PROEL M602FX Notice D'utilisation page 39

.[1-16] 75% ‫( ﻣﻥ %0 ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[، ﻭﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.[1-16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[، ﻭﺗﺯﻳﺩ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ﺇﻟﻰ 5 ﻫﺭﺗﺯ‬
‫" )ﺹ 9، 01، 51(، ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺯﺭ ﻋﻠﻰ ﺍﻷﻗﻝ ﻣﺭﺗﻳﻥ ﻣﻥ ﺍﻟﻣﻣﻛﻥ ﺿﺑﻁ ﻭﻗﺕ ﺍﻟﺗﻛﺭﺍﺭ ﺍﻟﻣﻁﻠﻭﺏ، ﺣﺳﺏ‬TAP DELAY" ‫ﻋﻧﺩ ﺗﺣﺩﻳﺩ ﺗﺄﺛﻳﺭ‬
‫. ﻣﻼﺣﻅﺔ: ﻳﻣﻛﻥ ﺗﺷﻐﻳﻝ ﺃﻭ ﺇﻳﻘﺎﻑ ﺍﻟﺗﺄﺛﻳﺭ‬MAIN MIX ‫ﺍﺿﻐﻁ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺯﺭ ﻓﻲ ﺣﺎﻟﺔ ﺍﻟﺭﻏﺑﺔ ﻓﻲ ﺇﺳﻛﺎﺕ ﺍﻹﺷﺎﺭﺓ ﺍﻟﺧﺎﺭﺟﺔ ﻣﻥ ﺗﺄﺛﻳﺭ ﺧﺎﺭﺟﻲ ﺇﻟﻰ‬
.AUX FX ‫• ﻭﺍﻣﺽ= ﻳﺑﻠﻎ ﻋﻥ ﻣﺳﺗﻭﻯ ﺍﻟﺩﺧﻝ ﺍﻟﻌﺎﻟﻲ ﺟﺩﺍ، ﺍﻟﻘﺭﻳﺏ ﻣﻥ ﺗﺳﺧﻳﻥ ﺩﺧﻝ ﺍﻟﺗﺄﺛﻳﺭ ﺗﺳﺧﻳﻧﺎ ﻣﻔﺭﻁﺎ. ﻭﻓﻲ ﻫﺫﻩ ﺍﻟﺣﺎﻟﺔ، ﺧﻔﺽ ﻣﺳﺗﻭﻯ ﺗﺳﻠﻳﻡ‬
PROEL ‫( ﻟﺩﻭﺍﺳﺔ ﻣﻔﺗﺎﺡ ﺍﻟﻘﺩﻡ ﺑﻣﻼﻣﺱ ﻣﺅﻗﺕ ﻣﻔﺗﻭﺡ ﻋﺎﺩﺓ )ﻏﻳﺭ ﻣﻭﺭﺩ(، ﺍﻟﺩﻭﺍﺳﺔ ﺍﻟﻣﻘﺗﺭﺣﺔ ﻫﻲ ﻣﻥ ﻣﻭﺩﻳﻝ‬TS) ‫ﻗﺎﺑﺱ ¼" )3.6ﻣﻠﻡ( ﻏﻳﺭ ﻣﺗﻭﺍﺯﻥ‬
‫" )ﺹ 9، 01، 51(، ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﻫﺫﻩ ﺍﻟﺩﻭﺍﺳﺔ ﻋﻠﻰ ﺍﻷﻗﻝ ﻣﺭﺗﻳﻥ ﻣﻥ ﺍﻟﻣﻣﻛﻥ ﺿﺑﻁ ﻭﻗﺕ ﺍﻟﺗﻛﺭﺍﺭ‬TAP DELAY" ‫. ﻋﻧﺩ ﺗﺣﺩﻳﺩ ﺗﺄﺛﻳﺭ‬GF29
‫ ﻣﻔﺻﻭﻻ(. ﻳﻣﻛﻥ‬R ‫ ﺇﺫﺍ ﺑﻘﻲ ﺍﻟﻣﺩﺧﻝ‬MONO ‫ ﻛـ‬L ‫ )ﻣﻼﺣﻅﺔ: ﻳﻣﻛﻥ ﺍﺳﺗﺧﺩﺍﻡ ﺍﻟﻣﺩﺧﻝ‬stereo ‫0( ﻟﻣﺩﺧﻝ ﻣﺳﺎﻋﺩ‬dB) ‫ﻣﻭﺻﻼﺕ ﻗﺎﺑﺱ ﻏﻳﺭ ﻣﺗﻭﺍﺯﻧﺔ‬
