Boss BR-1600 CD Mode D'emploi page 380

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Index
POWER ..................................................................................... 32
Pre Delay ................................................................... 91, 101, 120
PRE FADER ............................................................................ 263
Pre Filter .................................................................................... 98
PRE GAP ................................................................................. 216
PreAmp ............................................................................... 85–87
Preamp .................................................................................... 102
Préamplificateur de microphone ........................................ 265
PRE-DELAY ................................................................... 112–113
Pre-Fader ................................................................................ 263
Pre-gap .................................................................................... 216
Presence ............................................................................ 94, 102
Preset, arrangement rythmique ................................... 148, 186
Preset, motif de basse ............................................................ 146
Preset, motif de batterie ........................................................ 146
PREVIEW ........................................................ 181, 183–185, 211
Preview ..................................................................................... 54
Preview Switch ........................................................................ 55
Prises ......................................................................................... 35
PROCRNC ................................................................................ 94
PROGRAMMABLE RHYTHM ............................................ 186
Programmation d'accords .................................................... 189
PROTECT ................................................................................. 71
PROTECTED ............................................................................ 67
Protection du morceau ..................................................... 67, 71
Protéger ..................................................................................... 71
Prox.Fx ...................................................................................... 96
PS ............................................................................................. 101
Punch In .................................................................................... 42
Punch In/Out ........................................................................... 42
Punch In/Out manuel ............................................................ 42
Punch Out ................................................................................. 42
Pwd. BLK ................................................................................ 127
Pwd. E-B ................................................................................. 127
Pwd. MAC .............................................................................. 127
Q
QTZ .................................................................................. 154, 168
Quantification ........................................................................ 154
Quantize .......................................................................... 154, 168
R
Rack160 ..................................................................................... 93
RADIO ...................................................................................... 98
Radio ....................................................................................... 127
RATE ....................................................................................... 113
Rate .............................................. 91, 97, 100, 104–106, 158, 172
RATIO ..................................................................................... 108
Ratio ..................................................................................... 92–93
REALTIME ............................................................................. 153
REC ............................................................................................ 27
REC MODE ...................................................................... 25, 285
RECOVER ....................................................................... 208, 245
Recover ............................................................................ 207–208
Régler l'effet doubling .......................................................... 114
Rehearsal ......................................................................... 154, 168
REHEARSAL OFF ......................................................... 154, 168
REHEARSAL ON .......................................................... 154, 168
RELATIVE TIME ................................................................... 228
RELEASE ................................................................................ 108
304
Release ................................................................. 92, 99, 128, 136
Release Time ............................................................................. 93
REPEAT .................................................................................... 26
Repeat ........................................................................................ 45
RES ................................................................................... 155, 169
RESET ...................................................................................... 258
Resonance ............................................................. 95, 97, 99–100
REST ........................................................................................ 169
Retard ...................................................................................... 113
Retard bref .............................................................................. 114
REVERB ............................................................................ 27, 112
Reverb ............................................................................... 74, 111
Reverb Edit ............................................................................. 112
REVERB SEND ...................................................................... 114
Reverb Send .................................................................... 112, 120
Réverbération ......................................................................... 112
REW ........................................................................................... 26
RF ORNG .................................................................................. 94
RF RED ...................................................................................... 94
RF VNTG .................................................................................. 94
Ring Modulator ......................................................... 84, 87, 103
Rise Time ................................................................................ 103
R-MAN ...................................................................................... 93
ROOM ..................................................................................... 112
Rouge ......................................................................................... 27
Rythmes programmables ..................................................... 146
S
S TO H ..................................................................................... 100
S/PDIF .................................................................................... 261
Sample Rate .............................................................................. 98
Sauvegarder ....................................................................... 72, 80
SCENE ....................................................................................... 51
Scene .......................................................................................... 50
Scène .......................................................................................... 51
Schémas logiques ........................................................... 281, 286
SCMS ........................................................................... 5, 219, 262
Scrub .......................................................................................... 54
Scrub FROM/TO
FROM .................................................................................. 55
TO ........................................................................................ 55
Scrub/Preview ......................................................................... 55
SCRUB/PRV. ........................................................................... 55
SDD .......................................................................................... 103
SEARCH ................................................................................... 25
SELECT ALL .......................................... 58–59, 63–64, 193, 211
Sensitivity ................................................... 95, 97, 103, 106, 135
Separation ................................................................... 96–97, 101
SEQ .......................................................................................... 104
SETUP ............................................................................. 156, 164
SG ............................................................................................. 103
SHLV ......................................................................... 90, 110, 134
Short Delay ....................................................................... 84, 103
Sibilant Level ............................................................................ 95
Silence ...................................................................................... 119
Simple bobinage .................................................................... 100
SIMUL ......................................................................... 24, 74, 280
SINGLE ..................................................................................... 96
Single to Hum ........................................................................ 100
SLDN ................................................................................. 94, 102

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