Zoom G9.2tt Mode D'emploi page 44

Table des Matières

G9.2tt Patch List

＊The amp channel indicated by shading will be selected when the patch is called up.

＊The Z-pedal setting indicates the effect type name and the parameter name. Expression pedal 1 is always assigned to the Volume parameter.

DEMO

＊The

symbol indicates the vertical direction setting and the

＊An effect listed in brackets ( ) in the Z-pedal setting can be turned on by depressing the pedal fully.

Patch name

PRE-AMP

CHANNEL

For LIVE use

For REC use

G9 Drive

DZ Clean

PV Drive

-1

This patch simulates the new-generation warming sound of Rage Against The Machine guitarist Tom Morello. Moving the Z-pedal in the vertical direction gives a 1-octave higher pitch change, and the

horizontal direction adds one more octave, for extreme pitch changes. Channel A is modeled on the Diezel Herbert high-gain setting, and channel B on channel 1 clean sound of the Peavey 5150.

CleanCMB

FD Clean

VX Clean

-2

Ultimate clean tone recreating the saturation of a tube amp. Select either American Fender sound (channel A) or British Vox sound (channel B). By

making use of the Energizer tube circuitry, the sound can be given additional sheen.

CrosOver

Z Clean

OverDrive

-3

Versatile overdrive sound very popular in Fusion and Crossover of the nineteen-eighties. When playing a guitar solo, increase the gain by pushing down

the Z-pedal. Add delay by moving the Z-Pedal sideways. Channel A offers Z Clean sound for cutting.

X-Phase

FD Clean

VX Clean

-4

Compression + phaser sound great for funky cutting. Cross-fade the regular phaser with the original sound by moving the Z-pedal sideways. Add

brushing and single-note riffs to really build that groove. Channel A is a clean sound variation based on the Fender Twin Reverb.

Wah&Pit!

MS #1959

MS Drive

This patch is ideal for some tricky guitar play. Use the Z-pedal with one foot and turn into Steve Vai. Control wah with vertical pedal movement and

-5

operate a mono pitch shifter in real time with horizontal pedal work. Channel A contains the Marshall 1959 crunch sound with moderate gain.

Z-Talker

OFF

FuzzFace

-1

Make the guitar talk with the Z-pedal. Moving the pedal in a V-shaped pattern during chord stroking creates a back-up chorus. Or switch to channel B

with the Fuzz Face sound for stronger impact. Channel A of the REC patch (u1-1) contains Z Clean sound.

'70s Dry

TS+F_Cmb

SD+M_Stk

-2

Dry sound reminiscent of the seventies. Gradually moving the Z-pedal vertically brings up from the "woman tone" of Eric Clapton to brighter tone. Channel

A is a combination of Fender combo amp and Ibanez TS-9 crunch sound.

Morphing

Z Clean

MS Drive

-3

Psychedelic morphing sound using reverse delay. Let the pedal take you from the real world (Arena) to the world of fantasy (Reverse Delay), and back

again. Channel B gives a heavily distorted Marshall sound.

HarmonyC

VX Clean

VX Crunch

-4

A patch that adds harmony in C major and delay to lead crunch sound. The Z-pedal lets you freely control the mixing ratio of delay and harmonized pitch

shifter. Why not try your hand at guitar orchestration using delay tap and the Z-pedal. Channel A is a clean sound based on the same Vox AC30TBX.

AcoJazz

Aco.Sim

FD Clean

-5

This patch uses the acoustic effect to modify the sound of an electric guitar in electroacoustic style. The beautiful ambience creates a Jazzy feel.

Recommended for use with single-coil front pickups. Channel B provides the Fender Twin Reverb clean sound.

MODELING

MS#1959

MS #1959

-1

A patch modeled on the legendary Marshall 1959 SuperLead 100 used extensively by numerous rock guitarists. Enjoy distortion that is slightly different from

modern high-gain stack amps. Pushing the Z-pedal all the way down turns vibrato on. Channel A is a variation of the same amp with lower gain setting.

ENGL

ENGL Drv

-2

This patch simulates the sound of the ENGL E650 Ritchie Blackmore Signature 100. Ample distortion but never muddy, that is what Ritchie Blackmore's

sound is all about. Moving the Z-pedal horizontally brings X-WAH into play. Channel A is a variation of the same amp with lower gain setting.