،CD/DVD ‫ ﺃﻭ ﻗﺎﺭﺉ‬MP3 ‫ ﻟﺗﻭﺻﻳﻝ ﻣﺧﺭﺝ ﻣﺻﺩﺭ ﺧﻁ ﻣﺛﻝ ﺍﻟﻣﺳﺟﻝ ﺍﻟﺗﻧﺎﻅﺭﻱ، ﻗﺎﺭﺉ‬RCA ‫ﺗ ُ ﺳﺗﺧﺩﻡ ﻫﺫﻩ ﺍﻟﻣﺩﺍﺧﻝ ﻏﻳﺭ ﺍﻟﻣﺗﻭﺍﺯﻧﺔ ﻣﻊ ﻣﻭﺻﻼﺕ‬
.‫ ﺇﻟﻰ ﻣﺳﺟﻝ ﻣﺛﻝ ﻣﺳﺟﻝ ﻛﺎﺳﻳﺕ ﺗﻧﺎﻅﺭﻱ ﺃﻭ ﻛﻣﺑﻳﻭﺗﺭ ﺑﻣﺩﺧﻝ ﺻﻭﺕ‬MAIN MIX ‫ ﻏﻳﺭ ﺍﻟﻣﺗﻭﺍﺯﻧﺔ ﻹﺭﺳﺎﻝ ﺇﺷﺎﺭﺓ ﻣﺧﺭﺝ‬RCA ‫ﺍﺳﺗﺧﺩﻡ ﻣﻭﺻﻼﺕ‬
‫ ﻟﻠﻘﻧﻭﺍﺕ ﺍﻟﻣﻧﻔﺭﺩﺓ. ﻳ ُ ﺳﺗﺧﺩﻡ ﻋﺎﺩﺓ ﻟﺗﻭﺻﻳﻝ ﺩﺧﻝ ﺗﺄﺛﻳﺭ‬AUX ‫ﻳﺭﺳﻝ ﻫﺫﺍ ﺍﻟﻘﺎﺑﺱ ﺍﻟﻣﻭﺻﻝ ﺇﻟﻰ ﺍﻟﺧﺎﺭﺝ ﺇﺷﺎﺭﺓ ﺧﻁ ﻏﻳﺭ ﻣﺗﻭﺍﺯﻧﺔ ﻣﻛﻭﻧﺔ ﻣﻥ ﻣﺟﻣﻭﻉ ﻛﻝ ﺗﺳﻠﻳﻡ‬
‫ ﻫﺫﻩ ﻣﺧﺭﺝ ﻏﻳﺭ ﻣﺗﻭﺍﺯﻥ ﻟﻣﺳﺗﻭﻯ ﺧﻁ ﻳﻣﻛﻥ ﺍﺳﺗﺧﺩﺍﻣﻪ ﻟﻠﺗﺣﻛﻡ ﺑﻁﺭﻳﻘﺔ ﻣﻧﻔﺻﻠﺔ ﻭﺃﻳﺿﺎ ﻛﻣﺧﺭﺝ ﺗﻛﻣﻳﻠﻲ ﻓﻲ ﺑﺭﻧﺎﻣﺞ ﺍﻟﻣﺧﺭﺝ ﻣﻥ‬JACK ‫ﺗﻌﻁﻲ ﻣﻭﺻﻼﺕ‬
.‫. ﻣﻼﺣﻈﺔ: ﺇﺷﺎﺭﺓ ﻫﺬﻳﻦ ﺍﻟﻤﺨﺮﺟﻴﻦ ﻫﻲ ﻧﻔﺴﻬﺎ‬PHONES‫ ﻭ‬CONTROL ROOM ‫ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﻣﺧﺭﺝ ﻗﺎﺑﺱ‬
‫ ﻓﻲ ﺣﺩﻭﺩﻩ‬fader ‫2. ﻋﻧﺩﻣﺎ ﻳﻛﻭﻥ ﺍﻟـ‬TRK OUT ‫، ﻭﻣﺧﺭﺝ‬MAIN MIX ‫ ﻓﻲ ﻣﺳﺗﻭﻯ ﺍﻟﻣﺧﺭﺝ ﺗﻣﺎﻣﺎ ﻗﺑﻝ ﺧﺭﺝ‬MAIN MIX FADER ‫ﻳﺗﺣﻛﻡ‬
‫ ﻣﻧﻁﻔﺋﺎ، ﺑﻳﻧﻣﺎ ﻧﻘﻁﺔ "0" ﺗﺩﻝ ﻋﻠﻰ ﺃﻥ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻻﺳﻣﻲ ﻟﻠﻣﺧﺭﺝ ﻋﻠﻰ ﻛﺑﻝ ﻣﺗﻭﺍﺯﻥ ﺑـ 4+ ﻭﺣﺩﺓ ﺩﻳﺳﻳﺑﻝ. ﻳﺗﻡ ﻋﺎﺩﺓ ﺗﻌﻳﻳﻥ ﻫﺫﺍ‬MAIN MIX ‫ﺍﻟﺩﻧﻳﺎ، ﻳﺻﺑﺢ‬
.‫ ﻗﺭﻳﺑﺎ ﻣﻥ "0"، ﻭﻳﺗﺭﻙ ﻫﻧﺎ، ﻭﻟﻛﻥ ﻳﻣﻛﻥ ﺍﺳﺗﺧﺩﺍﻣﻪ ﺃﻳﺿﺎ ﻟﺗﻅﻠﻳﻝ ﺍﻷﻏﻧﻳﺎﺕ ﺃﻭ ﺇﺳﻛﺎﺕ ﻣﻧﻅﻭﻣﺔ ﺍﻟﺻﻭﺕ ﺑﺳﺭﻋﺔ ﻓﻲ ﺣﺎﻟﺔ ﺍﻟﺿﺭﻭﺭﺓ‬fader ‫ﺍﻟـ‬
