Table des Matières
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17: St. Analog Record
(Stereo Analog Record)
This effect simulates the noise caused by scratches and dust on
analog records. It also reproduces some of the modulation
caused by a warped turntable.
Stereo In - Stereo Out
Left
EQ Trim
Pre EQ
EQ Trim
Pre EQ
Right
a
Speed [RPM]
33 1/3, 45, 78
b Flutter
0...100
Noise Density
0...100
c
Noise Tone
0...100
Noise Level
0...100
Src
Off...Tempo
d
Amt
–100...+100
Click Level
0...100
e
Src
Off...Tempo
Amt
–100...+100
f
EQ Trim
0...100
Pre EQ Cutoff
300...10.00k
[Hz]
g
Q
0.5...10.0
Gain [dB]
–18.0...+18.0
Dry, 1:99...99:1,
Wet/Dry
Wet
h
Src
Off...Tempo
Amt
–100...+100
b: Flutter
This parameter enables you to set the depth of the modulation
caused by a warped turntable.
e: Click Level
This parameter enables you to set the level of the click noise that
occurs once every rotation of the turntable. This simulation
reproduces record noise, and the noise generated after the music
on a vinyl record finishes.
FX Amt
Analog Record
Simulation
FX Amt
Sets the r.p.m. of a record
Sets the modulation depth
Sets the noise density
Sets the noise tone
Sets the noise level
Selects the modulation source for
the noise level
Sets the modulation amount of the
noise level
Sets the click noise level
Selects the modulation source for
the click noise level
Sets the modulation amount of the
click noise level
Sets the EQ input level
Sets the EQ center frequency
Sets the EQ band width
Sets the EQ gain
Balance between the wet and dry
signal
Table , "Dynamic Modulation
sources, " on page 357
Amount of modulation source
Overdrive, Amp models, and Mic models (OD
Amp Mic)
18: OD/Hi.Gain Wah
(Overdrive/Hi.Gain Wah)
This distortion effect utilizes an Overdrive mode and a Hi-Gain
mode. Controlling the wah effect, the 3-band EQ, and the amp
simulation will allow you to create versatile distortion sounds.
This effect is suitable for guitar and organ sounds.
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
Left
Mode: Overdrive / Hi-Gain
Drive
Pre Low-cut
+
Driver
Wah
Right
D
-mod
Wah
Off, On
Src
Off...Tempo
a
Toggle,
Sw
Moment
Wah Sweep
–10...+10
Range
b
Wah Sweep Src Off...Tempo
Overdrive, Hi-
c
Drive Mode
Gain
Drive
1...100
d
Pre Low-cut
0...10
Output Level
0...50
Src
Off...Tempo
e
Amt
–50...+50
Low Cutoff [Hz] 20...1.00k
f
Gain [dB]
–18...+18
Mid1Cutoff
300...10.00k
[Hz]
g
Q
0.5...10.0
Gain [dB]
–18...+18
Mid2 Cutoff
500...20.00k
[Hz]
h
Q
0.5...10.0
Gain [dB]
–18...+18
Direct Mix
0...50
i
Speaker
Off, On
Simulation
Dry, 1:99...99:1,
Wet/Dry
Wet
j
Src
Off...Tempo
Amt
–100...+100
Page 391
FX Amt
3 Band PEQ
Amp Simulation
Output Level
Direct Mix
FX Amt
Switches Wah on/off
Selects the modulation source that
switches the Wah on and off
Selects the switching mode for the
modulation source that switches the
Wah on and off
Sets the range of Wah
Selects the modulation source that
controls the Wah
Switches between overdrive and hi-
gain distortion
Sets the degree of distortion
Sets the low range cut amount of
the distortion input
Sets the output level
Selects the modulation source for
the output level
Sets the modulation amount of the
output level
Sets the center frequency for Low
EQ (shelving type)
Sets the gain of Low EQ
Sets the center frequency for Mid/
High EQ 1 (peaking type)
Sets the band width of Mid/High EQ
1
Sets the gain of Mid/High EQ 1
Sets the center frequency for Mid/
High EQ 2 (peaking type)
Sets the band width of Mid/High EQ
2
Sets the gain of Mid/High EQ 2
Sets the amount of the dry sound
mixed to the distortion
Switches the speaker simulation on/
off
Balance between the wet and dry
signal
Table , "Dynamic Modulation
sources, " on page 357
Amount of modulation source
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