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G9.2tt Patch List
＊The amp channel indicated by shading will be selected when the patch is called up.
＊The Z-pedal setting indicates the effect type name and the parameter name. Expression pedal 1 is always assigned to the Volume parameter.
ARTIST
＊The
symbol indicates the vertical direction setting and the
＊An effect listed in brackets ( ) in the Z-pedal setting can be turned on by depressing the pedal fully.
Patch name
PRE-AMP
A
PRE-AMP
B
CHANNEL
CHANNEL
For LIVE use
For REC use
Hendrix
MS Crunch
FuzzFace
-2
-2
The wild and mighty fuzz sound of guitar god Jimi Hendrix. Push the pedal down and be transported to Woodstock in 1969. Shake the earth with your
u6
v6
thundering riffs. Channel A of the REC patch(u6-2) simulates the Marshall 1959 sound.
Cream
Z Clean
UK Blues
-3
-3
The Cream hit "Badge" which they also played at their reunion concert is driven by its beautiful melody and an enchanting combination of crunch and rotary speaker sound. That is the
u6
v6
sound contained in this patch. By assigning multiple effects to the pedal, even the speed control of the rotary speaker is convincingly reproduced. Channel A is a clean sound variation.
ZZ Drive
FZ+M_Stk
FZ+M_Stk
-4
-4
Simulates the special drive sound of Billy Gibbons who gained fame as the guitarist of ZZ Top. When you push the Z-pedal hard, delay is added, and
u6
v6
horizontal movement adds chorus. Hold your guitar way down low and start the hard boogie. Channel B is high-gain variation.
SRV
FD Clean
TS+F_Cmb
-5
-5
This patch is modeled on the definitive clean tone of Stevie Ray Vaughan. Great for fast chord cutting and dynamic stroking. Use heavy-gauge strings to
u6
v6
play some Texas Blues. Channel B contains TS+F̲Cmb drive sound.
SatchDST
DS-1
MS Drive
-1
-1
Simulates the lead tone of super guitarist Joe Satriani. The sound of the orange Boss DS-1, the quintessential distortion pedal, is a good match for
u7
v7
phrases that require real mastery of technique. Channel B features high-gain Marshall sound.
LukeCLN
Z Clean
Rect Vnt
-2
-2
Steve Lukather is largely responsible for the sophisticated sound of Toto that swept the world. In the eighties, he was using the clean tone that is
u7
v7
simulated by this patch. Channel B will let you produce the flashy lead sound of the Mesa Boogie Rectifier. Classic rock'n roll has never sounded better.
Santana
BG Crunch
BG Crunch
-3
-3
The Santana sound is perennially popular among rock fans the world over, but the band also often collaborated with major Jazz artists. That sweet and drawn out Santana
u7
v7
lead tone is simulated by this patch. Choke your guitar at the upper end and immerse yourself in "Europe". Channel A contains a variation with reduced drive.
B.Setzer
TweedBass
TweedBass
-4
-4
This patch simulates the Rockabilly sound of Brian Setzer who became instantly famous for his "Dirty Boogie" album. The quality feel of the sound will
u7
v7
have you swinging in a heartbeat. The TweedBass setting in channel A has reduced gain and a less pronounced tone.
BrianDly
VX Crunch
ENGL Drv
-5
-5
Simulates the sound of guitar magician Brian May who created the dramatic allure of Queen. Use the Z-pedal to blend the alternating right/left delay with the harmonized
u7
v7
pitch shifter to weave some guitar magic. Channel A is a Vox crunch sound suitable for backing. Channel B of the REC patch (u7-5) provides PV Drive sound.
KurtDRV
Z Clean
BigMuff
In the nineties, Kurt Cobain of Nirvana changed the music scene forever, with his grunge sound making dramatic use of distortion and modulation. This
-1
-1
u8
v8
patch will make you want to play those riffs from "Smells Like Teen Spirit". Channel A recreates the clean sound for the intro.
