Table des Matières
Publicité
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00 52 | 0aaa aaaa | Bend Formant Depth
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00 53 | 0aaa aaaa | Bend Time Depth
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00 54 | 0aaa aaaa | Bend Level Depth
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00 55 | 0aaa aaaa | Bend LFO Rate
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00 56 | 0aaa aaaa | Bend LFO Formant Depth
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00 57 | 0aaa aaaa | Bend LFO Pitch Depth
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00 58 | 0aaa aaaa | Bend LFO Level Depth
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00 59 | 0aaa aaaa | Bend LFO Pan Depth
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00 5A | 0aaa aaaa | Bend Groove Quantize Depth 0 - 127
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00 5B | 0000 aaaa | Bend Range Up
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00 5C | 00aa aaaa | Bend Range Down
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|—————————————+———————————+—————————————————————————————————————————|
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00 5D | 0aaa aaaa | Groove Timing Depth
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|—————————————+———————————+—————————————————————————————————————————|
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00 5F | 0000 00aa | Keyboard Map
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00 60 | 0000 00aa | Phrase Map Assign
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00 61 | 0000 aaaa | Phrase Map Start Key
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|—————————————+———————————+—————————————————————————————————————————|
|#
00 62 | 0aaa aaaa | Sample Name 1
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00 63 | 0aaa aaaa | Sample Name 2
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00 64 | 0aaa aaaa | Sample Name 3
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00 65 | 0aaa aaaa | Sample Name 4
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00 66 | 0aaa aaaa | Sample Name 5
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00 67 | 0aaa aaaa | Sample Name 6
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00 68 | 0aaa aaaa | Sample Name 7
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00 69 | 0aaa aaaa | Sample Name 8
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00 6A | 0aaa aaaa | Sample Name 9
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00 6B | 0aaa aaaa | Sample Name 10
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00 6C | 0aaa aaaa | Sample Name 11
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00 6D | 0aaa aaaa | Sample Name 12
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00 6E | 0aaa aaaa | Sample Category Name 1
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00 6F | 0aaa aaaa | Sample Category Name 2
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00 70 | 0aaa aaaa | Sample Category Name 3
|—————————————+—————————————————————————————————————————————————————|
|Total size
| 00 00 00 71
+———————————————————————————————————————————————————————————————————+
#: RQ1 seulement (ne peut PAS être écrit par DT1)
*: Début de message impossible à partir de cette adresse
● 1-2-3. Phrase Map
+———————————————————————————————————————————————————————————————————+
| Offset
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Address |
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00 00 | 0000 0aaa | Sample Number
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00 01*| 0bbb bbbb |
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00 02 | 0aaa aaaa | Map Level
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00 03 | 0aaa aaaa | Map Pan
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00 04 | 000a aaaa | Map Coarse Tune
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00 05 | 0aaa aaaa | Map Fine Tune
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00 06 | 0000 0aaa | Map Octave Shift
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00 07 | 0000 000a | Map Pitch Sync Sw
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|—————————————+———————————+—————————————————————————————————————————|
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00 08 | 0000 00aa | Map Output Assign
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00 09 | 0aaa aaaa | Map Multi-FX Send Level
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00 0A | 0aaa aaaa | Map Chorus Send Level
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00 0B | 0aaa aaaa | Map Reverb Send Level
|—————————————+———————————+—————————————————————————————————————————|
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00 0C | 0000 000a | Map Tempo Sync Sw
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|—————————————+———————————+—————————————————————————————————————————|
|#
00 0D | 0aaa aaaa | Sample Name 1
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00 0E | 0aaa aaaa | Sample Name 2
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00 0F | 0aaa aaaa | Sample Name 3
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00 10 | 0aaa aaaa | Sample Name 4
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00 11 | 0aaa aaaa | Sample Name 5
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00 12 | 0aaa aaaa | Sample Name 6
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00 13 | 0aaa aaaa | Sample Name 7
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00 14 | 0aaa aaaa | Sample Name 8
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00 15 | 0aaa aaaa | Sample Name 9
