Yamaha DTXTREME Mode D'emploi page 130

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Table des Matières

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Effect Parameter Description
LCD
Parameter name
AMDepth
AM Depth
Amp
AMP Type
Attack
Attack
CchDlay
Cch Delay
ChoSend
Chorus Send
ChoRetrn
Chorus Return
CtofOfst
Cutoff Frequency Offset
Depth
LFO Depth
Detune
Detune
DlayOfst
Delay Offset
DlayTm
Delay Time
Diffusion
Diffusion
Drive
Drive
Dry/Wet
Dry/Wet
Edge
Edge
F/RDpth
F/R Depth
FBDlay
Feedback Delay
FBDlay1
Feedback Delay1
FBDlay2
Feedback Delay2
FBLevel
Feedback Level
ErBalance
Er/Rev Balance
HiDamp
High Damp
HiFreq
High Frequency
HiGain
High Gain
HPF
HPF Cutoff Frequency
HPFFreq
HPF Cutoff Frequency
HPRQ
HPF Q
InitDlay
Initial Delay
Input
Input Select
L/RDpth
L/R Depth
L→R Delay
L→R Delay
LchDlay
Lch Delay
L_FBLvl
Lch Feedback Level
LFO
LFO Frequency
LoFreq
Low Frequency
LoGain
Low Gain
LPF
LPF Cutoff Frequency
LPFFreq
LPF Cutoff Frequency
LPFQ
LPF Q
MidFreq
Mid Frequency
MidGain
Mid Gain
MidWidth
Mid Width
MIDI Ctl#
MIDI Control Change Number All types
MIDI Sens
MIDI ControlSensitivity
MixLevel
Mix Level
OutLevel
Output Level
Output
Output Select
Effect types in which the parameter exists
TREMOLO
AMPSIM
COMP
NOISEGATE
DelayLCR
All types
System Chorus only
WAH type
CHORUS type, FLANGER type, SYMPHONIC
ROTARY
PHASER
AUTOWAH
ENSEMBLE
CHORUS type, FLANGER type, SYMPHONIC
KARAOKE type
REVERB type, PHASER
DISTORTION type
ENHANCER
All types
DISTORTION,OVERDRIVE
AUTOPAN
DelayLCR
DelayLR
DelayLR
System Reverb only
DelayLCR,DelayLR,CrossDelay
KARAOKE type
CHORUS type, FLANGER type
PHASER
REVERB type
DelayLCR,DelayLR
3BAND EQ,2BAND EQ
3BAND EQ,2BAND EQ
REVERB type, KARAOKE type, ENHANCER
FILTER
FILTER
REVERB type
CrossDelay
AUTOPAN
CrossDelay
DelayLCR,DelayLR,ECHO,ENSEMBLE
ECHO
CHORUS type, FLANGER type, SYMPHONIC
ROTARY
TREMOLO
AUTOPAN
PHASER
AUTOWAH
3BAND EQ,2BAND EQ
3BAND EQ,2BAND EQ
REVERB type, KARAOKE type, DISTORTION type
FILTER
FILTER
3BAND EQ
3BAND EQ
3BAND EQ
All types
ENHANCER
DISTORTION type, COMP, NOISEGATE
All types
132
Explanation of parameter
Depth of volume modulation
Select the type of amp to be simulated
Time until the compressor effect begins to apply
Time until the gate begins to open
Length of the center channel delay
Send level of insertion effect output to system chorus effect
Return level of system chorus effect
Frequency offset value that will control the wah filter
Depth of delay modulation
Depth of modulation caused by speaker rotation
Depth of phase modulation
Depth at which the wah filter will be controlled
Amount of pitch shift
Offset value of delay modulation
Spacing of reflections for karaoke echo
Control the spaciousness
Depth of distortion
Depth at which the excite is applied
Balance between dry sound and effect sound
Curve of distortion characteristics (sharp(127) distorts suddenly, mild(0) distorts gradually)
Depth of front/back panning (valid when PAN Direction=Lturn,Rturn)
Length of feedback delay
Length of feedback delay 1
Length of feedback delay 2
Feedback amount of initial delay
Feedback amount
Setting for repeated reflections
Level at which delay output is again returned to the input (negative values invert the phase)
Level at which phaser output is again returned to the input (negative values insert the phase)
Level balance between the early reflections and the reverberation
Attenuation of the high frequency range (lower values will cause the high range to decay more rapidly)
Center frequency for boosting or cutting higher frequencies
Gain level for boosting or cutting higher frequencies
Frequency below which frequencies are cut off by high-pass filter
Frequency below which frequencies are cut off by high-pass filter
Q value for high-pass filter
Delay time until the early reflections
Input select
Depth of left/right panning
Delay time from left (input) to right (output)
Length of left channel delay
Amount of left channel feedback
Frequency of delay modulation
Frequency at which the speaker will rotate
Modulation frequency
Autopan frequency
Phase modulation frequency
Frequency at which wah filter will be controlled
Center frequency for boosting or cutting lower frequencies
Gain level for boosting or cutting lower frequencies
Frequency above which frequencies are cut off by low-pass filter
Frequency above which frequencies are cut off by low-pass filter
Q value for low-pass filter
Center frequency for boosting or cutting middle frequencies
Gain level for boosting or cutting middle frequencies
Bandwidth for boosting or cutting middle frequencies
Controller number used for real-time control of the effect
Seneitivity used for real-time control of the effect
Level of the effect sound that is mixed into the dry sound
Output level
Output routing

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Table des Matières
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Table des Matières