VST Groove Agent 2 Mode D'emploi page 38

Now, while editing the sound archive for Groove Agent, we carefully
chose the ambience recording that should go with every dry source.
For the 50s kit, we used the close-up microphones for drums and hi-
hat and the overheads for the cymbals. We then added the distant re-
cordings for ambience. This gave us a chance to create old sounding,
overly acoustic kits for that vintage sound.
For other kits we used different combinations, and for the modern,
electronic sounds we added normal studio effects units like reverbs
and delays.
All in all, the very natural sounding ambience is there for you to use!
We've preset a lot of different kits to go with the different musical
styles, but if you want to change the preset version, use this dial to
your heart's content!
This knob also acts as a master control for the 8 individual group Am-
bience controls.
The normal position for this knob is 12 o'clock. Turning it all the way to
the left produces an all dry sound, while all the way to the right gives
you the ambient (wet) sounds only.
Groove Agent
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