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00 16 | 0aaa aaaa | Sample Name 10
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00 17 | 0aaa aaaa | Sample Name 11
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00 18 | 0aaa aaaa | Sample Name 12
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00 19 | 0aaa aaaa | Sample Category Name 1
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00 1A | 0aaa aaaa | Sample Category Name 2
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00 1B | 0aaa aaaa | Sample Category Name 3
|—————————————+—————————————————————————————————————————————————————|
|Total size
| 00 00 00 1C
+———————————————————————————————————————————————————————————————————+
#: RQ1 seulement (ne peut PAS être écrit par DT1)
*: Début de message impossible à partir de cette adresse
0 - 127
(-64 - +63) |
0 - 127
(-64 - +63) |
0 - 127
(-64 - +63) |
0 - 127
(-64 - +63) |
0 - 127
(-64 - +63) |
0 - 127
(-64 - +63) |
0 - 127
(-64 - +63) |
0 - 127
(-64 - +63) |
(-64 - +63) |
0 - 12
(0 - +12) |
0 - 48
(0 - -48) |
0 - 127
(-64 - +63) |
0 - 2
(NORMAL, EVENT, PHRASE MAP) |
0 - 2
(CHROMATIC, WHITE, BLACK) |
0 - 8
(C-1,C0,C1,C2,C3,C4,C5,C6,C7) |
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
Description
0 - 1023
(A001 - H128) |
0 - 127
0 - 127
(L64 - 63R) |
0 - 24
(-12 - +12 [semitone]) |
0 - 100
(-50 - +50 [cent]) |
0 - 6
(-3 - +3 [octave]) |
0 - 1
(OFF, ON) |
0 - 3
(MAIN,M-FX,DIR1,DIR2) |
0 - 127
0 - 127
0 - 127
0 - 1
(OFF, ON) |
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
32 - 126
■ 1-3. Sample
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+———————————————————————————————————————————————————————————————————+
| Offset
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Address |
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00 00 | 000a aaaa | Wave Gain
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|—————————————+———————————+—————————————————————————————————————————|
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00 01 | 0000 0aaa | LFO Waveform
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00 02 | 0000 000a | LFO Key Trigger
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00 03 | 0aaa aaaa | LFO Rate
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00 04 | 0000 0aaa | LFO Offset
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00 05 | 0aaa aaaa | LFO Delay Time
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00 06 | 0aaa aaaa | LFO Fade Time
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00 07 | 0000 00aa | LFO Fade Mode
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00 08 | 0000 000a | LFO External Sync
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|—————————————+———————————+—————————————————————————————————————————|
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00 09 | 0000 000a | Pitch Control Sw
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00 0A | 0000 aaaa | Pitch Keyfollow
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00 0B | 0aaa aaaa | Pitch LFO Depth
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00 0C | 000a aaaa | Random Pitch Depth
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|—————————————+———————————+—————————————————————————————————————————|
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00 0D | 0000 000a | Time Control Sw
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00 0E | 0000 aaaa | Time Keyfollow
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00 0F | 0000 0aaa | Human Feel
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|—————————————+———————————+—————————————————————————————————————————|
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00 10 | 0000 000a | Formant Control Sw
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00 11 | 0000 aaaa | Formant Keyfollow
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00 12 | 0aaa aaaa | Formant LFO Depth
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|—————————————+———————————+—————————————————————————————————————————|
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00 13 | 0000 00aa | Pan Control Mode
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00 14 | 0000 aaaa | Pan Keyfollow
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00 15 | 00aa aaaa | Random Pan Depth
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00 16 | 0aaa aaaa | Alternate Pan
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00 17 | 0aaa aaaa | Pan LFO Depth
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|—————————————+———————————+—————————————————————————————————————————|
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00 18 | 0aaa aaaa | Level LFO Depth
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00 19 | 0aaa aaaa | Velocity
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00 1A | 0000 0aaa | Velocity Curve
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|—————————————+———————————+—————————————————————————————————————————|
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00 1B | 0aaa aaaa | Fade In
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00 1C | 0aaa aaaa | Fade Out
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|—————————————+———————————+—————————————————————————————————————————|
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00 1D | 0000 000a | Portamento Sw
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00 1E | 0000 000a | Portamento Mode
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00 1F | 0000 000a | Portamento Type
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00 20 | 0000 000a | Portamento Start
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00 21 | 0aaa aaaa | Portamento Time
