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‫ ﻣﻥ 001 ﻫﺭﺗﺯ ﺇﻟﻰ 8 ﻛﻳﻠﻭ ﻫﺭﺗﺯ، ﻣﻣﺎ ﻳﺳﻣﺢ ﺑﺗﺭﻛﻳﺯ ﺑﺎﻟﺩﻗﺔ ﻋﻠﻰ ﺍﻟﻧﻁﺎﻕ ﺍﻟﺿﻳﻖ ﻟﻠﺗﺭﺩﺩ ﺍﻟﺫﻱ ﻳﻌﻣﻝ ﻋﻠﻳﻪ‬MID ‫ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺑﺗﻧﻭﻳﻊ ﺗﺭﺩﺩ ﺍﻟﺗﺣﻛﻡ‬
.‫". ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﺯﻳﺎﺩﺓ ﺃﻭ ﺧﻔﺽ "ﺣﻳﻭﻳﺔ" ﺍﻟﺻﻭﺕ‬SHELVING" ‫ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺑﻛﺳﺏ ﺃﻭ ﺗﻭﻫﻳﻥ ﺣﺗﻰ 51 ﺩﻳﺳﻳﺑﻝ ﻋﻧﺩ 08 ﻫﺭﺗﺯ ﺑﻣﻧﺣﻧﻰ ﻣﻥ ﺍﻟﻧﻭﻉ‬
‫، ﻭﻳﻣﻛﻥ ﺿﺑﻁﻬﺎ ﺿﺑﻁﺎ ﻣﺳﺗﻘﻼ ﻣﻥ ﻭﺿﻊ ﺍﻟﺗﺣﻛﻡ‬pre-fader ‫. ﻫﺫﻩ ﺍﻹﺷﺎﺭﺓ ﻋﺑﺎﺭﺓ ﻋﻥ‬AUX 1 ‫ﻳﺭﺳﻝ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺍﻹﺷﺎﺭﺓ ﻋﻧﺩ ﺍﻟﻣﺧﺭﺝ ﺍﻟﻣﺳﺎﻋﺩ‬
‫، ﻭﻳﻣﻛﻥ ﺿﺑﻁﻬﺎ ﺿﺑﻁﺎ ﻣﺳﺗﻘﻼ ﻣﻥ ﻭﺿﻊ ﺍﻟﺗﺣﻛﻡ‬pre-fader ‫. ﻫﺫﻩ ﺍﻹﺷﺎﺭﺓ ﻋﺑﺎﺭﺓ ﻋﻥ‬AUX 2 ‫ﻳﺭﺳﻝ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺍﻹﺷﺎﺭﺓ ﻋﻧﺩ ﺍﻟﻣﺧﺭﺝ ﺍﻟﻣﺳﺎﻋﺩ‬
‫ ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﺯﺭ‬post-fader ‫ ﻓﻲ ﺍﻟﻐﺎﻟﺏ، ﻭﻳﻣﻛﻥ ﺿﺑﻁﻬﺎ ﻋﻠﻰ‬pre-fader ‫. ﻫﺫﻩ ﺍﻹﺷﺎﺭﺓ‬AUX 3 ‫ﻳﺭﺳﻝ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺍﻹﺷﺎﺭﺓ ﻋﻧﺩ ﺍﻟﻣﺧﺭﺝ ﺍﻟﻣﺳﺎﻋﺩ‬
