Harman Kardon AVR 2600 Mode D'emploi page 53

Table A12 –
continued
Surround Mode Description
DTS Neo:6 Depending on the number of speakers in your system, select 3-, 5- or
Cinema 6-channel modes, enhanced for movie or video presentations.
DTS Neo:6 Available only in 5- and 6-channel modes, creates a surround presentation • DTS 2/2/.0 or .1, 3/2/.0 or .1
Music suitable for music recordings.
Logic 7 A Harman International proprietary technology, Logic 7 technology enhances
Mode Group 2-channel and matrix-encoded recordings by deriving separate information
for the surround back channels. This provides more accurate placement of
sound, improves panning and expands the sound field, even when used
with 5.1-channel systems. Logic 7 technology uses 96kHz processing, and
is available in 5.1-or 7.1-channel modes. Three variants are available.
Logic 7 Especially suited to 2-channel sources containing Dolby Surround or matrix
Movie encoding, Logic 7 Movie mode increases center channel intelligibility.
Logic 7 The AVR 2600 is programmed at the factory to default to this mode for
Music 2-channel signals. Logic 7 Music mode is well suited to conventional
2-channel music recordings.
Logic 7 Game Use Logic 7 Game mode to enhance enjoyment of video game consoles.
5-Channel Stereo Useful for parties, the left- and right-channel information is played
through both the front and surround speakers on each side, while the
center speaker plays a summed mono mix.
7-Channel Stereo Expands the 5-Channel Stereo presentation to include the surround back
channels.
2-Channel Stereo Turns off all surround processing and plays a pure 2-channel signal
or a downmix of a multichannel signal. The signal is digitized and bass
management settings are applied, making it appropriate when a
subwoofer is used.
2-Channel Stereo Maintains an analog input signal in that form, bypassing all digital processing
(Analog Bypass) (i.e., surround and bass management). Requires Tone Control setting to be off.
APPENDIX
Incoming Bitstream or Signal
• DTS 2/2/.0 or .1, 3/2/.0 or .1
• DTS 96/24
• Analog (2-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
• DTS 96/24
• Analog (2-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
See below
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz, 96kHz, 192kHz)
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz, 96kHz, 192kHz)
• Analog (2-channel; DSP downmix available
for multichannel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
• Analog (2-channel)
• Tuner
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