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‫. ﻳﺳﻣﺢ ﻫﺫﺍ ﺑﺗﻧﻅﻳﻡ ﺍﻹﺷﺎﺭﺓ ﺍﻟﺩﺍﺧﻠﺔ ﻣﻥ ﺍﻟﻣﻳﻛﺭﻭﻓﻭﻧﺎﺕ ﺃﻭ ﺍﻵﻻﺕ ﺍﻟﻣﻭﺳﻳﻘﻳﺔ ﻋﻠﻰ ﺍﻟﻣﺳﺗﻭﻯ‬LINE ‫ ﺃﻭ‬MIC ‫ ﺣﺳﺎﺳﻳﺔ ﺍﻟﻣﺩﺧﻝ ﻟـ‬GAIN ‫ﻳﻧﻅﺭ ﺍﻟﻛﺳﺏ‬

40 ‫ ﻓﺈﻥ ﻫﺫﻩ ﺍﻵﻻﺕ ﻟﺩﻳﻬﺎ 0 ﺩﻳﺳﻳﺑﻝ ﻣﻥ ﺍﻟﻛﺳﺏ ﻣﻊ ﺗﺷﻐﻳﻝ ﺍﻟﻣﻘﺑﺽ ﻋﻠﻰ ﺍﻟﺣﺩ ﺍﻷﺩﻧﻰ، ﻭﺣﺗﻰ‬XLR ‫ﺍﻷﻣﺛﻝ ﺩﺍﺧﻝ ﺍﻟﺧﻼﻁ. ﺇﺫﺍ ﻛﺎﻧﺕ ﺍﻹﺷﺎﺭﺓ ﻣﺗﺻﻠﺔ ﺑﺩﺧﻝ‬

‫ﺩﻳﺳﻳﺑﻝ ﻣﻊ ﺍﻟﺗﺩﻭﻳﺭ ﺑﺎﺗﺟﺎﻩ ﺍﻟﺣﺩ ﺍﻷﻗﺻﻰ. ﻋﻧﺩ ﺍﻟﺗﻭﺻﻳﻝ ﻋﻠﻰ ﺩﺧﻝ ﺍﻟﻘﺎﺑﺱ ﻓﺈﻥ ﺗﻭﻫﻳﻥ ﻫﺫﻩ ﺍﻵﻻﺕ ﻳﺑﻠﻎ 02 ﺩﻳﻳﺳﺑﻝ ﺑﺗﺩﻭﻳﺭ ﺍﻟﻣﻘﺑﺽ ﻋﻠﻰ ﺍﻟﺣﺩ ﺍﻷﺩﻧﻰ ﻭﻛﺳﺏ‬

.‫". ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﺯﻳﺎﺩﺓ ﺃﻭ ﺧﻔﺽ "ﻭﺿﻭﺡ" ﺍﻟﺻﻭﺕ‬PEAKING" ‫ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺑﻛﺳﺏ ﺃﻭ ﺗﻭﻫﻳﻥ ﺣﺗﻰ 51 ﺩﻳﺳﻳﺑﻝ ﺑـ 3 ﻛﻳﻠﻭ ﻫﺭﺗﺯ ﺑﻣﻧﺣﻧﻰ ﻣﻥ ﺍﻟﻧﻭﻉ‬

.‫". ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﺯﻳﺎﺩﺓ ﺃﻭ ﺧﻔﺽ "ﻭﺟﻭﺩ" ﺍﻟﺻﻭﺕ‬PEAKING" ‫ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺑﻛﺳﺏ ﺃﻭ ﺗﻭﻫﻳﻥ ﺣﺗﻰ 51 ﺩﻳﺳﻳﺑﻝ ﺑـ 005 ﻫﺭﺗﺯ ﺑﻣﻧﺣﻧﻰ ﻣﻥ ﺍﻟﻧﻭﻉ‬