‫. ﻭﻫﺫﺍ ﺍﻹﻋﺩﺍﺩ ﺍﻷﺧﻳﺭ ﻫﻭ‬pre-fader ‫ ﻛـ‬AUX 3 ‫، ﻭﻋﻧﺩ ﺭﻓﻊ ﺍﻟﺯﺭ ﻳﺗﻡ ﺿﺑﻁ‬post-fader ‫ ﻛـ‬AUX 3 ‫ﻳﺿﻣﻥ ﻫﺫﺍ ﺍﻟﺯﺭ ﻋﻧﺩ ﺍﻟﺿﻐﻁ ﻋﻠﻳﻪ ﺍﻟﺗﺣﻛﻡ‬
.MAIN MIX ‫ ﺑﺷﺎﺷﺔ ﻟﻠﻣﺳﺭﺡ، ﻟﻠﺣﺻﻭﻝ ﻋﻠﻰ ﺧﻠﻁ ﻣﺳﺭﺣﻲ ﻣﺳﺗﻘﺑﻝ ﻋﻥ‬AUX 3 ‫ﺍﻟﺫﻱ ﻳ ُ ﻧﺻﺢ ﺑﻪ ﻓﻲ ﺣﺎﻟﺔ ﺍﻟﺭﻏﺑﺔ ﻓﻲ ﺍﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺳﻠﻳﻡ‬
post- ‫(. ﻫﺫﻩ ﺍﻹﺷﺎﺭﺓ ﻫﻲ‬PROFEX digital effect processor) ‫ ﻭﺇﻟﻰ ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ‬AUX 4 ‫ﻳﺭﺳﻝ ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﺇﺷﺎﺭﺓ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﺍﻟﻣﺳﺎﻋﺩ‬
.MAIN MIX, GROUPS 1-2, AUX 1, AUX 2, AUX 3, AUX4 / FX ‫ ﺗﺧﺗﻔﻲ ﺍﻹﺷﺎﺭﺓ ﻣﻥ ﺍﻟﻣﺧﺭﺝ‬MUTE ‫ﻋﻧﺩ ﺍﻟﺿﻐﻁ ﻋﻠﻰ ﺯﺭ‬
‫ ﻓﻲ ﺍﻟﻮﺿﻊ‬SOLO ‫ ﺑﺎﻟﻀﻐﻂ ﻋﻠﻰ ﺍﻟﺰﺭ‬C.ROOM ‫ ﻭ‬PHONES ‫ﻣﻼﺣﻈﺔ: ﻻ ﻳﺘﻢ ﺇﺳﻜﺎﺕ ﺇﺷﺎﺭﺓ ﺩﺧﻞ ﺍﻟﻘﻨﺎﺓ ﺗﻤﺎﻣﺎ ﺑﻬ ﺬ ﺍ ﺍﻟﺰﺭ، ﻭﻳﻤﻜﻦ ﺍﻻﺳﺘﻤﺎﻉ ﺇﻟﻴﻬﺎ ﻋﺒﺮ ﺍﻟﻤﺨﺮﺟﻴﻦ‬
‫. ﻳﺗﻡ ﻋﺎﺩﺓ ﺗﻧﺷﻳﻁ ﺍﻟﻣﻔﺗﺎﺡ‬MAIN MIX ‫ ﺍﻟﺧﺎﺹ ﺑـ‬fader ‫ ﺍﻟﻣﺿﺑﻭﻁ ﺑﻭﺍﺳﻁﺔ ﺍﻟـ‬MAIN MIX ‫ﻭﺑﺗﻧﺷﻳﻁ ﻫﺫﺍ ﺍﻟﻣﻔﺗﺎﺡ ﻳﺗﻡ ﺗﻌﻳﻳﻥ ﺇﺷﺎﺭﺓ ﺍﻟﻘﻧﺎﺓ ﻋﻠﻰ ﺍﻟﻧﺎﻗﻝ‬
‫. ﻳﻣﻛﻥ ﺍﺳﺗﺧﺩﺍﻡ‬GROUPS 1-2 ‫ ﺍﻟﺧﺎﺹ ﺑـ‬fader ‫ ﺍﻟﻣﺿﺑﻭﻁ ﺑﻭﺍﺳﻁﺔ ﺍﻟـ‬GROUPS 1-2 ‫ﻭﺑﺗﻧﺷﻳﻁ ﻫﺫﺍ ﺍﻟﻣﻔﺗﺎﺡ ﻳﺗﻡ ﺗﻌﻳﻳﻥ ﺇﺷﺎﺭﺓ ﺍﻟﻘﻧﺎﺓ ﻋﻠﻰ ﺍﻟﻧﺎﻗﻝ‬