SPECIAL FX
X-Flange
Z Clean
HotBox
-2
-2
This flanger based jet sound is the signature sound of hard rock. Move the Z-pedal in the horizontal direction to adjust the flanger amount. The REC patch (u8-2)
u8
v8
gives you two fighter planes that cross the stage from right and left when you move the Z-pedal horizontally. Channel A is a clean sound suitable for arpeggios.
PedalPan
FD Clean
DZ Drive
-3
-3
This patch lets you move the effect sound with the Z-pedal, to create an intriguing space effect. In addition, Z-Echo gives you a time stretch that
u8
v8
resembles analog delay. Channel A is a high-gain sound modeled on the Diezel Herbert channel 3.
Rotary
Z Clean
UK Blues
Spectacular rotary speaker simulation using three types of modulation. Use function foot switch 1 to change from the drive sound of channel B modeled on the Marshall
-4
-4
u8
v8
Bluesbreaker amp to the Z Clean sound. The vertical direction of the Z-pedal controls the rotation speed, and movement in the horizontal direction adds delay.
PdlPhase
HW Clean
TS808
-5
-5
This patch produces utterly clean, transparent sound. The Z-pedal allows versatile control of the phaser sound and echo sound. Channel B contains drive
u8
v8
sound modeled on the TS808.
Gt-Osc
TweedBass
HotBox
-1
-1
This patch produces an enigmatic sound that uses the oscillator effect. The Z-pedal lets you choose between guitar sound and synthesizer sound.
u9
v9
Channel A is a crunch sound modeled on the Fender Bassman.
Bend4T
Z Clean
JC Clean
-2
-2
Clean sound featuring ZOOM's traditional bend chorus. Play a solo with a Pop style bend, a great match for bands with alluring female vocals. Channel B is a clean
u9
v9
sound variation using JazzChorus. In the REC patch (u9-2), Z-Delay is assigned to the pedal, allowing you to change the position of the delay sound only.
G9.2tt-Patchlist-E-1
symbol the horizontal direction setting.
FUNCTION1
FUNCTION2
Z-Pedal ( Expression pedal 2 )
A/B
Phaser on
Vibe : Rate
A/B
DelayTAP
AutoPan : Rate
A/B
BPM TAP
Delay : Mix
A/B
Wah on
Vibe : Balance
A/B
Delay on
CombFilter : Frequency
A/B
DelayTAP
Delay : Mix
A/B
Arena on
( PedalVox : Frequency )
A/B
PRE-AMP on
ModernSpring : Mix
A/B
Hold Delay
PingPongDly : Mix
A/B
Ensemble on
AMP-B : Gain
A/B
X-Flanger on
X-Flanger : Rate
A/B
Z-Echo on
X-Dimension : Depth
A/B
DelayTAP
AutoPan : Rate
A/B
BPM TAP
FixedPhaser : Frequency
A/B
Delay on
Z-Oscillator : Balance
A/B
BPM TAP
BendChorus : Balance
SPECIAL FX
Patch name
For LIVE use
For REC use
SFX G9
Hall : Mix
-3
-3
u9
v9
Pdl-Osc
Echo : Mix
-4
-4
u9
v9
RingMod
Chorus : Mix
-5
-5
u9
v9
Vibe : Rate
Recommended Accelerator settings
Delay : Mix
Normal Clean
ST-Chorus : Mix
AMP : Gain
Settings for clean tone with low
distortion levels
Echo : Mix
Recommended settings for major guitar amps
H.P.S : Mix
Marshall JCM-2000
Ensemble : Mix
Live performance patches (U0〜U9, A0〜A9)
EQUALISATION
4
6
4
6
OFF
0
2
2
8
2
8
0
10
0
10
PRESEMCE
TREBLE
DEEP
Fender TWIN Reverb
X-Flanger : X-Fade
Live performance patches (U0〜U9, A0 〜A9)
1
2
X-Dimension : Pan
NORMAL
AnalogDelay : Mix
Roland JC-120
Live performance patches (U0〜U9, A0〜A9)
Echo : Mix
HIGH
LOW
Z-Oscillator : Portament
＊
The recommended settings shown above are for the FRONT setting of the amp select feature.
