Test Tone; Delay Setup - Rotel RSX-1058 Manuel D'utilisation

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We recommend starting with the settings for
all surround modes at the default 0dB setting
during the test tone calibration of the system
and for a period of familiarization after that.
As you listen to a variety of source material
over time, you may notice that certain sur-
round modes consistently produce too much
or too little bass from the subwoofer. If so,
then use these menu settings to customize
each surround mode. In general, if the master
subwoofer level is set properly (i.e. not too
loud), individual settings for each surround
mode should not be necessary.
NOTE: In Dolby Digital and DTS recordings,
the LFE channel is used to produce spectacu-
lar low bass effects, placing considerable de-
mands on your subwoofer system. If you hear
distortion or other signs of distress from your
subwoofer at loud listening levels, you may
consider reducing the subwoofer level for the
Dolby Digital and/or DTS surround modes. In
other surround modes, there is no LFE channel
and the subwoofer will only reproduce redi-
rected bass from the other channels, which is
not as likely to tax the subwoofer.
To return to the MAIN menu, press the EN-
TER button. Press the MENU/OSD button on
the remote to cancel the display and return
to normal operation.

Test Tone

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This menu uses filtered pink noise test tones
to set equal volume levels for all speakers
(left front, center, right front, right surround,
center back, left surround, and subwoofer) to
ensure proper surround sound reproduction.
Setting the output levels using the test proce-
dure provides the most accurate adjustment
so that digital surround sound material will
be reproduced as it was intended and is a
critical step in calibrating the system.
NOTE: If you have configured your system to
use two center back speakers, there will be an
additional line in the menu, giving you the abil-
ity to independently adjust the CENTER BACK
1 and CENTER BACK 2 speakers.
43
To access this menu and perform the test
tone calibration, you can be in any surround
mode except BYPASS with any input except
the MULTI INPUT. Enter the OSD menu sys-
tem and select TEST TONE from the MAIN
MENU to reach this screen.
When you enter the TEST TONE menu, you
will hear a test tone coming from the high-
lighted speaker. Highlight different speakers
by moving the cursor to the desired line using
the UP/DOWN buttons. The test tone will shift
accordingly to the selected speaker.
Seated in the normal listening location, shift
the test tone to the various speakers. Using
the one speaker as a reference, listen for any
speakers that are noticeably louder or quieter.
If so, adjust that speaker's levels up or down
(in 1dB increments) using the +/– buttons.
Continue switching among the speakers and
adjusting until all are the same volume.
To return to the MAIN menu, press the EN-
TER button. Press the MENU/OSD button on
the remote to cancel the menu display and
return to normal operation.
Calibration with an SPL meter:
Calibrating the system with an SPL (Sound
Pressure Level) meter, rather than by ear, pro-
vides more precise results and improves the
system's performance significantly. Inexpen-
sive SPL meters are widely available and the
procedure is quick and easy.
Both Dolby and DTS specify a standard cal-
ibration level for all theaters to ensure that
soundtracks can be played at the volume level
intended by the director of the film. This ref-
erence level should result in spoken dialog
played at a realistic level for normal speech
with the loudest peaks in any single channel
at about 105dB. The RSX-1058's test tones
are generated at a precise level (-30dBFs)
relative to the loudest possible digitally re-
corded sound. At the Dolby or DTS reference
level, these test tones should produce a 75dB
reading on an SPL meter.
Set the meter to its 70dB dial setting with SLOW
response and C-weighting, held away from
your body at your listening position (mount-
ing the SPL meter on a camera tripod makes
this easier). You can point the SPL meter at
each speaker as it is being measured; how-
ever, positioning the meter in a fixed position
pointing at the ceiling is easier and probably
produces more consistent results.
Increase the master volume control on the
RSX-1058 until the meter reads 75dB (+5dB
on the meter scale) when playing the test tone
through one of the front speakers. Then, use
the individual channel adjustments on the
TEST TONE menu to adjust each of the indi-
vidual speakers, including the subwoofer, to
the same 75dB on the SPL meter.
NOTE: Due to meter weighting curves and
room effects, the actual level of the subwoofer
may be slightly higher than you measure. To
compensate, Dolby suggests setting the sub-
woofer several dB lower when calibrating with
an SPL meter (i.e. set the subwoofer to read
72dB on the meter instead of 75dB). Ultimately,
the proper subwoofer level must be determined
by personal taste and some listeners prefer to
set it above 75dB for film soundtracks. Exag-
gerated bass effects come at the expense of
proper blending with the main speakers and
place stress on the subwoofer and its amplifier.
If you can localize bass from the subwoofer, the
subwoofer level may be too high. Music can
be useful for fine-tuning the subwoofer level as
excessive bass is readily apparent. The proper
setting will generally work well for music and
movie soundtracks.
Remember the setting of the master volume
control used during this calibration. To play
a Dolby Digital or DTS soundtrack at the ref-
erence volume level, simply return to that vol-
ume setting. Note that most home theater lis-
teners find this setting to be excessively loud.
Let your own ears be the judge for deciding
how loud to playback movie soundtracks and
adjust the master volume control according-
ly. Regardless of your listening levels, using
an SPL meter to calibrate equal levels for all
speakers in the system is recommended.

Delay Setup

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The DELAY SETUP menu, which is reached
from the MAIN menu, allows you to set the
delay for individual speakers. This ensures
that the sound from each speaker arrives si-
multaneously at the listening position, even
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