Quasimidi SIRIUS Manuel D'utilisation page 35

SNARE-Drum
|1> Wave-Macro*
<2> (Octave: not selectable)
<3> Tune*
<4> (Glide: not selectable)
<5> (Monophon: not selectable)
<6> Pitch-Envelope-Modulation*
<7> Pitch-Envelope Attack*
<8> Pitch-Envelope Decay*
<9> VCF-Overdrive*
<10> VCF-Typ: 24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass*
<11> Cutoff-Frequency*
<12> Q-Factor*
<13> (Key-Tracking: not selectable)
<14> VCF-Dynamic-Modulation*
<15> VCF-Envelope-Modulation*
<16> VCF-Envelope Attack*
<17> VCF-Envelope Decay*
<18> VCF-Envelope Sustain* <19> VCF-Envelope
Release*
<20> VCA-Level*
<22> VCA-Envelope Attack*
<23> VCA-Envelope-Decay*
<24> VCA-Envelope Sustain*
<25> VCA-Envelope Release*
<26> LFO-Wave*
<27> LFO-Rate: can be synchronised*
<28> LFO-Depth*
<29> VCO (Pitch)-Modulation from LFO*
<30> VCF (Filter)-Modulation from LFO*
<31> VCA (Amplitude)-Modulation from LFO*
SYNTH 2
|1> Wave-Macro*
<2> Octave*
<3> Detune*
<4> Glide*
<5> Monophon
<6> Pitch-Envelope-Modulation*
<7> Pitch-Envelope Attack*
<8> Pitch-Envelope Decay*
<9> VCF-Overdrive*
<10> VCF-Typ: 24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass*
<11> Cutoff-Frequency*
<12> Q-Factor*
<13> VCF-Key-Tracking*
<14> VCF-Dynamic-Modulation*
<15> VCF-Envelope-Modulation*
<16> VCF-Envelope Attack*
<17> VCF-Envelope Decay*
<18> VCF-Envelope Sustain* <19> VCF-Envelope
Release*
<20> VCA-Level*
<22> VCA-Envelope Attack*
<23> VCA-Envelope-Decay*
<24> VCA-Envelope Sustain*
<25> VCA-Envelope Release*
<26> LFO-Wave*
<27> LFO-Rate: can be synchronised*
<28> LFO-Depth*
<29> VCO (Pitch)-Modulation From LFO*
<30> VCF (Filter)-Modulation from LFO*
<31> VCA (Amplitude)-Modulation from LFO*
<32> Pitch-Bend Range
<33| Holdpedal
HIHAT
|1> Wave-Macro*
<2> (Octave: not selectable)
<3> Tune*
<4> (Glide: not selectable)
<5> (Monophon: not selectable)
<6> Pitch-Envelope-Modulation*
<7> Pitch-Envelope Attack*
<8> Pitch-Envelope Decay*
<9> VCF-Overdrive*
<10> VCF-Typ: 24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass*
<11> Cutoff-Frequency*
<12> Q-Factor*
<13> (Key-Tracking: not selectable)
<14> VCF-Dynamic-Modulation*
<15> VCF-Envelope-Modulation*
<16> VCF-Envelope Attack*
<17> VCF-Envelope Decay*
<18> VCF-Envelope Sustain* <19> VCF-
Envelope Release*
<20> VCA-Level*
<22> VCA-Envelope Attack*
<23> VCA-Envelope-Decay*
<24> VCA-Envelope Sustain*
<25> VCA-Envelope Release*
<26> LFO-Wave*
<27> LFO-Rate: can be synchronised*
<28> LFO-Depth*
<29> VCO (Pitch)-Modulation from LFO*
<30> VCF (Filter)-Modulation from LFO*
<31> VCA (Amplitude)-Modulation from
LFO*
SYNTH 3
|1> Wave-Macro*
<2> Octave* <3>
Detune*
<4> Glide*
<5> Monophon
<6> Pitch-Envelope-Modulation*
<7> Pitch-Envelope Attack*
<8> Pitch-Envelope Decay*
<9> VCF-Overdrive*
<10> VCF-Typ: 24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass*
<11> Cutoff-Frequency*
<12> Q-Factor*
<13> VCF-Key-Tracking*
<14> VCF-Dynamic-Modulation*
<15> VCF-Envelope-Modulation*
<16> VCF-Envelope Attack*
<17> VCF-Envelope Decay*
<18> VCF-Envelope Sustain* <19> VCF-
Envelope Release*
<20> VCA-Level*
<22> VCA-Envelope Attack*
<23> VCA-Envelope-Decay*
<24> VCA-Envelope Sustain*
<25> VCA-Envelope Release*
<26> LFO-Wave*
<27> LFO-Rate: can be synchronised*
<28> LFO-Depth*
<29> VCO (Pitch)-Modulation From LFO*
<30> VCF (Filter)-Modulation from LFO*
<31> VCA (Amplitude)-Modulation from
LFO*
<32> Pitch-Bend Range
<33| Holdpedal
35
The Synthesiz