marklin MAXI E 44 144 Serie Mode D'emploi page 24

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Les langues disponibles

Les langues disponibles

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9 0
=
9 0
*
Selon la position, courant con-
ventionnel alternatif (off) ou courant con-
ventionnel continu (on).
Digital
01
– 2 3 – 5 – 7 – –
*
02
– – 3 – 5 – 7 – –
*
03
1 – – 4 5 – 7 – –
*
04
– 2 – 4 5 – 7 – –
*
05
– – – 4 5 – 7 – –
*
06
1 – – – 5 – 7 – –
*
07
– 2 – – 5 – 7 – –
*
08
– – – – 5 – 7 – –
*
09
1 – 3 – – 6 7 – –
*
10
– 2 3 – – 6 7 – –
*
11
– – 3 – – 6 7 – –
*
12
1 – – 4 – 6 7 – –
*
13
– 2 – 4 – 6 7 – –
*
14
– – – 4 – 6 7 – –
*
15
1 – – – – 6 7 – –
*
16
– 2 – – – 6 7 – –
*
17
– – – – – 6 7 – –
*
18
1 – 3 – – – 7 – –
*
19
– 2 3 – – – 7 – –
*
20
– – 3 – – – 7 – –
*
21
1 – – 4 – – 7 – –
*
22
– 2 – 4 – – 7 – –
*
23
– – – 4 – – 7 – –
*
24
1 – – – – – 7 – –
*
25
– 2 – – – – 7 – –
*
26
– – – – – – 7 – –
*
27
1 – 3 – 5 – – 8 –
*
Digital
28
– 2 3 – 5 – – 8 –
*
29
– – 3 – 5 – – 8 –
*
30
1 – – 4 5 – – 8 –
*
31
– 2 – 4 5 – – 8 –
*
32
– – – 4 5 – – 8 –
*
33
1 – – – 5 – – 8 –
*
34
– 2 – – 5 – – 8 –
*
35
– – – – 5 – – 8 –
*
36
1 – 3 – – 6 – 8 –
*
37
– 2 3 – – 6 – 8 –
*
38
– – 3 – – 6 – 8 –
*
39
1 – – 4 – 6 – 8 –
*
40
– 2 – 4 – 6 – 8 –
*
41
– – – 4 – 6 – 8 –
*
42
1 – – – – 6 – 8 –
*
43
– 2 – – – 6 – 8 –
*
44
– – – – – 6 – 8 –
*
45
1 – 3 – – – – 8 –
*
46
– 2 3 – – – – 8 –
*
47
– – 3 – – – – 8 –
*
48
1 – – 4 – – – 8 –
*
49
– 2 – 4 – – – 8 –
*
50
– – – 4 – – – 8 –
*
51
1 – – – – – – 8 –
*
52
– 2 – – – – – 8 –
*
53
– – – – – – – 8 –
*
54
1 – 3 – 5 – – – –
*
2
Fonctionnement
Digital
55
– 2 3 – 5 – – – –
56
– – 3 – 5 – – – –
57
1 – – 4 5 – – – –
58
– 2 – 4 5 – – – –
59
– – – 4 5 – – – –
60
1 – – – 5 – – – –
61
– 2 – – 5 – – – –
62
– – – – 5 – – – –
63
1 – 3 – – 6 – – –
64
– 2 3 – – 6 – – –
65
– – 3 – – 6 – – –
66
1 – – 4 – 6 – – –
67
– 2 – 4 – 6 – – –
68
– – – 4 – 6 – – –
69
1 – – – – 6 – – –
70
– 2 – – – 6 – – –
71
– – – – – 6 – – –
72
1 – 3 – – – – – –
73
– 2 3 – – – – – –
74
– – 3 – – – – – –
75
1 – – 4 – – – – –
76
– 2 – 4 – – – – –
77
– – – 4 – – – – –
78
1 – – – – – – – –
79
– 2 – – – – – – –
80
1 – 3 – 5 – 7 – –
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
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