1959 Tom-Toms
This style is used in many different situations. With it's origin in the
1920's, when Duke Ellington played "jungle music" in Harlem and then
made totally unforgettable by Gene Krupa with the Benny Goodman
Orchestra at Carnegie Hall playing "Sing, Sing, Sing" in 1938, this
type of drumming is heard in almost every movie made reflecting the
30's and 40's. RB
1960 Bossa Nova
The traditional Bossa Nova style is played with the sidestick on the
snare drum. Activate the sidestick button for that authentic feel. MEB
1961 Twist
The inspiration here was of course Chubby Checker's classic "Let's
Twist Again". On the record, the song is played really straight and sim-
ple, but as you crank up the complexity slider here in Groove Agent,
you'll get more variations and additions of bass drum patterns and ride
cymbals. RB
1962 12/8
This style is a hybrid. The original idea was to create a slow 12/8 feel,
similar to what you can hear in many love songs from the fifties. While
composing the patterns, I raised the tempo just for fun and noticed
that with faster BPM rates there's a whole new feeling, a funky and
pretty modern touch. Use it in a ballad or turn it up for that groovy
beat. PS
* Slow Blues
If I were forced to choose one style and one tempo for an all-night jam
session, I'd say "Slow blues at 60 BPM" without hesitation. It's a mood
and tempo that could last an entire evening. There are so many cool
standards that fit here: "Summertime", "Red House", "Sweet Sixteen"
and numerous other classics. Or any relaxed improvisation. Slow Blues
in Groove Agent is rather dynamic; see how it increases in volume and
intensity as the complexity levels get higher. Also, it re-starts a couple
of times (at level 7, 12 and 18) from it's basic closed hihat groove. SB
Groove Agent
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English