Rectify

Rect Cln

Rect Vnt

Simulates the high-gain sound of the Mesa Boogie Rectifier, a world-wide standard for heavy music. Warm sound with a strong presence provides a

-3

mighty buildup whether playing riffs or lead. Channel A provides the clean channel sound (Rect Cln).

J-Chorus

JC Clean

-4

A simulation of the Roland JazzChorus sound with its beautiful chorus-based clean tone. Every guitarist needs a transparent clean sound with a wide range of uses, for cutting, arpeggios

and many other situations. Stereo chorus can be turned on and off with the function foot switch. Channel A offers a tone variation of the same JazzChorus.

800/2000

MS Crunch

MS Drive

-5

This patch recreates both the Marshall JCM800 and JCM2000. Channel A is modeled on the characteristically solid crunch sound of the JCM800, while channel B brings

you the higher gain sound of the JCM2000. Toggle between channels A and B with the function foot switch, for quick access to two types of Marshall sound.

Diezel

DZ Clean

DZ Drive

-1

A simulation of the Diezel Herbert high gain sound popular among guitarists who want that extra heavy impact. Dry and penetrating distortion not available with other amps

sharply etches the outlines also of a heavily down-tuned guitar. Channel A uses "DZ Clean" which simulates the Diezel Herbert channel 1 with ultra-clean, transparent tone.

G9.2tt-Patchlist-E-1

symbol the horizontal direction setting.

FUNCTION1

FUNCTION2

Z-Pedal ( Expression pedal 2 )

A/B

Phaser on

Z-MonoPitch : PdlPosi V ( +1 Oct )

A/B

Hold Delay

ModernSpring : Mix

A/B

BPM TAP

AMP-B : Gain

A/B

Step on

X-Phaser : Rate

A/B

PdlMonoPitch on

PedalVox : Frequency

A/B

DelayTAP

Z-Talking : Formant V

A/B

DelayTAP

P-Resonance : Frequency

A/B

P-Resonance on

ReverseDelay : Balance

A/B

DelayTAP

Delay : Mix

A/B

Ensemble on

Hall : Mix

A/B

Booster on

( Vibe : Rate )

A/B

Delay on

X-Wah : Frequency

A/B

Hall on

Hall : Mix

A/B

ST-Chorus on

ST-Chorus : Mix

A/B

MultiWah on

( MultiWah : Frequency )

A/B

AutoWah on

Z-MonoPitch : PdlPosi V ( +1 Oct )

＊When connected to a guitar amplifier, select the "For LIVE use" patches. When connected to a recorder or similar equipment, select the "For REC use" patches.

＊Banks A and b of the preset area contain the same patches as banks U and u.

＊The noise reduction setting may have to be adjusted according to the guitar and amplifier you are using.

MODELING

Patch name

For LIVE use

For REC use

HiWatt

Z-MonoPitch : PdlPosi H ( +2 Oct )

-2

AC30TBX

AnalogDelay : Mix

-3

TriAmp

Delay : Mix

-4

TweedDLX

X-Phaser : X-Fade

-5

Breaker

PdlMonoPitch : PdlPosi

-1

W Fender

Z-Talking : Formant H

-2

AnalogDelay : Mix

ARTIST

P-Resonance : Frequency

Metallic

-3

H.P.S : Mix

BlackMor

-4

Delay : Mix

SurfRock

-5

Smash

-1

The Edge

Spring : Mix

-2

NotSubtl

X-Wah : X-Fade

-3

SalasWah

Chorus : Mix

-4

BeckOct

Hall : Mix

-5

KingTone

Hall : Mix

-1

Z-MonoPitch : PdlPosi H ( +1500 Cent )

＊

Manufacturer names and product names mentioned in this document are trademarks or registered trademarks of their respective

owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with ZOOM CORPORATION.

PRE-AMP

FUNCTION1

FUNCTION2

CHANNEL

HW Clean

A/B

DelayTAP

This patch is modeled on the clean tone of the Hiwatt Custom 100 with its lively midrange. The typical saturation characteristics of a tube amp are

faithfully preserved, resulting in confident, responsive sound. Immerse yourself in the sultry clean tone of a British amp. Channel B is a tonal variation.

