Table des Matières
Publicité
Implémentation MIDI
1-4-1-5 TMT (table de mixage des Tones) des Patches
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| Adresse de
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décalage |
Description
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00 00 | 0000 aaaa | Type de structure 1 & 2
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00 01 | 0000 00aa | Booster 1 & 2
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00 02 | 0000 aaaa | Type de structure 3 & 4
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00 03 | 0000 00aa | Booster 3 & 4
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|—————————————+———————————+————————————————————————————————————————————————————|
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00 04 | 0000 00aa | TMT, Considération des messages de vélocité(0 — 2) |
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|—————————————+———————————+————————————————————————————————————————————————————|
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00 05 | 0000 000a | TMT1, Activation/désactivation des Tones
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00 06 | 0aaa aaaa | TMT1, Note la plus grave
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00 07 | 0aaa aaaa | TMT1, Note la plus aiguë
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00 08 | 0aaa aaaa | TMT1, Fondu grave (note hors tessiture)
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00 09 | 0aaa aaaa | TMT1, Fondu aigu (note hors tessiture)
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00 0A | 0aaa aaaa | TMT1, Vélocité minimum
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00 0B | 0aaa aaaa | TMT1, Vélocité maximum
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00 0C | 0aaa aaaa | TMT1, Fondu inférieur de la vélocité
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00 0D | 0aaa aaaa | TMT1, Fondu supérieur de la vélocité
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00 0E | 0000 000a | TMT2, Activation/désactivation des Tones
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00 0F | 0aaa aaaa | TMT2, Note la plus grave
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00 10 | 0aaa aaaa | TMT2, Note la plus aiguë
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00 11 | 0aaa aaaa | TMT2, Fondu grave (note hors tessiture)
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00 12 | 0aaa aaaa | TMT2, Fondu aigu (note hors tessiture)
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00 13 | 0aaa aaaa | TMT2, Vélocité minimum
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00 14 | 0aaa aaaa | TMT2, Vélocité maximum
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00 15 | 0aaa aaaa | TMT2, Fondu inférieur de la vélocité
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00 16 | 0aaa aaaa | TMT2, Fondu supérieur de la vélocité
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00 17 | 0000 000a | TMT3, Activation/désactivation des Tones
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00 18 | 0aaa aaaa | TMT3, Note la plus grave
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00 19 | 0aaa aaaa | TMT3, Note la plus aiguë
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00 1A | 0aaa aaaa | TMT3, Fondu grave (note hors tessiture)
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00 1B | 0aaa aaaa | TMT3, Fondu aigu (note hors tessiture)
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00 1C | 0aaa aaaa | TMT3, Vélocité minimum
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00 1D | 0aaa aaaa | TMT3, Vélocité maximum
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00 1E | 0aaa aaaa | TMT3, Fondu inférieur de la vélocité
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00 1F | 0aaa aaaa | TMT3, Fondu supérieur de la vélocité
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00 20 | 0000 000a | TMT4, Activation/désactivation des Tones
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00 21 | 0aaa aaaa | TMT4, Note la plus grave
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00 22 | 0aaa aaaa | TMT4, Note la plus aiguë
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00 23 | 0aaa aaaa | TMT4, Fondu grave (note hors tessiture)
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00 24 | 0aaa aaaa | TMT4, Fondu aigu (note hors tessiture)
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00 25 | 0aaa aaaa | TMT4, Vélocité minimum
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00 26 | 0aaa aaaa | TMT4, Vélocité maximum
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00 27 | 0aaa aaaa | TMT4, Fondu inférieur de la vélocité
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00 28 | 0aaa aaaa | TMT4, Fondu supérieur de la vélocité
|—————————————+————————————————————————————————————————————————————————————————|
| 00 00 00 29 | Taille totale
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1-4-1-6 Paramètre de chaque Tone d'un Patch
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| Adresse de
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décalage |
Description
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00 00 | 0aaa aaaa | Tone, Niveau
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00 01 | 0aaa aaaa | Tone, Accord grossier