‫، ﺃﻭ ﺧﻔﺽ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﻳﻣﻳﻧﺎ ﻭﻳﺳﺎﺭﺍ ﻓﻲ ﺣﺎﻟﺔ‬MONO ‫ﺍﺿﺑﻁ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺭﺳﺎﻟﻬﺎ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﻳﺳﺎﺭﺍ ﻭﻳﻣﻳﻧﺎ ﺇﺫﺍ ﻛﺎﻧﺕ ﺍﻟﻘﻧﺎﺓ ﻣﺳﺗﺧﺩﻣﺔ ﻓﻲ‬

‫ ﺑـ 42 ﺑﺕ. ﻳﺷﻣﻝ 61 ﺇﻋﺩﺍﺩ ﻣﺳﺑﻖ‬AD/DA ‫ ﻗﻭﻱ ﻭﻋﻠﻰ ﻣﺣﻭﻻﺕ‬DSP ‫( ﻗﺎﺋﻡ ﻋﻠﻰ‬PROFEX digital effect processor) ‫ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ‬

‫؛‬preset ‫- ﺍﺿﻐﻁ ﻣﺟﺩﺩﺍ ﻟﻣﺩﺓ ﺛﺎﻧﻳﺗﻳﻥ ﻋﻠﻰ ﺍﻷﻗﻝ ﻋﻠﻰ ﺍﻟﻣﻘﺑﺽ ﺣﺗﻰ ﺗﺗﻭﻗﻑ ﺍﻟﺷﺎﺷﺔ ﻋﻥ ﺍﻟﻭﻣﻳﺽ ﻟﺗﺄﻛﻳﺩ ﺍﻟﺗﻐﻳﻳﺭ ﻭﺍﻟﻌﻭﺩﺓ ﺇﻟﻰ ﺗﺣﺩﻳﺩ‬

‫ - ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻛﺛﻳﺭﺓ ﺑﺗﺭﺩﺩﺍﺕ‬BRIGHT HALL .1 ‫ﺹ‬

‫ - ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻗﻠﻳﻠﺔ ﺑﺗﺭﺩﺩﺍﺕ‬DARK HALL .2 ‫ﺹ‬

‫ - ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓ‬BRIGHT ROOM .3 ‫ﺹ‬

‫ - ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓ‬DARK ROOM .4 ‫ﺹ‬

.hall ‫ ﺃﻭ‬plate, spring ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ‬

.spring ‫ ﺃﻭ‬tape, hall ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ‬

.‫( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP (22 ‫ ﻫﻧﺎ ﻓﻲ ﺍﻷﻋﻠﻰ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬STEREO DELAY ‫ - ﻛـ‬STEREO TAP DELAY .9 ‫ﺹ‬

.‫( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP (22 ‫ ﻧﻣﻁﻲ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬eco mono‫ - ﺇﻥ‬MONO TAP DELAY .10 ‫ﺹ‬

.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻭﻣﺻﻣﻡ ﻟﺗﻣﻭﺟﺎﺕ ﺳﻠﺳﺔ ﻭﺃﺛﻳﺭﻳﺔ ﻣﻥ ﺍﻟﺗﺭﺩﺩ. ﻣﻧﺎﺳﺏ ﺟﺩﺍ ﻟﺗﻘﻭﻳﺔ ﺍﻟﺟﻳﺗﺎﺭ ﻭﺍﻟﺑﺎﺱ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ‬CHORUS .11 ‫ﺹ‬

.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻳﺗﻣﻳﺯ ﺑﺗﺄﺛﻳﺭ ﻗﻭﻱ ﻣﺗﺭﺩﺩ. ﻳ ُ ﺳﺗﺧﺩﻡ ﺧﺎﺻﺔ ﻋﻠﻰ ﺍﻟﺟﺗﻳﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ، ﺍﻟﻣﻧﻔﺭﺩ ﻭﺍﻹﻳﻘﺎﻋﻲ‬FLANGER .12 ‫ﺹ‬

.‫ﻳﺑﻠﻎ 02 ﺩﻳﺳﻳﺑﻝ ﺇﺫﺍ ﺗﻡ ﺍﻟﺗﺩﻭﻳﺭ ﻋﻠﻰ ﺍﻟﺣﺩ ﺍﻷﻗﺻﻰ، ﺑﻛﺳﺏ ﻣﻭﺣﺩ )0 ﺩﻳﺳﻳﺑﻝ( ﻋﻧﺩ ﺍﻟﻭﺿﻊ ﻓﻲ ﺍﻟﻣﻧﺗﺻﻑ‬

