PROEL M1622USB Notice D'utilisation page 17

p 4. DARK ROOM - This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature a
lot lot of early refl ec ons with a few of high frequency. Works well with vocals, fi ngered guitars, drums.
The VARIATIONS vary the decay me and the room size from bigger [1] to smallest [16].
p 5. VOCAL 1 (STAGE REVERB) - Amazing reverb designed for vocals with a long tail.
The VARIATIONS vary the decay me from long tail [1] to short tail [16], alterna ng plate, spring or hall types of
reverb.
p 6. VOCAL 2 (CLUB REVERB) - Amazing reverb designed for vocals with a dense tail.
The VARIATIONS vary the decay me from long tail [1] to short tail [16], alterna ng tape, hall or spring types of
reverb.
p 7. PLATE - This is a simula on of metal plate reverb, as used on classic recordings from the '70s and '80s.
The VARIATIONS vary the decay me from long tail [1] to short tail [16].
p 8. STEREO DELAY - Echo eff ect with ping-pong of le and right channels.
The VARIATIONS vary from long delay mes [1] to short delay mes [16].
p 9. STEREO TAP DELAY - Like STEREO DELAY above with me set by the user TAP bu on (22) just below.
The VARIATIONS vary from 5% [1] to 90% [16] of feedback quan ty.
p 10. MONO TAP DELAY - Typical mono delay with me set by the user TAP bu on (22) just below.
The VARIATIONS vary from 0% [1] to 75% [16] of feedback quan ty.
p 11. CHORUS - Typical modula on eff ect, provides a so , ethereal sweeping eff ect. Perfect for enhancement of
electric and acous c guitar and bass. Also adds a drama c eff ect to vocals, par cularly group harmonies and choirs.
The VARIATIONS increase the modula on frequency from 0.5Hz [1] to 5Hz [16].
p 12. FLANGER - Typical modula on eff ect, creates a strong sweeping eff ect, par cularly eff ec ve on rock electric
guitar, lead and rhythm.
The VARIATIONS increases the modula on frequency from 0.2Hz [1] to 3Hz [16].
p 13. REVERB+DELAY 1 - Typical vocal hall reverb and stereo delay combined together.
The VARIATIONS vary from long tail [1] to short tail [16].
p 14. REVERB+DELAY 2 - Typical vocal hall reverb and mono delay combined together.
The VARIATIONS vary from long tail [1] to short tail [16].
p 15. REVERB+TAP DELAY - Typical vocal hall reverb and mono TAP delay combined together.
The mono delay me is set by the user TAP bu on (22) just below.
The VARIATIONS vary from long tail [1] to short tail [16] and from 0% to 75% of feedback quan ty [1-16].
p 16. REV+CHORUS - Typical vocal reverb and chorus eff ect combined together.
The VARIATIONS vary from long tail [1] to short tail [16] and increases the modula on frequency from 0.5Hz to 5Hz
[1-16].
31. FX TO AUX1 level control
It adjusts the level of the internal eff ect signal sent to the AUX 1 output.
32. FX TO AUX2 level control
It adjusts the level of the internal eff ect signal sent to the AUX 2 output.
33. FX TO AUX3 level control
It adjusts the level of the internal eff ect signal sent to the AUX 3 output.
34. TAP bu on and LED
When "TAP DELAY" eff ects (p 9, 10, 15) are selected, by pushing at least two mes this bu on it's possible to set the
desired delay me, according to music rhythm. The TAP LED fl ashes in sync with the delay me set.
35. FX TAP jack input
¼" (6.3mm) unbalanced (TS) jack for temporary, normally open footswitch (not supplied - suggested footswitch is the
PROEL model GF29). When "TAP DELAY" eff ects (p 9, 10, 15) are selected, by pressing at least two mes the footswitch
it's possible to set the desired delay me, according to music rhythm.
36. PEAK detector
If the peak LED fl ashes this means that the signal is too high, near to the clipping of the eff ect input stage. In this case,
reduce the level of the AUX4 / FX channel sends (15) or AUX SEND 4 FX master send (37).
37. AUX SEND 4 FX LEVEL control
It adjusts the master level of AUX4 jack output and also the signal sent to internal eff ect. Use it to reduce the level of
signal sent to the internal eff ect if the PEAK LED is fl ashing. This control ranges from off through unity (the center detent
posi on) on up to 15 dB of extra gain (fully clockwise).
38. MUTE bu on
Engage this switch if you want to mute the signal from the internal eff ect.
NOTE: the eff ect can be turned on/off also by means of a footswitch connected to the FX MUTE jack socket.
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