‫. ﻭﺑﻨﺎء ﻋﻠﻰ ﺫﻟﻚ، ﻳﻤﻜﻦ‬phantom power ‫ ﻋﺒﺎﺭﺓ ﻋﻦ ﺧﺮﺝ ﻣﺘ ﻮ ﺍﺯﻥ ﻓﻌﻠﻴﺎ ﻳﺴﺘﻄﻴﻊ ﺇﺭﺳﺎﻝ ﺇﺷﺎﺭﺓ ﻋﻠﻰ ﺧﻂ ﻣﺘ ﻮ ﺍﺯﻥ ﻣﻊ ﺃﻭ ﺑﺪﻭﻥ ﺗﻨﺸﻴﻂ‬MAIN OUT ‫ﻣﻼﺣﻈﺔ: ﺇﻥ‬
.‫ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬mono TAP‫ ﻭ‬hall ‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ‬REVERB+TAP DELAY .15 ‫ﺹ‬
.‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﻠﺻﻭﺕ ﻭﺗﺄﺛﻳﺭ ﺍﻟﻛﻭﺭﺍﺱ ﻳ ُ ﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬REV+CHORUS .16 ‫ﺹ‬
.PROEL GF29 ‫( ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ ﻟﻠﺧﻼﻁ، ﻣﻭﺩﻳﻝ ﺍﻟﺩﻭﺍﺳﺔ ﺍﻟﻣﻘﺗﺭﺣﺔ ﻫﻭ‬MUTE) ‫ﺻﻝ ﺩﻭﺍﺳﺔ ﻣﻔﺗﺎﺡ ﺍﻟﻘﺩﻡ ﻹﺳﻛﺎﺕ‬
.‫ﺍﺳﺗﺧﺩﺍﻡ ﻫﺫﺍ ﺍﻟﻣﺩﺧﻝ ﻹﺷﺎﺭﺓ ﺍﻟﻌﻭﺩﺓ ﻣﻥ ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺧﺎﺭﺟﻲ ﺃﻭ ﻟﺗﻭﺻﻳﻝ ﺃﻱ ﻣﺻﺩﺭ ﺑﻣﺳﺗﻭﻯ ﺍﻟﺧﻁ‬
.CTRL ROOM/PHONES‫ ﻭ‬MAIN MIX ‫ ﻭﻳﺭﺳﻠﻪ ﺇﻟﻰ ﻣﺧﺭﺝ‬AUX RET ‫ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﻣﺩﺧﻝ‬
.MAIN MIX ‫2: ﻫﺫﺍ ﺍﻟﺗﺣﻛﻡ ﻳﺄﺗﻲ ﺑﻌﺩ ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﻣﺳﺗﻭﻯ‬TRK OUT ‫ﻳﺿﺑﻁ ﻣﺳﺗﻭﻯ ﻣﺧﺭﺝ‬
.‫( ﻋﻠﻰ ﻭﺿﻊ ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﻣﺳﺗﻭﻯ ﺍﻟﻘﻧﺎﺓ‬post-fader) ‫ﺧﺎﺭﺟﻲ ﺃﻭ ﻟﺷﺎﺷﺔ ﻣﺳﺭﺡ ﻣﺿﺧﻣﺗﻳﻥ. ﺗﻌﺗﻣﺩ ﻫﺫﻩ ﺍﻹﺷﺎﺭﺓ‬
(c.room‫ )ﻣﺳﺗﻭﻯ ﻣﺧﺭﺝ ﺳﻣﺎﻋﺎﺕ ﺍﻟﺭﺃﺱ ﻭ‬C.ROOM/PHONES LEVEL .30