.‫، ﻭﻳﻌﺭﺽ ﻛﻝ ﻣﻧﻬﺎ 61 ﻣﺗﻐﻳﺭﺍ ﻣﻥ ﺍﻟﻣﻌﺎﻣﻼﺕ ﻹﺟﻣﺎﻟﻲ 652 ﺗﺄﺛﻳﺭﺍ ﻣﺗﻭﻓﺭﺍ‬studio-grade ‫ﺑﺧﻭﺍﺭﺯﻣﻳﺎﺕ ﺗﺄﺛﻳﺭ‬

.‫، ﺍﺿﻐﻁ ﻟﺛﺎﻧﻳﺗﻳﻥ ﻋﻠﻰ ﺍﻷﻗﻝ ﻋﻠﻰ ﺍﻟﻣﻘﺑﺽ ﺣﺗﻰ ﺗﻭﻣﺽ ﺷﺎﺷﺔ ﺍﻟﻌﺭﺽ‬preset ‫- ﻟﺗﺣﺩﻳﺩ ﺗﻐﻳﻳﺭ‬

.‫( ﻟﻠﻘﻧﺎﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺿﺎﻓﺔ ﺍﻟﺗﺄﺛﻳﺭ ﺇﻟﻳﻬﺎ‬AUX (10 ‫- ﺃﺭﺳﻝ ﺇﺷﺎﺭﺓ ﺑﺎﻟﺗﺄﺛﻳﺭ ﺑﺎﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺣﻛﻡ‬

.‫( ﻟﺟﻣﻊ ﺇﺷﺎﺭﺓ ﺍﻟﺗﺄﺛﻳﺭ ﻣﻊ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻁﺑﻳﻌﻳﺔ‬FX LEVEL (25 ‫- ﺍﺿﺑﻁ ﻣﺟﺩﺩﺍ ﺍﻟﻣﻘﺑﺽ‬

.‫، ﻭﺍﻟﺘﻐﻴﻴﺮ ﺍﻟﻤﺤﺪﺩ ﺃﻳﻀﺎ ﻓﻲ ﺣﺎﻟﺔ ﺇﻏﻼﻕ ﺍﻟﺨﻼﻁ‬preset ‫ ﻓﻲ ﺍﻟﺬﺍﻛﺮﺓ‬PROFEX ‫ﻣﻼﺣﻈﺔ: ﻳﺤﻔﻆ‬

.‫( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻁﻭﻳﻝ‬VOCAL 1 (STAGE REVERB .5 ‫ﺹ‬

.‫" ﻣﺳﺗﺧﺩﻡ ﻓﻲ ﺍﻟﺗﺳﺟﻳﻼﺕ ﻓﻲ ﺍﻟﺳﺑﻌﻳﻧﺎﺕ ﻭﺍﻟﺛﻣﺎﻧﻳﻧﺎﺕ‬plate" ‫ - ﻫﺫﻩ ﻣﺣﺎﻛﺎﺓ ﻟﺻﺩﻯ ﻛﻼﺳﻳﻛﻲ‬PLATE .7 ‫ﺹ‬