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00 02 | 0aaa aaaa | Tone, Accord fin
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00 03 | 000a aaaa | Tone, Modulation aléatoire de la hauteur
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00 04 | 0aaa aaaa | Tone, Panoramique
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00 05 | 000a aaaa | Tone, Mod. panoramique selon note jouée
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00 06 | 00aa aaaa | Tone, Modulation aléatoire du panoramique (0 — 63) |
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00 07 | 0aaa aaaa | Tone, Degré de panoramique alterné
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00 08 | 0000 000a | Tone, Mode d'enveloppe
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00 09 | 0000 00aa | Tone, Mode de délai
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|#
00 0A | 0000 aaaa |
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| 0000 bbbb | Tone, Temps de retard
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|—————————————+———————————+————————————————————————————————————————————————————|
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00 0C | 0aaa aaaa | Tone, Niveau de départ
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00 0D | 0aaa aaaa | Tone, Niveau de départ Chorus (MFX)
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00 0E | 0aaa aaaa | Tone, Niveau de départ réverb (MFX)
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00 0F | 0aaa aaaa | Tone, Niveau de départ Chorus (non MFX)
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00 10 | 0aaa aaaa | Tone, Niveau de départ réverb (non MFX)
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00 11 | 0000 aaaa | Tone, Affectation aux sorties
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00 12 | 0000 000a | Tone, Réception Pitch Bend
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00 13 | 0000 000a | Tone, Réception Expression
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00 14 | 0000 000a | Tone, Réception Hold—1
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00 15 | 0000 000a | Tone, Réception mode de panoramique
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00 16 | 0000 000a | Tone, Messages de sourdine
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|—————————————+———————————+————————————————————————————————————————————————————|
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00 17 | 0000 00aa | Tone Control 1 Switch 1
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00 18 | 0000 00aa | Tone Control 1 Switch 2
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168
(0 — 9) |
1 — 10
(0 — 3) |
0, +6, +12, +18 [dB]
(0 — 9) |
1 — 10
(0 — 3) |
0, +6, +12, +18 [dB]
OFF, ON, RANDOM
(0 — 1) |
OFF, ON
(0 — 127) |
C—1 — UPPER
(0 — 127) |
LOWER — G9
(0 — 127) |
(0 — 127) |
(1 — 127) |
1 — UPPER
(1 — 127) |
LOWER — 127
(0 — 127) |
(0 — 127) |
(0 — 1) |
OFF, ON
(0 — 127) |
C—1 — UPPER
(0 — 127) |
LOWER — G9
(0 — 127) |
(0 — 127) |
(1 — 127) |
1 — UPPER
(1 — 127) |
LOWER — 127
(0 — 127) |
(0 — 127) |
(0 — 1) |
OFF, ON
(0 — 127) |
C—1 — UPPER
(0 — 127) |
LOWER — G9
(0 — 127) |
(0 — 127) |
(1 — 127) |
1 — UPPER
(1 — 127) |
LOWER — 127
(0 — 127) |
(0 — 127) |
(0 — 1) |
OFF, ON
(0 — 127) |
C—1 — UPPER
(0 — 127) |
LOWER — G9
(0 — 127) |
(0 — 127) |
(1 — 127) |
1 — UPPER
(1 — 127) |
LOWER — 127
(0 — 127) |
(0 — 127) |
(0 — 127) |
(16 — 112) |
—48 — +48
(14 — 114) |
—50 — +50
(0 — 30) |
0, 1, 2, 3, 4, 5, 6, 7, 8, 9, |
10, 20, 30, 40, 50, 60, 70, 80, |
90, 100, 200, 300, 400, 500, |
600, 700, 800, 900, 1000, 1100, |
1200
(0 — 127) |
L64 — 63R
(54 — 74) |
—100 — +100
(1 — 127) |
L63 — 63R
(0 — 1) |
NO—SUS, SUSTAIN
(0 — 3) |
NORMAL, HOLD, KEY—OFF—NORMAL, |
KEY—OFF—DECAY
(0 — 149) |
0 — 127, MUSICAL—NOTES
(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 12) |
MFX, A, B, C<*>, D<*>, |
1, 2, 3, 4, 5<*>, 6<*>, 7<*>, 8<*>
(0 — 1) |
OFF, ON
(0 — 1) |
OFF, ON
(0 — 1) |
OFF, ON
(0 — 1) |
CONTINUOUS, KEY—ON
(0 — 1) |
OFF, ON
(0 — 2) |
OFF, ON, REVERSE
(0 — 2) |
OFF, ON, REVERSE
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00 19 | 0000 00aa | Tone Control 1 Switch 3
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00 1A | 0000 00aa | Tone Control 1 Switch 4
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00 1B | 0000 00aa | Tone Control 2 Switch 1
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00 1C | 0000 00aa | Tone Control 2 Switch 2
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00 1D | 0000 00aa | Tone Control 2 Switch 3
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00 1E | 0000 00aa | Tone Control 2 Switch 4
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00 1F | 0000 00aa | Tone Control 3 Switch 1
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00 20 | 0000 00aa | Tone Control 3 Switch 2
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00 21 | 0000 00aa | Tone Control 3 Switch 3
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00 22 | 0000 00aa | Tone Control 3 Switch 4
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00 23 | 0000 00aa | Tone Control 4 Switch 1
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00 24 | 0000 00aa | Tone Control 4 Switch 2
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00 25 | 0000 00aa | Tone Control 4 Switch 3
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00 26 | 0000 00aa | Tone Control 4 Switch 4