VX Clean

VX Crunch

A/B

Tremolo on

Simulation of the Vox AC30TBX crunch sound with the smooth high range typical of a class A amplifier, and its delicately detailed distortion. When you play a chord, the

sound virtually jumps from the speaker in a way that is just not possible with other amps. Channel A gives the beautiful clean tone that is another hallmark of a class A amp.

HK Clean

HK Drive

A/B

DelayTAP

This patch simulates the smooth drive sound of the Hughes & Kettner Triamp MKII. Let the powerful low end and ample distortion propel your lead play.

Channel A recreates the sound of the class A amp in the clean channel of the Triamp MKII.

US Blues

A/B

BPM TAP

Sound modeled on the Fender Tweed Deluxe beloved by many Blues greats. Dry crunch sound with just the right amount of sustain brings out delicate

shifts in dynamics that make all the difference. Lay your heart into those picking nuances. Channel B contains a Tweed Deluxe sound variation.

UK Blues

A/B

MultiWah on

The Marshall Bluesbreaker simulated by this patch is not an amp that provides heavy distortion like the Marshall JCM series. Its crunch sound faithfully follows

each picking nuance and has the classic ring of British Blues in the vein of Eric Clapton. Channel B contains a variation with stronger drive feeling.

FD Clean

TweedBass

A/B

ST-Chorus on

Channel A of this patch contains the clean sound of a Fender Twin Reverb, while channel B recreates the crunch sound of the Fender Bassman. With

these two great choices, you can make optimum use of the stereo chorus while playing a wide variety of styles.

MS Crunch

DZ Drive

A/B

DelayTAP

This patch simulates the Deep setting of the Diezel amp known for its hard, high-gain tone, used extensively by bands such as Metallica. It is best suited

to playing guitar with drop tuning. Combination with Gate produces a dramatic and startling sound. Channel A is a Marshall crunch sound.

MS #1959

ENGL Drv

A/B

Booster on

Simulation of the famous Ritchie Blackmore sound. Channel A emulates the Marshall 1959 and channel B the ENGL Drv setting for Deep Purple and

Rainbow sound, respectively. Press function foot switch 2 to turn the booster on and get that great tone for lead play.

FD Clean

dist+

A/B

BendChorus on

The ideal sound for playing surf rock in the style of The Shadows or The Ventures. Get those phrases flowing and catch the wave. Move the Z-pedal

sideways to use both phaser and tremolo. Channel B is a dry sound using modeling of dist +.

Rect Mdn

DZ Drive

A/B

Delay on

Simulates the punk rock sound pumped out by Offspring. The drive feeling will make you want to hit those power chords, but the sound still retains

enough crispness for speedy playing. Channel B notches up the aggressiveness with DZ Drive.

HW Clean

BigMuff

A/B

BPM TAP

Simulates the sound of the famous U2 guitarist Edge who jumped onto the world scene in the 1980s. Moving the Z-pedal sideways produces clear echo

sound. Make optimum use of the pedal for those impressive solos. Channel B offers BigMuff type fuzz sound.

Z Clean

DZ Drive

A/B

RingModulate on

Simulates the loud and super-distorted sound of Slipknot, a major band on the modern heavy music scene. Moving the Z-pedal vertically gives the sound

a more metallic ring, while the horizontal direction adds ambience for solos. Channel A provides Z Clean sound.

Z Clean

Guv'nor

A/B

AutoWah on

This patch simulates the heavy auto wah sound of Stevie Salas. It uses the compressor + auto wah combination indispensable for true funk. Make free

use of brushing and single-note cutting to play those groovy phrases. Channel A contains a clean sound.

FD Clean

RAT

A/B

DelayTAP

Simulates the octaver sound cherished by Jeff Beck. It's the ideal patch for playing passages in the fluid driving style of his famous song "Led Boots".

Adjust the octaver level with the pedal. Channel A provides a Fender Twin Reverb clean sound.

FD Clean

UK Blues

A/B

DelayTAP

Clean tone like the choking guitar of the king of Blues, Mr. BB King. Recreate the moody solo from "The Thrill Is Gone", and use the pedal to control the

ambience. Channel B has a drive sound modeled on the Marshall Bluesbreaker.

Z-Pedal ( Expression pedal 2 )

Delay : Mix

Chorus : Mix

Tremolo : Rate

Tremolo : Depth

AnalogDelay : Mix

AnalogDelay : FeedBack

E/Reflection : Mix

TapeEcho : Mix

( MultiWah : Frequency )

TiledRoom : Mix