.‫ - ﺗﺄﺛﻳﺭ ﺍﻟﺻﺩﻯ ﻣﻊ ﺍﻟﺑﻳﻧﻎ-ﺑﻭﻧﻎ ﻋﻠﻰ ﻗﻧﻭﺍﺕ ﻳﺳﺭﻯ ﻭﻳﻣﻧﻰ‬STEREO DELAY .8 ‫ﺹ‬

.STEREO ‫ ﻻﺳﺗﺧﺩﺍﻡ ﻗﻧﺎﺓ ﻓﻲ ﻭﺿﻊ‬LINE L ‫ﻭﺟﻭﺩ ﻗﺎﺑﺱ‬

‫( ﺍﻟﻣﺭﺍﺩ ﺍﺳﺗﺧﺩﺍﻣﻪ؛‬preset) ‫- ﺃﺩﺭ ﻣﻔﺗﺎﺡ ﺍﻻﻧﺗﻘﺎء ﻻﺧﺗﻳﺎﺭ ﻧﻭﻉ ﺍﻟﺗﺄﺛﻳﺭ‬

.‫( ﺣﺗﻰ ﺗﺳﻣﻊ ﺍﻟﺗﺄﺛﻳﺭ‬FX LEVEL (25 ‫- ﻟﻑ ﺍﻟﻣﻘﺑﺽ‬

.(22) ‫ ﻟﻠﻘﻣﺔ‬LED ‫( ﻗﺑﻝ ﺗﺷﺑﻊ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﻭﺿﺢ ﻋﻠﻰ‬AUX (10 ‫- ﺍﺿﺑﻁ ﺍﻟﺗﺣﻛﻡ‬

.‫ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﻭﺍﻟﺟﻳﺗﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ ﻭﺍﻷﻭﺗﺎﺭ‬

.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬

.‫ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﺟﺩﺍ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺁﻻﺕ ﺍﻟﻧﻔﺦ، ﺍﻵﻻﺕ ﺍﻟﻭﺗﺭﻳﺔ، ﻭﺍﻟﻁﺑﻼﺕ‬

.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬

.‫ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﻗﻠﻳﻠﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺟﻳﺗﺎﺭ ﺍﻷﺻﺎﺑﻊ، ﻭﺍﻟﻁﺑﻼﺕ‬

.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬

.‫( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻗﻭﻱ‬VOCAL 2 (CLUB REVERB .6 ‫ﺹ‬

.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬

.[2] ‫ﺗﺑﺩﺃ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺗﻛﺭﺍﺭ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬

.[16] 90% ‫( ﻣﻥ %5 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬

.[16] 75% ‫( ﻣﻥ %0 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬

.‫ﺃﻳﺿﺎ ﺗﻘﻭﻳﺔ ﺍﻷﺻﻭﺍﺕ ﻭﺧﺎﺻﺔ ﺍﻟﻣﺟﻣﻭﻋﺎﺕ ﻭﺍﻟﻛﻭﺭﺍﺱ‬

.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 5 ﻫﺭﺗﺯ‬

.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 2.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 3 ﻫﺭﺗﺯ‬

(‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻛﺳﺏ‬GAIN .26

(‫ )ﻣﻛﺎﻓﺊ ﺑﺗﺣﻛﻡ ﻣﺗﻭﺳﻁ- ﻋﺎﻝ‬EQ HI MID .27

(‫ )ﻣﻛﺎﻓﺊ ﺑﺗﺣﻛﻡ ﻣﺗﻭﺳﻁ - ﻋﺎﻝ‬EQ LO MID .28

(‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﺗﻭﺍﺯﻥ‬BAL .29

.STEREO ‫ﺍﺳﺗﺧﺩﺍﻡ ﺍﻟﻘﻧﺎﺓ ﻓﻲ ﻭﺿﻊ‬

(‫ )ﻣﻔﺗﺎﺡ ﺍﻧﺗﻘﺎء ﻭﻋﺭﺽ ﺍﻟﺗﺄﺛﻳﺭ‬PRESETS .30

:PROFEX ‫ﻛﻴﻔﻴﺔ ﺍﺳﺘﺨﺪﺍﻡ ﺗﺄﺛﻴﺮ‬

.‫- ﺛﻡ ﺃﺩﺭ ﺍﻟﻣﻘﺑﺽ ﻻﺧﺗﻳﺎﺭ ﻭﺍﺣﺩﺍ ﻣﻥ 61 ﺗﻐﻳﻳﺭﺍ‬

.‫ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ ﻭﺍﻟﺟﻳﺗﺎﺭ ﻭﺁﻻﺕ ﺍﻟﻧﻔﺦ‬

:preset ‫ﻭﺻﻒ‬

Table des Matières

PROEL M1622USB Notice D'utilisation page 61

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Manuels Connexes pour PROEL M1622USB

Produits Connexes pour PROEL M1622USB

Table des Matières