Sony DPS-V77 Mode D'emploi page 9

PARALLEL (PARA)
IN
BLOCK
A
ch 1
MIX
BLOCK
ch 2 BLOCK
B
DUAL (DUAL)
IN
BLOCK
ch 1
A
MIX
BLOCK
BLOCK
ch 2
B
MORPHING (MORPH)
IN
ch 1
BLOCK MIX
A BLOCK
ch 2
Setting the INPUT/OUTPUT levels
This chart shows the overall signal flow relationship between this unit's inputs and outputs.
The following information is an overview of all you need to know regarding this unit's inputs
and outputs.
DIGITAL INPUT ATTENUATION LEVEL
DIGITAL
IN
ANALOG INPUT
CH1
BALANCED
CH2
CH1
LEVEL SW
(-20/+4 dB)
UNBALANCED
CH2
INPUT SW (AUTO)
You can use the effector as an A/D or D/A converter by turning off all the effects.
This structure lets you apply effects, like
OUT
flanger and reverb, separately and then mix
ch 1
them before output. In this case, there's no
undulation from the flanger in the reverb.
ch 2
This structure lets you isolate ch 1 and ch 2.
OUT
For example, you can connect a guitar to ch 1
and a drum machine to ch 2, then add a
ch 1
flanger effect to the guitar and a reverb effect
ch 2
to the drum machine.
This structure lets you make seamless changes
between effects stored in the memory banks.
OUT
In other words, it keeps the current effect
ch 1
from suddenly cutting out when you change
ch 2
to another effect. For details on morphing, see
"Morphing" on page 16.
CH1
BYPASS LINE (DIGITAL)
CH2
EQ BLOCK
EFFECT BLOCK
MIXER BLOCK
INPUT LEVEL
(PANEL)
CH1
A/D
CH2
BYPASS LINE (ANALOG)
BYPASS SW
OUTPUT LEVEL
(PANEL)
CH1
LEVEL SW
D/A
BYPASS SW
(-20/+4 dB)
CH2
DIGITAL
OUT
ANALOG OUTPUT
CH1
BALANCED
CH2
CH1
UNBALANCED
CH2
9
EN