Table des Matières
Publicité
EXEMPLE DE RACCORDEMENTS
Enceintes de sonorisation
A
B
I/O
1
2
3
4
1
2
3
4
A
A
A
A
B
B
B
B
PAD
PAD
PAD
PAD
20dB
20dB
20dB
20dB
PEAK
PEAK
PEAK
PEAK
SIGNAL
SIGNAL
SIGNAL
SIGNAL
-16
-60
-16
-60
-16
-60
-16
-60
GAIN
GAIN
GAIN
GAIN
80
80
80
80
-15
+15
-15
+15
-15
+15
-15
+15
HIGH
HIGH
HIGH
HIGH
250
5k
250
5k
250
5k
250
5k
MID FREQ
MID FREQ
MID FREQ
MID FREQ
-15
+15
-15
+15
-15
+15
-15
+15
MID
MID
MID
MID
-15
+15
-15
+15
-15
+15
-15
+15
LOW
LOW
LOW
LOW
0
10
0
10
0
10
0
10
MONITOR
MONITOR
MONITOR
MONITOR
0
10
0
10
0
10
0
10
EFFECT 1
EFFECT 1
EFFECT 1
EFFECT 1
0
10
0
10
0
10
0
10
EFFECT 2
EFFECT 2
EFFECT 2
EFFECT 2
L
R
L
R
L
R
L
R
PAN
PAN
PAN
PAN
ON
ON
ON
ON
0
0
0
0
5
5
5
5
10
10
10
10
15
15
15
15
20
20
20
20
30
30
30
30
40
40
40
40
50
50
50
50
60
60
60
60
1
2
3
4
Microphones
Effecteur (Compresseur, etc.)
Enregistreur de cassette
INPUT
A
B
CH
INSERT I/O
0dB
5
6
7
8
9
10
11
12
OUT IN
5
6
7
8
9
10
11
12
A
A
A
A
A
A
A
A
B
B
B
B
B
B
B
B
PAD
PAD
PAD
PAD
PAD
PAD
PAD
PAD
20dB
20dB
20dB
20dB
20dB
20dB
20dB
20dB
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
PEAK
SIGNAL
SIGNAL
SIGNAL
SIGNAL
SIGNAL
SIGNAL
SIGNAL
SIGNAL
-16
-60
-16
-60
-16
-60
-16
-60
-16
-60
-16
-60
-16
-60
-16
-60
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
GAIN
80
80
80
80
80
80
80
80
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
HIGH
250
5k
250
5k
250
5k
250
5k
250
5k
250
5k
250
5k
250
5k
MID FREQ
MID FREQ
MID FREQ
MID FREQ
MID FREQ
MID FREQ
MID FREQ
MID FREQ
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
MID
MID
MID
MID
MID
MID
MID
MID
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
-15
+15
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
0
10
0
10
0
10
0
10
0
10
0
10
0
10
0
10
MONITOR
MONITOR
MONITOR
MONITOR
MONITOR
MONITOR
MONITOR
MONITOR
0
10
0
10
0
10
0
10
0
10
0
10
0
10
0
10
EFFECT 1
EFFECT 1
EFFECT 1
EFFECT 1
EFFECT 1
EFFECT 1
EFFECT 1
EFFECT 1
0
10
0
10
0
10
0
10
0
10
0
10
0
10
0
10
0
EFFECT 2
EFFECT 2
EFFECT 2
EFFECT 2
EFFECT 2
EFFECT 2
EFFECT 2
EFFECT 2
MONITOR
L
R
L
R
L
R
L
R
L
R
L
R
L
R
L
R
0
PAN
PAN
PAN
PAN
PAN
PAN
PAN
PAN
ON
ON
ON
ON
ON
ON
ON
ON
EFFECT RETURN 1 EFFECT RETURN 2
0
0
0
0
0
0
0
0
5
5
5
5
5
5
5
5
10
10
10
10
10
10
10
10
15
15
15
15
15
15
15
15
20
20
20
20
20
20
20
20
30
30
30
30
30
30
30
30
40
40
40
40
40
40
40
40
50
50
50
50
50
50
50
50
60
60
60
60
60
60
60
60
5
6
7
8
9
10
11
12
1
CD IN
EFFECT RETURN +4dB
EFFECT SEND +4dB
A
B
-6dB
L
L
1L/
2L/
1
MONO
MONO
R
R
1R
2R
2
LINE INSERT I/O +4dB
MONITOR OUT +4dB
REC OUT
TAPE IN
-10dBV
-10dBV
L
L
A
L
L
BALANCED
R
R
R
R
B
PRE GEQ
POST GEQ
INSERT
L
ST
R
VOCAL
HALL/ROOM
INSTRUMENT
VOCAL ECHO 1
DLY (ms)
LARGE HALL
REV (s)
SHARE GATE
DLY (ms)
VOCAL ECHO 2
DLY (ms)
SMALL HALL
REV (s)
SHARE REVERB
REV (s)
VOCAL REVERB 1
REV (s)
CHURCH
REV (s)
DELAY L, R
DLY (ms)
VOCAL REVERB 2
REV (s)
ROOM
SIZE
SHORT DELAY
DLY (ms)
REVERB & ECHO 1
DLY (ms)
PITCH CHORUS
DETUNE
REVERB & ECHO 2
DLY (ms)
PEAK
ON
PRESET
PARAMETER
PROGRAM
RESET
DIGITAL EFFECT (EFFECT 2)
+12
+12
9
9
6
6
3
3
0
0
3
3
EQ
6
6
9
9
-12
-12
63
125
250
500
1k
2k
4k
8k
16k
STEREO GRAPHIC EQUALIZER
POWERED MIXER
PHANTOM
ON
OFF
10
0
10
0
10
0
10
MONITOR
MONITOR A
REC OUT
0
10
10
0
10
0
10
0
10
0
10
LEVEL
LEVEL
MONITOR B
CD IN
TAPE IN
PHONES
A
B
0
0
0
0
5
5
5
5
10
10
10
10
15
15
15
15
20
20
20
20
30
30
30
30
40
40
40
40
50
50
50
50
60
60
60
60
—EFFECT SEND—
2
L
ST
R
PHONES
Lecteur CD,
Lecteur de cassette
Clavier,
Programmeur de rythmes,
Percussion électrique
Lecteur CD,
Lecteur de cassette,
Lecteur DAT
Processuer multi-effets
Réverbérateur
Egaliseur
graphique
Amplificateur
de puissance
Enceintes de contrôle
Casque
33
Publicité
Table des Matières
