Sonus Faber CONCERTINO Mode D'emploi page 13

3.1.1 CONTENT OF THE PACKAGING
CONCERTINO
n.1 Manual
n.1 Cleaning kit
n.2 Bi-Wiring Jumpers
n.2 Protective grilles
n.2 Fabric dust covers
n.2 Nylon dust covers
Hold the loudspeakers securely with both hands in order to avoid dropping them.
The indicated operations can be performed more safely and conveniently by multiple people.
Refer to the latest version of the UNI ISO 11228 standard.
The packaging materials can cause pollution.
These materials must not be disposed of as domestic waste, and must be taken to a waste
collection and recycling centre.
Do not leave the packaging materials within the reach of children!
They could pose a risk of poisoning or suffocation if ingested.
While mounting or removing the thread-tensioning mask as described above, be careful not to
damage the front part of the speaker.
3.2 ASSEMBLY
Carefully refer to the drawings in Section 6 (Illustrations).
3.3 POSITIONING THE SPEAKERS
These loudspeakers are designed to be easily inserted within the listening environment. In order to obtain excel-
lent performance, refer to the images in Section 6 (Illustrations).
The conformation of the listening environment and the loudspeakers' positioning can affect the entire audio
system's performance.
For example, a room with irregular shape can improve the response within the listening environment, since they
limit the formation of standing waves, while a room with a parallelepiped shape is potentially more suitable to
generate balanced sound images.
The presence of carpets and curtains positively affect the acoustics of the environment, contributing to the ab-
sorption of the first reflections and the lowering of reverberation.
There are no fixed and universally applicable rules for every environment.
The loudspeakers' axis should converge toward the listening position by crossing over top of it, thus creating the
"equilateral triangle" stereophonic configuration. This measure, which consists in positioning the loudspeakers
in such a way as to literally point them towards the listener's ears, allows significant improvement in the focus
of the stereophonic image.
CONCERTINO STAND
n.4 Spikes
n.4 Spikes Locks
n.4 Under Spikes
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