Marshall DSL100HR Mode D'emploi page 6

REAR PANEL FUNCTIONS
DSL40CR REAR PANEL
26
DSL100HR REAR PANEL
33
26. MAINS INPUT
Connects the amplifier to the mains
electricity supply.
Note: The MAINS INPUT socket has an
integrated fuse compartment. Ensure that
the value of a replacement fuse matches the
labelling on the amplifier rear panel. You
MUST ALWAYS switch the amplifier OFF
and disconnect it from the mains electricity
supply before attempting to access the fuse
compartment. If in doubt, contact your
Marshall dealer.
27. MIDI IN
Connect your external MIDI device to
the MIDI IN socket.
Note: The amplifier only accepts incoming
data and it is not able to send any MIDI
commands.
ENGLISH
27
32 31
You can set the channel, the state of the
LOOP and MASTER volume via MIDI
messages.
MIDI commands allow the remote
control of some front panel functions
(refer to MIDI implementation chart at
the end of this manual).
The MIDI receive channel is factory-set
to channel 1. In order to set a different
channel, press and hold the Loop On/Off
switch (Front Panel Function #23) while
powering up the amplifier to activate
MIDI waiting mode. The LED will flash
until a valid MIDI command is received.
The MIDI receive channel will be set to
the channel of that command.
To select MIDI OMNI receive, put the
amplifier into MIDI waiting mode and
28 29 30 31
30 29 28 27
then press and hold the Master Select
switch (Front Panel Function #18) until
its LED flashes.
Note: When the 2-way footswitch is
connected the amplifier will not respond to
any MIDI messages.
28. FX LOOP RETURN
Connect the output of an external FX
pedal or processor.
29. FX LOOP SEND
Connect the input of an external FX
pedal or processor.
30. F/S
Connect the supplied 2-way footswitch
or the optional 6-way footswitch here.
32 33
26
31. AUDIO IN
Connect an external device here to
practice with or to jam along to music.
32. EMULATED OUT
Emulated line level output for
headphones or connection to a mixer.
The DSL is equipped with a high quality
emulated output using Softube-designed
studio cabinet emulation. This ensures
that your headphone and output signal
from this socket provide the best
possible tone for practice or recording.
Note: Using EMULATED OUT does not omit
the need for a speaker load to be connected
to the amplifier (Rear Panel Function #33).
Note: For silent recording via EMULATED
OUT set the OUTPUT switch to STB (Front
Panel Function #24).
ENGLISH