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|—————————————+———————————+————————————————————————————————————————————————————|
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00 27 | 0000 00aa | Type de groupe de formes d'ondes
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|#
00 28 | 0000 aaaa |
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| 0000 bbbb |
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| 0000 cccc |
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| 0000 dddd | Identifiant du groupe de formes d'ondes(0 — 16384) |
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00 2C | 0000 aaaa |
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| 0000 bbbb |
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| 0000 cccc |
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| 0000 dddd | N. de la forme d'onde gauche (Mono)
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00 30 | 0000 aaaa |
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| 0000 bbbb |
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| 0000 cccc |
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| 0000 dddd | Numéro de la forme d'onde droite
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00 34 | 0000 00aa | Gain de la forme d'onde
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00 35 | 0000 000a | Forme d'onde, Commutation FXM
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00 36 | 0000 00aa | Forme d'onde, Couleur - Mode d'action FXM
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00 37 | 000a aaaa | Forme d'onde, Profondeur de modulation FXM(0 — 16) |
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00 38 | 0000 000a | Forme d'onde, Synchro du tempo
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00 39 | 00aa aaaa | Forme d'onde, Suivi clavier de la hauteur(44 — 84) |
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|—————————————+———————————+————————————————————————————————————————————————————|
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00 3A | 000a aaaa | Enveloppe de hauteur, Profondeur
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00 3B | 0aaa aaaa | Enveloppe de hauteur, Sens. à la vélocité(1 — 127) |
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00 3C | 0aaa aaaa | Env. de hauteur, Sens. Vélocité segment 1(1 — 127) |
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00 3D | 0aaa aaaa | Env. de hauteur, Sens. Vélocité segment 4(1 — 127) |
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00 3E | 000a aaaa | Enveloppe de hauteur, Suivi du clavier
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00 3F | 0aaa aaaa | Env. de hauteur, Durée du segment 1
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00 40 | 0aaa aaaa | Env. de hauteur, Durée du segment 2
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00 41 | 0aaa aaaa | Env. de hauteur, Durée du segment 3
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00 42 | 0aaa aaaa | Env. de hauteur, Durée du segment 4
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00 43 | 0aaa aaaa | Env. de hauteur, Niveau du segment 0
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00 44 | 0aaa aaaa | Env. de hauteur, Niveau du segment 1
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00 45 | 0aaa aaaa | Env. de hauteur, Niveau du segment 2
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00 46 | 0aaa aaaa | Env. de hauteur, Niveau du segment 3
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00 47 | 0aaa aaaa | Env. de hauteur, Niveau du segment 4
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|—————————————+———————————+————————————————————————————————————————————————————|
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00 48 | 0000 0aaa | TVF, Type de filtre
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00 49 | 0aaa aaaa | TVF, Fréquence de coupure
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00 4A | 00aa aaaa | TVF, Suivi clavier de la fréq. de coupure(44 — 84) |
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00 4B | 0000 0aaa | TVF, Courbe de vélocité de fréq. de coupure(0 — 7) |
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00 4C | 0aaa aaaa | TVF, Sens. de fréq. de coupure à vélocité(1 — 127) |
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00 4D | 0aaa aaaa | TVF, Résonance
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00 4E | 0aaa aaaa | TVF, Sens. de la résonance à la vélocité (1 — 127) |
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00 4F | 0aaa aaaa | Enveloppe TVF, Profondeur
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00 50 | 0000 0aaa | Enveloppe TVF, Courbe de vélocité
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00 51 | 0aaa aaaa | Enveloppe TVF, Sensibilité à la vélocité (1 — 127) |
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00 52 | 0aaa aaaa | Enveloppe TVF, Sens. à la vél. segment 1 (1 — 127) |
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00 53 | 0aaa aaaa | Enveloppe TVF, Sens. à la vél. segment 4 (1 — 127) |
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00 54 | 000a aaaa | Env. TVF, Mod. des segments selon note
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00 55 | 0aaa aaaa | Enveloppe TVF, Durée du segment 1
