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Yamaha DSP-AX1 Mode D'emploi page 19

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Les langues disponibles

Les langues disponibles

Analog
Input
R
Tape Deck
L
RF(AC-3)
AUDIO
GND
PHONO
LD
CD
CD
TUNER
DVD
IN
CBL
(PLAY)
/SAT
COAXIAL
TAPE
OPTICAL
OUT
CD
(REC)
IN
IN
(PLAY)
(PLAY)
MD
MD
OUT
OUT
(REC)
(REC)
MAIN
DVD
SURROUND
LD
Optical Input
MD or DAT Deck
Optical Output
Analog Output
RF(AC-3)
AUDIO
GND
PHONO
LD
CD
CD
TUNER
DVD
O
O
IN
CBL
(PLAY)
/SAT
COAXIAL
TAPE
OPTICAL
OUT
CD
(REC)
IN
IN
(PLAY)
(PLAY)
MD
MD
OUT
OUT
(REC)
(REC)
MAIN
DVD
Analog
Connecting a Tape Deck
Output
L
R
1
1
AUDIO
VIDEO
S VIDEO
VIDEO
DVD
2
2
LD
D-TV
CBL
/SAT
IN
VCR 1
OUT
IN
VCR 2
OUT
IN
Connecting an MD or DAT Deck
Analog Input
1
1
L
R
L
R
2
2
AUDIO
VIDEO
COMPONENT VI
S VIDEO
Y
P
/C
VIDEO
B
B
DVD
A
3
3
LD
B
D-TV
C
CBL
/SAT
4
4
IN
VCR 1
OUT
IN
IN
REMOTE 1
VCR 2
OUT
OUT
REMOTE 2
MO
IN
Hookups
Connect the left and right signal output jacks on your tape deck to
the TAPE 3 (PLAY) L and R jacks.
Connect the left and right signal input jacks on your tape deck to the
TAPE 4 (REC) L and R jacks.
Notes:
• You can monitor audio recordings if you connect a three-head tape deck to the
TAPE 3 (PLAY) jacks.
• When you connect a tape deck to the DSP-AX1, keep the deck's power on while
using the DSP-AX1. If the power is off, the DSP-AX1 may distort the sound from
other equipment.
• When you record from source equipment connected to the DSP-AX1 while the
DSP-AX1's power is off, the recorded sound may be distorted. To avoid this
problem, turn on the DSP-AX1.
Connect the left and right analog signal output jacks on your MD or
DAT deck to the MD 3 (PLAY) L and R jacks.
Connect the left and right analog signal input jacks on your MD or
DAT deck to the MD 4 (REC) L and R jacks.
Connect the optical digital signal output jack on your MD or DAT
deck to the OPTICAL MD (PLAY) jack.
Connect the optical digital signal input jack on your MD or DAT
deck to the OPTICAL MD (REC) jack.
Note:
• When you connect your MD or DAT deck to both the analog and digital input and
output jacks, priority is given to the digital signals.
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