＊
If a recording patch is selected while using a guitar amp, the desired effect may not be obtained and the sound may be unpleasant. Adjust the amp settings using
Hall : Mix
the above examples as reference.
＊
The recommended settings shown above may need fine-tuning according to usage condition of the amplifier.
PRE-AMP
A
PRE-AMP
B
FUNCTION1
FUNCTION2
CHANNEL
CHANNEL
FD Clean
BigMuff
A/B
BPM TAP
This patch produces a sound like bubbles forming under water. By moving the Z-pedal, you can make the bubbles burst. When listening with headphones, you'll feel immersed in a liquid universe.
As the name "SFX G9" indicates, this kind of sound is possible with the G9 only. Every guitarist is sure to find new inspiration here. Channel B contains dramatic BigMuff type fuzz sound.
Rect Vnt
Rect Vnt
A/B
DelayTAP
This Theremin style sound using the Z-Oscillator is generated when you move the Z-pedal. Expect to be amazed by a sound that goes far beyond what
guitar effects normally offer. Added reverb and delay help to create a fantastic world.
FD Clean
DZ Crunch
A/B
Z-Echo on
Drive sound using the ring modulator. Moving the Z-pedal alters the Z-Echo Time parameter and the RingModulate Frequency parameter assigned to the
pedal, resulting in a spacy sound. Channel A contains a Fender Twin Reverb clean sound.
Tube Pre-amp
Settings for adding tube compression
Recording patches (u0〜u9, b0〜b9)
CLASSIC GAIN
REVERB
/ CHANNEL A
4
6
4
6
4
6
4
4
6
6
4
6
4
6
4
6
4
OFF
OFF
OFF
OFF
4
2
5
2
2
8
2
8
8
2
2
8
8
2
2
8
8
2
8
2
0
10
0
0
10
10
0
0
10
10
0
10
0
10
0
10
0
INPUT
MIDDLE
VOLUME
BASS
GAIN
CHANNEL B
CHANNEL
VOLUME
GAIN
PRESEMCE
READ 1
TONE SHIFT
CLEAN
DEEP
READ 2
CRUNCH
Recording patches (u0〜u9, b0〜b9)
4
5
5
BRIGHT
8.5
5
5
OFF
VOLUME
TREBLE
MIDDLE
BASS
Recording patches (u0〜u9, b0〜b9)
CHANNEL-1
BRI
VOLUME
TREBLE
MIDDLE
BASS
5
5
5
5
OFF
5
5
5
5
5
5
0
10
0
10
0
10
0
10
Z-Pedal ( Expression pedal 2 )
Z-Step : Frequency
Z-Step : Mix
Z-Oscillator : Frequency
Z-Oscillator : Balance
RingModulate : Balance
RingModulate : Frequency
Clean-Tube Mix
Settings for mixing solid state clean
sound and tube distortion
EQUALISATION
CLASSIC GAIN
REVERB
/ CHANNEL A
6
4
6
4
6
4
4
6
6
4
4
6
6
4
6
4
6
4
6
OFF
OFF
OFF
0
0
1
2
5
8
2
8
2
2
8
2
8
8
2
2
8
8
2
2
8
8
2
8
10
0
10
0
10
0
0
10
10
0
0
10
10
0
10
0
10
0
10
INPUT
TREBLE
MIDDLE
VOLUME
BASS
GAIN
CHANNEL B
CHANNEL
VOLUME
GAIN
READ 1
TONE SHIFT
CLEAN
READ 2
CRUNCH
1
2
4
5
5
BRIGHT
4.5
5
5
NORMAL
OFF
VOLUME
TREBLE
MIDDLE
BASS
CHANNEL-1
HIGH
BRI
VOLUME
TREBLE
MIDDLE
BASS
5
5
5
5
LOW
OFF
5
0
0
10
10
0~3
0~3
0
10
0
10
0
10
0
10
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