‫، ﻹﻧﺷﺎء ﺧﻠﻳﻁ ﻓﺭﻋﻲ ﻟﻣﺟﻣﻭﻋﺔ ﻣﻥ ﺍﻟﻘﻧﻭﺍﺕ )ﻣﺛﻝ ﺟﻣﻳﻊ ﻗﻧﻭﺍﺕ ﺍﻟﺑﻁﺎﺭﻳﺔ(: ﻭﻓﻲ‬GRP TO MIX ‫ ﻛﻣﺧﺭﺝ ﻣﻧﻔﺻﻝ ﺃﻭ ﺑﻌﺩ ﺗﻧﺷﻳﻁ ﺯﺭ‬GROUPS 1-2
‫ ﺃﺛﻧﺎء‬SOLO ‫. ﺍﺳﺗﺧﺩﻡ‬LED ‫، ﻭﺗﺧﻳﻝ ﻣﺳﺗﻭﻯ ﻋﺩﺍﺩ‬C.ROOM ‫ﻳﺳﻣﺢ ﻫﺫﺍ ﺍﻟﺯﺭ ﺑﺎﻟﺳﻣﻊ ﺍﻟﻣﺳﺑﻖ ﻹﺷﺎﺭﺍﺕ ﺍﻟﻘﻧﻭﺍﺕ ﻓﻲ ﺳﻣﺎﻋﺎﺕ ﺍﻟﺭﺃﺱ، ﻭﻋﻧﺩ ﻣﺧﺭﺝ‬
‫ ﻳﻣﻛﻥ ﺍﻟﺗﺣﻛﻡ‬SOLO ‫ﺍﻷﺩﺍء ﺍﻟﺣﻲ ﻟﻼﺳﺗﻣﺎﻉ ﺍﻟﻣﺳﺑﻖ ﻟﻺﺷﺎﺭﺍﺕ ﻗﺑﻝ ﺍﻟﺧﻠﻁ ﺃﻭ ﺣﺗﻰ ﻟﻠﺗﺣﻛﻡ ﺇﺫﺍ ﻛﺎﻧﺕ ﺍﻟﻘﻧﺎﺓ ﻣﺿﺑﻭﻁﺔ ﺃﺛﻧﺎء ﺍﻟﺣﻔﻠﺔ. ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﺃﺯﺭﺍﺭ‬
‫ ﻋﺒﺎﺭﺓ ﻋﻦ‬SOLO ‫، ﻟﺬﻟﻚ ﻫﻨﺎﻙ ﺇﺷﺎﺭﺓ ﺩﺧﻞ ﻓﻲ ﺍﻟﻘﻨﺎﺓ. ﺇﻥ ﺇﺷﺎﺭﺓ‬PFL ‫ ﻓﻲ ﺍﻟﻮﺿﻊ‬SOLO MODE ‫ ﺇﺫﺍ ﻛﺎﻥ‬pre-fader ‫ ﻋﺒﺎﺭﺓ ﻋﻦ‬SOLO ‫ﻫﺎﻡ: ﺇﻥ ﺇﺷﺎﺭﺓ‬
.MAIN MIX ‫، ﻟﺬﻟﻚ ﻫﻨﺎﻙ ﺇﺷﺎﺭﺓ ﻣﺮﺳﻠﺔ ﻣﻦ ﺍﻟﻘﻨﺎﺓ ﺇﻟﻰ‬AFL ‫ ﻓﻲ ﺍﻟﻮﺿﻊ‬SOLO MODE ‫ ﺇﺫﺍ ﻛﺎﻥ‬post-fader
‫ ﻣﻥ ﺃﻱ ﻧﻭﻉ ﻣﻥ ﺍﻟﻣﻳﻛﺭﻭﻓﻭﻧﺎﺕ. ﻋﻧﺩ ﺍﺳﺗﺧﺩﺍﻡ ﻫﺫﺍ ﺍﻟﻣﺩﺧﻝ، ﺗﻌﻣﻝ ﺍﻟﻘﻧﺎﺓ‬XLR ‫ ﻗﺎﺩﺭ ﻋﻠﻰ ﻗﺑﻭﻝ ﺇﺷﺎﺭﺓ ﻣﻳﻛﺭﻭﻓﻭﻥ ﻣﺗﻭﺍﺯﻧﺔ ﺑﻣﻭﺻﻝ‬XLR ‫ﺇﻧﻪ ﻣﻭﺻﻝ ﺃﻧﺛﻰ‬
‫ﺇﻧﻪ ﻣﻭﺻﻝ ﻣﻘﺎﺱ ¼" )3.6 ﻣﻠﻡ( ﻧﻭﻉ ﻗﺎﺑﺱ، ﻗﺎﺩﺭ ﻋﻠﻰ ﻗﺑﻭﻝ ﺍﻹﺷﺎﺭﺓ ﺑﻣﺳﺗﻭﻯ ﺧﻁ ﻣﺗﻭﺍﺯﻥ ﺃﻭ ﻏﻳﺭ ﻣﺗﻭﺍﺯﻥ ﻣﻥ ﻛﻝ ﻧﻭﻉ ﻣﻥ ﺍﻟﻣﺻﺎﺩﺭ. ﻓﻲ ﺣﺎﻟﺔ ﻋﺩﻡ‬
‫ﺇﻧﻪ ﻣﻭﺻﻝ ﻣﻘﺎﺱ ¼" )3.6 ﻣﻠﻡ( ﻧﻭﻉ ﻗﺎﺑﺱ، ﻗﺎﺩﺭ ﻋﻠﻰ ﻗﺑﻭﻝ ﺍﻹﺷﺎﺭﺓ ﺑﻣﺳﺗﻭﻯ ﺧﻁ ﻣﺗﻭﺍﺯﻥ ﺃﻭ ﻏﻳﺭ ﻣﺗﻭﺍﺯﻥ ﻣﻥ ﻛﻝ ﻧﻭﻉ ﻣﻥ ﺍﻟﻣﺻﺎﺩﺭ. ﻳ ُ ﺳﺗﺧﺩﻡ ﻓﻘﻁ ﻓﻲ‬
