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Chapter 2: Let's Plug In & Play
Title
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en
ABE
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24
Universal
Backing
distortion
effects
(cleaner than
Clean effects
for cutting and
arpeggio
effects and
for amplified
acoustic
instruments
For slide
guitar
Acoustic
Bass effects
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Brick Wall
Single Coil
This is suitable for straight rock 'n' roll backing. It has a dry distortion sound.
Definitely recommended
for use with single-coil guitars.
Strut-crunch
The distortion level and the sound created at high levels can be controlled by applying
different picking strengths. Suitable for anyone who prefers nuances.
This is a crunchy (but almost clean) distortion.suitable for single coil (Strat-type) guitars.
This sound will be familiar to you if you listened to L.A. pop in the early 80's.
Clipper
It matches all kinds of sound. You can edit the delay time according to the tempo.
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En e a all-purpose distortion effect. It emphasizes the middle-low sound range compared
lead effects)
29
LA Luc
44
45
46
47
Sky High
Sharpeggio
Cosmic Dance
Light Steps
Fun-Kut
Slider
Monk Akka 2
Straight Nylon
Processed Nylon
Better Bass
This is a rich wide fat distortion for the lower sound range. Recommended for strong picking
on Les Paul guitars.
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Eric Johnson style with clear distortion. It is suitable for guitar melodies.
This is another crunchy distortion. When the sound volume is decreased, the distortion goes
away, allowing cutting or oblique motion phrasing.
This is a slight distortion rather different from crunch. It is suitable for country music
This can be used for all kinds of sound. You can apply delay by editing.
Pat Metheny style with a deep effect. Recommended for use with neck humbucking pickups.
Andy Summer-style backing. Try experimenting with the chorus and reverb parameters.
A clean effect with light harmonization and feedback. Try cutting hard with this one.
Clean cutting effect with a light rotary-style modulation. Try adjusting the speed.
Use this delay effect for backing and arpeggio work.
An effect with compressor for solo guitar. Experiment with the equalization until you find the
setting that fits your guitar best.
Mainly for arpeggios. Adjust the delay time and number of repeats, as well as the value for
fine pitch.
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Rich reverb and a pitch delay — for arpeggio playing.
Similar to No. 37, but brighter, and with chorus added.
A deeply-modulated effect with a cutting edge — use for funk cutting.
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A distorted, bluesy effect for bottleneck guitar.
An improvement of the "Monk Akka" sound on the FX500. The sound continues even when
you've stopped!
For an amplified gut-strung guitar. Number 46 is "straight", and Number 47 has a slight
modulation added.
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Basic bass effect for use with fingers or plectrum.
Adds modulation to slapped bass.
А bass effect with a short delay and modulation.
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