Yamaha PORTATONE EZ-30 Mode D'emploi page 99

No. DSP Type
31 Distortion Hard
32 Distortion Soft
33 Overdrive
34 Amp Simulation
35 EQ Disco
36 EQ Telephone
37 3Band EQ
38 2Band EQ
39 No Effect
Harmony Types/Harmony-Typen/Types d'effets Harmony/
Tipos de armonía
No. Harmony Type
1 Duet
2 Trio
3 Block
4 Country
5 Octave
6 Trill 1/4 note
7 Trill 1/6 note
8 Trill 1/8 note
9 Trill 1/12 note
10 Trill 1/16 note
11 Trill 1/24 note
12 Trill 1/32 note
13 Tremolo 1/4 note
14 Tremolo 1/6 note
15 Tremolo 1/8 note
16 Tremolo 1/12 note
17 Tremolo 1/16 note
18 Tremolo 1/24 note
19 Tremolo 1/32 note
20 Echo 1/4 note
21 Echo 1/6 note
22 Echo 1/8 note
23 Echo 1/12 note
24 Echo 1/16 note
25 Echo 1/24 note
26 Echo 1/32 note
Display Name
D Hard Hard-edged, warm distortion.
D Soft Soft, warm distortion.
Overdrv Natural distortion, like that of an overdriven amplifier.
AmpSimu Characteristic sound of a guitar amplifier/speaker.
EQ Disco Equalizer effect that boosts both high and low frequencies, as is
typical in most disco music.
EQ Tel Equalizer effect that cuts both high and low frequencies, to simu-
late the sound heard through a telephone receiver.
3BandEQ Equalizer with three separate frequency bands.
2BandEQ Equalizer with two separate frequency bands.
Off No effect
Display Name
Duet Harmony types 1–5 are pitch-based and add one-, two- or three-
note harmonies to the single-note melody played in the right
Trio
hand.
Block
These types only sound when chords are played in the auto
Country
accompaniment section of the keyboard.
Octave
Tril1/4 Types 6 - 26 are rhythm-based effects and add embellishments
or delayed repeats in time with the auto accompaniment. These
types sound whether the auto accompaniment is on or not; how-
Tril1/6
3
ever, the actual speed of the effect depends on the Tempo set-
ting (page 54).
Tril1/8
The individual note values in each type let you synchronize the
effect precisely to the rhythm. Triplet settings are also available:
Tril1/12
1/6 = quarter-note triplets, 1/12 = eighth-note triplets, 1/24 = six-
3
teenth-note triplets.
Tril1/16
• The Trill effect Types (6–12) create two-note trills (alternating
notes) when two notes are held.
Tril1/24
3
• The Tremolo effect Types (13–19) repeat all held notes (up to
Tril1/32
four).
• The Echo effect Types (20–26) create delayed repeats of each
Trem1/4
note played.
Trem1/6
3
Trem1/8
Trem1/12
3
Trem1/16
Trem1/24
3
Trem1/32
Echo1/4
Echo1/6
3
Echo1/8
Echo1/12
3
Echo1/16
Echo1/24
3
Echo1/32
Description
Description
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