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.‫ﻳﺿﺑﻁ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺭﺳﺎﻟﻬﺎ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﺍﻷﻳﺳﺭ ﻭﺍﻷﻳﻣﻥ. ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﻭﺿﻊ ﺍﻟﺻﻭﺕ ﻓﻲ ﻣﺷﻬﺩ ﺑﺎﻧﻭﺭﺍﻣﺎ ﺍﺳﺗﺭﻳﻭ‬
.GROUPS 1-2 ‫ ﻋﻠﻰ ﻗﻧﻭﺍﺕ ﺑﺎﺳﺗﺛﻧﺎء ﺗﻠﻙ ﺍﻟﻘﻧﻭﺍﺕ ﺍﻟﻣﻌﻳﻧﺔ ﻣﻧﻔﺻﻠﺔ ﻋﻥ ﺍﻟﻧﺎﻗﻝ‬MIX
.‫ ﺳﻭﻳﺎ ﻭﺑﻣﻌﺯﻝ ﻋﻥ ﺑﻘﻳﺔ ﺍﻟﺧﻠﻳﻁ‬GROUPS 1-2 ‫ﻫﺫﻩ ﺍﻟﺣﺎﻟﺔ ﺳﻭﻑ ﻳﺗﻡ ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻹﺷﺎﺭﺍﺕ ﺍﻟﻣﻌﻳﻧﺔ ﻋﻠﻰ‬
.(GAIN (4 ‫، ﺧﻔﺽ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﻣﺩﺧﻝ ﺑﺎﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻛﺳﺏ‬LED PEAK ‫ﻫﺎﻡ: ﻓﻲ ﺣﺎﻟﺔ ﻭﻣﻳﺽ‬
.GROUPS 1-2 ‫ ﻭ/ﺃﻭ‬MAIN MIX ‫ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﻘﻧﺎﺓ، ﻭﻳﺭﺳﻠﻬﺎ ﺇﻟﻰ ﻣﺧﺭﺝ ﺍﻟﻧﺎﻗﻝ‬
.‫ ﺑﻬﺫﺍ ﺍﻟﻣﺩﺧﻝ ﻛﻣﺻﺩﺭ ﻭﺣﻳﺩ‬MONO ‫، ﻓﺳﻭﻑ ﺗﻌﻣﻝ ﺍﻟﻘﻧﺎﺓ ﻛﻘﻧﺎﺓ‬LINE R ‫ﺇﺩﺧﺎﻝ ﻗﺎﺑﺱ‬
(‫ )ﺃﻛﻭﻳﻼﻳﺯﺭ ﺍﻟﺗﺣﻛﻡ ﺑﺗﺭﺩﺩ ﻣﺗﻭﺳﻁ‬EQ FREQ .9
(‫ )ﺃﻛﻭﻳﻼﻳﺯﺭ ﺍﻟﺗﺣﻛﻡ ﺍﻟﻣﻧﺧﻔﺽ‬EQ LOW .10
(pre 1 ‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻟﻣﺳﺎﻋﺩ‬AUX 1 .11
(pre 2 ‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻟﻣﺳﺎﻋﺩ‬AUX 2 .12
