OH QLYHDX GH VRUWLH GH O·HQVHPEOH 0XOWL (IIHFWV YHUV OHV
SULVHV VpOHFWLRQQpHV
Chorus (niveau d'envoi à l'ensemble chorus)
0–127
5qJOH OD TXDQWLWp GH OD VRUWLH GH O·HQVHPEOH 0XOWL (IIHFWV j
HQYR\HU DX &KRUXV
/D GHVWLQDWLRQ ILQDOH GH OD SULVH GH VRUWLH HVW GpWHUPLQpH SDU
OHV UpJODJHV GH VRUWLH GH O·HQVHPEOH &KRUXV
Reverb (niveau d'envoi à l'ensemble Reverb)
0–127
5qJOH OD TXDQWLWp GH OD VRUWLH GH O·HQVHPEOH 0XOWL (IIHFWV j
HQYR\HU j O·HQVHPEOH 5HYHUE
/D GHVWLQDWLRQ ILQDOH GH OD SULVH GH VRUWLH HVW GpWHUPLQpH SDU
OHV UpJODJHV GH VRUWLH GH O·HQVHPEOH 5HYHUE
RHYTHM CHO OUT ([RHYTHM]-
[EFFECTS])
Output Assign (assignation de sortie chorus)
A/B/C
6pOHFWLRQQH OD SDLUH GH SULVHV 287387 YHUV ODTXHOOH OD VRUWLH
VWpUpR GH O·HQVHPEOH &KRUXV HVW GLULJpH ORUVTXH OH SDUDPqWUH
6HOHFW VpOHFWLRQ VRUWLH &KRUXV HVW VXU ´0$,1µ RX
´0$,1 5 µ
Level (Niveau Chorus) 0–127
'pWHUPLQH OH QLYHDX GH VRUWLH GH O·HQVHPEOH &KRUXV
Select (Sélection de sortie Chorus)
&H SDUDPqWUH YRXV SHUPHW G·HQYR\HU GLUHFWHPHQW OD VRUWLH GH
O·HQVHPEOH &KRUXV VRLW DX[ SULVHV 287387 VpOHFWLRQQpHV
VRLW j O·HQVHPEOH 5HYHUE RX DX[ GHX[
MAIN: /D VRUWLH &KRUXV HVW HQYR\pH XQLTXHPHQW DX[ SULVHV
287387
REV: /D VRUWLH &KRUXV HVW HQYR\pH XQLTXHPHQW j O·HQVHPEOH
5HYHUE
MAIN+R: /D VRUWLH &KRUXV HVW HQYR\pH DX[ SULVHV 287387
HW j O·HQVHPEOH 5HYHUE
Chapitre 3 Sélection des prises de sortie
RHYTHM REV OUT ([RHYTHM]-
[EFFECTS])
Output Assign (assignation sortie Reverb) A/
B/C
6SpFLILH OHV SULVHV 287387 YHUV OHVTXHOOHV OD VRUWLH VWpUpR GH
O·HQVHPEOH 5HYHUE HVW GLULJpH
Level (niveau sortie Reverb) 0–127
'pWHUPLQH OH QLYHDX GH VRUWLH GH O·HQVHPEOH 5HYHUE
SYSTEM SETUP ([SYSTEM]-[COMMON])
Master Level 0–127
5qJOH OH YROXPH JpQpUDO GX ;9
Mix/Parallel
MIX: 7RXV OHV VRQV ² \ FRPSULV FHX[ DVVLJQpV DX[ SULVHV
287387 % & RX ,1',9,'8$/ ² ² VRQW PpODQJpV HW
DFKHPLQpV YHUV OHV SULVHV $ 0,; 287387
&H UpJODJH YRXV SHUPHW GH WRXW IDLUH SDVVHU SDU XQ FDVTXH
ORUVTXH YRXV FUpH] GHV VRQV RX GH FRPELQHU WRXV YRV VRQV
VXU GHX[ VRUWLHV ORUVTXH YRXV HQYR\H] OH VLJQDO GX ;9
j XQ PL[HU TXL Q·D TXH GHX[ FDQDX[
/RUVTX·RQ VpOHFWLRQQH 0,; OHV VRQV GLULJpV YHUV OHV SULVHV
,1',9,'8$/ VRQW HQYR\pV j OD SULVH $ 0,; 287387
JDXFKH HW OHV VRQV GLULJpV YHUV OHV SULVHV ,1',9,'8$/
VRQW HQYR\pV j OD SULVH $ 0,; 287387 GURLWH
PARALLEL: /HV VRQV VRQW GLULJpV YHUV OHV SULVHV GH VRUWLH HQ
IRQFWLRQ GHV UpJODJHV TXL OHXU VRQW DVVLJQpV
&KDFXQ GHV UpJODJHV 0DVWHU /HYHO HW 0L[ 3DUDOOHO GX ;9
HVW pWDEOL DYHF XQ VHXO SDUDPqWUH JOREDO
Exemple de réglages
Réglage de la destination de sortie
d'un tone rythmique spécifique
&HW H[HPSOH H[SOLTXH OD SURFpGXUH j VXLYUH SRXU VRUWLU OH
WRQH U\WKPLTXH DVVLJQp j & GHSXLV OD SULVH ,1',9,'8$/
VDQV OH IDLUH SDVVHU YLD GHV HIIHWV LQWHUQHV
1. 6pOHFWLRQQH] OH 5K\WKP 6HW TXH YRXV GpVLUH] XWLOLVHU
2. $SSX\H] VXU >())(&76@ SRXU DOOXPHU VRQ YR\DQW
OXPLQHX[
3. $SSX\H] VXU > @
4. $SSX\H] VXU >(@ >+@ HW VpOHFWLRQQH] & GDQV OH FRLQ
VXSpULHXU JDXFKH GH O·pFUDQ
6L XQ FODYLHU 0,', HVW FRQQHFWp YRXV SRXYH] VpOHFWLRQQHU &
HQ DSSX\DQW VXU OD WRXFKH & VXU OH FODYLHU
> @ SRXU FKRLVLU OD SDJH 287387
79