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00 56 | 0aaa aaaa | Enveloppe TVF, Durée du segment 2
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00 57 | 0aaa aaaa | Enveloppe TVF, Durée du segment 3
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00 58 | 0aaa aaaa | Enveloppe TVF, Durée du segment 4
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00 59 | 0aaa aaaa | Enveloppe TVF, Niveau 0
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00 5A | 0aaa aaaa | Enveloppe TVF, Niveau 1
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00 5B | 0aaa aaaa | Enveloppe TVF, Niveau 2
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00 5C | 0aaa aaaa | Enveloppe TVF, Niveau 3
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00 5D | 0aaa aaaa | Enveloppe TVF, Niveau 4
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00 5E | 000a aaaa | Niveau d'action (variation du volume)
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00 5F | 0aaa aaaa | Note de coupure
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00 60 | 0000 00aa | Sens de variation du volume
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00 61 | 0000 0aaa | TVA, Courbe de vélocité du volume
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00 62 | 0aaa aaaa | TVA, Sensibilité du volume à la vélocité (1 — 127) |
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00 63 | 0aaa aaaa | Env. TVA, Sens. du segm.1 à la vélocité
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00 64 | 0aaa aaaa | Env. TVA, Sens. du segm.4 à la vélocité
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00 65 | 000a aaaa | Env. TVA, Mod. des segments selon note
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00 66 | 0aaa aaaa | Segment 1 de l'enveloppe TVA
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00 67 | 0aaa aaaa | Segment 2 de l'enveloppe TVA
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00 68 | 0aaa aaaa | Segment 3 de l'enveloppe TVA
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00 69 | 0aaa aaaa | Segment 4 de l'enveloppe TVA
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INT, SR—JV80, SRX, SAMPLE<*>
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—6, 0, +6, +12 [dB]
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OFF, LPF, BPF, HPF, PKG, LPF2, |
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LOWER, UPPER, LOWER&UPPER, ALL
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 2) |
OFF, ON, REVERSE
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(0 — 3) |
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OFF, 1 — 16384
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(0 — 16384) |
OFF, 1 — 16384
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(0 — 16384) |
OFF, 1 — 16384
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(0 — 3) |
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(0 — 1) |
OFF, ON
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(0 — 3) |
1 — 4
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(0 — 1) |
OFF, ON
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—200 — +200
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(52 — 76) |
—12 — +12
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—63 — +63
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—63 — +63
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—63 — +63
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(54 — 74) |
—100 — +100
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(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
(1 — 127) |
—63 — +63
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(1 — 127) |
—63 — +63
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(1 — 127) |
—63 — +63
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(1 — 127) |
—63 — +63
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(1 — 127) |
—63 — +63
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(0 — 6) |
LPF3
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(0 — 127) |
—200 — +200
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FIXED, 1 — 7
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—63 — +63
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(0 — 127) |
—63 — +63
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(1 — 127) |
—63 — +63
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(0 — 7) |
FIXED, 1 — 7
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—63 — +63
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—63 — +63
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—63 — +63
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(54 — 74) |
—100 — +100
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(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
(54 — 74) |
—100 — +100
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(0 — 127) |
C—1 — G9
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(0 — 3) |
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(0 — 7) |
FIXED, 1 — 7
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—63 — +63
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(1 — 127) |
—63 — +63
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(1 — 127) |
—63 — +63
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(54 — 74)|
—100 — +100
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(0 — 127) |
(0 — 127) |
(0 — 127) |
(0 — 127) |
Publicité
Table des Matières