(pre/post 3 ‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻟﻣﺳﺎﻋﺩ‬AUX 3 .13
.FADER LEVEL ‫: ﻭﻓﻲ ﻫﺫﻩ ﺍﻟﺣﺎﻟﺔ ﺳﻭﻑ ﺗﻌﺗﻣﺩ ﻋﻠﻰ ﻭﺿﻊ ﺍﻟﺗﺣﻛﻡ‬POST
(‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻟﻣﺳﺎﻋﺩ 4 ﻭ/ﺃﻭ ﺍﻟﺗﺄﺛﻳﺭ‬AUX 4 FX POST .15
.‫ ﻣﻥ ﺍﻟﻘﻧﺎﺓ‬FADER ‫ ﺃﻭ ﺑﻌﺑﺎﺭﺓ ﺃﺧﺭﻯ ﺗﻌﺗﻣﺩ ﻋﻠﻰ ﻭﺿﻊ ﺍﻟـ‬fader
.‫ ﻓﻬﺫﺍ ﻳﻌﻧﻲ ﺃﻥ ﺇﺷﺎﺭﺓ ﺍﻟﻣﺩﺧﻝ ﻗﺭﻳﺑﺔ ﻣﻥ ﺍﻟﺗﺷﻭﻩ‬LED PEAK ‫ﻓﻲ ﺣﺎﻟﺔ ﻭﻣﻳﺽ‬
(‫ )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﻣﺳﺗﻭﻯ ﺍﻟﻘﻧﺎﺓ‬FADER LEVEL .22
(‫ )ﻣﺩﺧﻝ ﺍﻟﻣﻳﻛﺭﻭﻓﻭﻥ/ﺍﻟﺧﻁ‬MIC LINE L/MONO .23
.mono ‫. ﺍﻟﻧﻬﺎﻳﺎﺕ ﻫﻲ ﻧﻔﺳﻬﺎ ﻧﻬﺎﻳﺎﺕ ﻗﻧﻭﺍﺕ‬mono ‫ﻛﻘﻧﺎﺓ ﻣﻳﻛﺭﻭﻓﻭﻥ‬
.‫ﺃﻭ ﺧﻔﺽ "ﻭﺟﻭﺩ" ﺍﻟﺻﻭﺕ‬
.MID EQ ‫ﺍﻟﺗﺣﻛﻡ‬
.FADER LEVEL
.FADER LEVEL
(post fader ‫ )ﺯﺭ ﺍﻟﺗﻌﻳﻳﻥ‬POST .14
(‫ )ﺗﺣﻛﻡ ﺍﻟﺑﺎﻧﻭﺭﺍﻣﺎ‬PAN .16
(‫ )ﺯﺭ ﺇﺳﻛﺎﺕ ﺍﻟﻘﻧﺎﺓ‬MUTE .17
.(SOLO MODE‫ )ﺍﻧﻈﺮ‬PFL
(MIX ‫ )ﺯﺭ ﺗﻌﻳﻳﻥ‬MIX .18
(GROUPS 1-2 ‫91. 2-1 )ﺯﺭ ﺗﻌﻳﻳﻥ‬
(‫ )ﻛﺎﺷﻑ ﺍﻟﻘﻣﺔ‬PEAK .20
(‫ )ﺯﺭ ﺍﻟﺗﻧﺷﻳﻁ ﺍﻟﻣﺳﻣﻭﻉ ﻣﺳﺑﻘﺎ‬SOLO .21
.‫ﺃﻳﺿﺎ ﻓﻲ ﺍﻟﻣﺯﻳﺩ ﻣﻥ ﺍﻟﻘﻧﻭﺍﺕ ﻓﻲ ﻧﻔﺱ ﺍﻟﻭﻗﺕ‬
(‫ )ﻣﺩﺧﻝ ﺧﻁ ﻳﺳﺎﺭ‬LINE L/MONO .24
(R ‫ )ﻣﺩﺧﻝ ﺧﻁ‬LINE R .25

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