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00 22 | 0000 000a | Portamento Formant Sw
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00 23 | 0000 000a | Portamento Time Sw
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|—————————————+———————————+—————————————————————————————————————————|
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00 24 | 0000 000a | Loop Sw
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|—————————————+———————————+—————————————————————————————————————————|
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00 25 | 0000 000a | Key Assign Mode
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00 26 | 0000 00aa | Playback Mode
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00 27 | 0000 00aa | Trigger mode
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00 28 | 0000 000a | Trigger Quantize
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|—————————————+———————————+—————————————————————————————————————————|
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00 29 | 0000 000a | Melody Cancel
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00 2A | 0000 000a | Vibrato Keep Sw
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|—————————————+———————————+—————————————————————————————————————————|
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00 2B | 0aaa aaaa | Encode Event Sens
|—————————————+———————————+—————————————————————————————————————————|
Implémentation MIDI
Description
0 - 18
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(0 - +18 [dB]) |
0 - 7
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(TRI,SIN,SAW,SQR,TRP,S&H,RND,CHS) |
0 - 1
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0 - 127
0 - 4
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(-100,-50,0,+50,+100 [%]) |
0 - 127
0 - 127
0 - 3
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(ON-IN,ON-OUT,OFF-IN,OFF-OUT) |
0 - 1
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0 - 1
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0 - 15
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(-100,-70,-50,-30,-10,0,+10,+20,+30, |
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+40,+50,+70,+100,+120,+150,+200) |
0 - 127
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(-64 - +63) |
0 - 30
| (0,1,2,3,4,5,6,7,8,9,10,20,30,40,50,60, |
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70,80,90,100,200,300,400,500,600,700, |
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800,900,1000,1100,1200) |
0 - 1
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0 - 15
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(-100,-70,-50,-30,-10,0,+10,+20,+30, |
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+40,+50,+70,+100,+120,+150,+200) |
0 - 7
0 - 1
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0 - 15
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(-100,-70,-50,-30,-10,0,+10,+20,+30, |
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+40,+50,+70,+100,+120,+150,+200) |
0 - 127
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(-64 - +63) |
0 - 2
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(OFF,CONTINUOUS,KEY-ON) |
0 - 14
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(-100,-70,-50,-40,-30,-20,-10,0, |
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+10,+20,+30,+40,+50,+70,+100) |
0 - 63
0 - 127
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(L64 - 63R) |
0 - 127
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(L64 - 63R) |
0 - 127
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(-64 - +63) |
0 - 127
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(REAL,1 - 127) |
0 - 6
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(TYPE1 - TYPE7) |
0 - 127
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(0.00 - 2.00[sec]) |
0 - 127
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(0.00 - 6.00[sec]) |
0 - 1
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0 - 1
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(NORMAL, LEGATO) |
0 - 1
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(RATE, TIME) |
0 - 1
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(PITCH, NOTE) |
0 - 127
0 - 1
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0 - 1
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0 - 1
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0 - 1
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(POLY, SOLO) |
0 - 2
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(RETRIGGER,TIME SYNC/LEGATO,STEP) |
0 - 2
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(GATE, TRIGGER, DRUM) |
0 - 1
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0 - 1
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0 - 1
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0 - 127
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(OFF,ON) |
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(OFF,CLK) |
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(OFF,ON) |
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(OFF,ON) |
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(OFF,ON) |
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(OFF, ON) |
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(OFF, ON) |
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(OFF, ON) |
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(OFF, ON) |
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(OFF, ON) |
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(OFF, ON) |
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(OFF, ON) |
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205
Publicité
Table des Matières