.MAIN MIX ‫( ﺧﺭﺟﺎ ﺫﻱ ﻣﺳﺗﻭﻯ ﺧﻁ ﻣﺗﻭﺍﺯﻥ ﻟﻠﻧﺎﻗﻝ ﺍﺳﺗﺭﻳﻭ‬JACK (+4dBu ‫ﺗﻌﻁﻲ ﻣﻭﺻﻼﺕ‬
.‫ ﻹﺭﺳﺎﻝ ﺇﺷﺎﺭﺓ ﺇﻟﻰ ﺍﻟﺨﻼﻁ ﺍﻟﺮﺋﻴﺴﻲ‬DI ‫ ﻛﺘﻮﻟﻴﻔﺔ ﺧﻼﻁ + ﺻﻨﺪﻭﻕ‬M602FX ‫ﺍﺳﺘﺨﺪﺍﻡ‬
‫( ﺍﻟﻣﻭﺟﻭﺩ ﺑﺎﻷﺳﻔﻝ‬TAP (22 ‫ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬mono ‫ﻭﻗﺕ ﺗﺄﺧﻳﺭ‬
(‫ ﻟﺿﺑﻁ ﺍﻟﻭﻗﺕ‬LED ‫ ﺑﺯﺭ ﻣﻊ‬TAP .16
.LED ‫ﺍﻹﻳﻘﺎﻉ ﺍﻟﻣﻭﺳﻳﻘﻲ ﻭﺍﻟﻣﺭﺋﻲ ﻣﻥ‬
.FX MUTE ‫ﺑﻭﺍﺳﻁﺔ ﺩﻭﺍﺳﺔ ﻣﺗﺻﻠﺔ ﺑﺎﻟﻣﻘﺑﺱ‬
.MUTE ‫• ﻣﺿﻲء ﺩﺍﺋﻣﺎ = ﻭﻳﻌﻧﻲ ﺃﻥ ﺍﻟﺗﺄﺛﻳﺭ ﻓﻲ ﻭﺿﻊ ﺍﻹﺳﻛﺎﺕ‬
(‫ )ﻣﺳﺗﻭﻯ ﺍﻟﺗﺄﺛﻳﺭ‬FX LEVEL .19
.MAIN MIX ‫ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ ﺍﻟﻣﺭﺳﻠﺔ ﺇﻟﻰ ﺧﺭﺝ‬
(‫ )ﻣﺩﺧﻝ ﻗﺎﺑﺱ ﻟﻠﺩﻭﺍﺳﺔ‬TAP DELAY .20
(‫ )ﻣﺩﺧﻝ ﻗﺎﺑﺱ ﻟﻠﺩﻭﺍﺳﺔ‬FX MUTE .21
(‫ )ﻣﺩﺧﻝ ﻗﺎﺑﺱ ﺍﻟﻣﺳﺎﻋﺩﺍﺕ‬AUX RET .22
(‫ )ﻣﺳﺗﻭﻯ ﻣﺩﺧﻝ ﻣﺳﺎﻋﺩ‬AUX RET LEVEL .23
(rca stereo ‫2 )ﺩﺧﻝ‬TRK IN .24
(‫2 )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ‬TRK IN LEVEL .25
.2TRK INPUT ‫ﻳﺿﺑﻁ ﻣﺳﺗﻭﻯ ﻣﺩﺧﻝ‬
(rca stereo ‫2 )ﺧﺭﺝ‬TRK OUTPUT .26
(jack ‫ )ﻣﺧﺭﺝ‬C.ROOM L & R .29
(MIX ‫ )ﻣﺳﺗﻭﻯ ﻣﺧﺭﺝ‬MAIN MIX FADER .31
(‫ ﻣﺗﻭﺍﺯﻧﺔ‬jack ‫ )ﻣﺧﺎﺭﺝ‬MAIN MIX L & R .32
(‫ )ﺯﺭ ﻹﺳﻛﺎﺕ ﺍﻟﺗﺄﺛﻳﺭ‬MUTE .17
(‫ )ﻛﺎﺷﻑ ﺍﻟﻘﻣﺔ‬PEAK .18
:‫ ﺣﺎﻟﺗﻳﻥ‬LED ‫ﻳﻌﺭﺽ ﻣﺻﺑﺎﺡ‬
.‫ﺍﻟﻣﻁﻠﻭﺏ، ﺣﺳﺏ ﺍﻹﻳﻘﺎﻉ ﺍﻟﻣﻭﺳﻳﻘﻲ‬
.‫ﻣﺧﺭﺝ ﺻﻭﺗﻲ ﻟﻛﻣﺑﻳﻭﺗﺭ‬
.27
(jack ‫ )ﻣﺧﺭﺝ‬AUX OUT .28
.MAIN MIX
39