Yamaha DM 2000 Mode D'emploi page 361

DM2000 Schéma de niveaux
Analog
Analog Digital
PAD GAIN INSERT
dBu dBFS Bit
Max.
Input [+24dBu]
+24 0 0
[+18dBu]
+20
1
–10
[+10dBu]
2
+10
Nominal
[+4dBu]
3
+4
–20
Input
0
4
GAIN MIN.,
PAD ON
–30 5
–10
6
–40
7
–20
8
–50
–30 9
–60 10
–40 Max.
11
Input [–46dBu]
–70
12
–50
13
Nominal
–80
[–60dBu]
Input
–60 14
–90 15 GAIN MAX.,
PAD OFF
–70
16
–100
17
–80
18
–110
–90 19
–120 20
–100
21
–130
22
–110
23
–140
–120
24
–150 25
–130
26
–160
27
–140
28
–170
–150 29
–180
30
–160
31
–190
32
–170
33
–200
–180 34
–210 35
–190
36
[0dBu = 0.775Vrms]
[0dBFS = Full Scale]
Digital
INPUT
AD PHASE GATE INSERT ATT. EQ INSERT COMP
PATCH
BUS
DELAY ON LEVEL INSERT PAN INSERT ATT. EQ INSERT
Adder
CASCADE IN CASCADE OUT
Digital
MASTER MASTER OUTPUT
COMP INSERT BAL DELAY GEQ
ON LEVEL PATCH
Digital Clipping Level
CONTROL ROOM MONITOR OUT
STEREO OUT
STUDIO MONITOR OUT
OMNI OUT (default setting)
DSP Noise Floor
Analog
Analog
DA
dBu
+24
Max. Output
[+18dBu] +20
+10
Nominal Output
[+4dBu]
+4
0
–10
–20
–30
–40
–50
–60
–70
–80
–90
–100
–110
–120
–130
–140
–150
–160
–170
–180
–190