، ﺃﻭ ﺧﻔﺽ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﻳﻣﻳﻧﺎ ﻭﻳﺳﺎﺭﺍ ﻓﻲ ﺣﺎﻟﺔMONO ﺍﺿﺑﻁ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺭﺳﺎﻟﻬﺎ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﻳﺳﺎﺭﺍ ﻭﻳﻣﻳﻧﺎ ﺇﺫﺍ ﻛﺎﻧﺕ ﺍﻟﻘﻧﺎﺓ ﻣﺳﺗﺧﺩﻣﺔ ﻓﻲ
، ﺧﻔﺽ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﻣﺩﺧﻝLED PEAK ﻓﻬﺫﺍ ﻳﻌﻧﻲ ﺃﻥ ﺇﺷﺎﺭﺓ ﺍﻟﻣﺩﺧﻝ ﻗﺭﻳﺑﺔ ﻣﻥ ﺍﻟﺗﺷﻭﻩ. ﻫﺎﻡ: ﻓﻲ ﺣﺎﻟﺔ ﻭﻣﻳﺽLED PEAK ﻓﻲ ﺣﺎﻟﺔ ﻭﻣﻳﺽ
ﺑـ 42 ﺑﺕ. ﻳﺷﻣﻝ 61 ﺇﻋﺩﺍﺩ ﻣﺳﺑﻖAD/DA ﻗﻭﻱ ﻭﻋﻠﻰ ﻣﺣﻭﻻﺕDSP ( ﻗﺎﺋﻡ ﻋﻠﻰPROFEX digital effect processor) ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ
؛preset - ﺍﺿﻐﻁ ﻣﺟﺩﺩﺍ ﻟﻣﺩﺓ ﺛﺎﻧﻳﺗﻳﻥ ﻋﻠﻰ ﺍﻷﻗﻝ ﻋﻠﻰ ﺍﻟﻣﻘﺑﺽ ﺣﺗﻰ ﺗﺗﻭﻗﻑ ﺍﻟﺷﺎﺷﺔ ﻋﻥ ﺍﻟﻭﻣﻳﺽ ﻟﺗﺄﻛﻳﺩ ﺍﻟﺗﻐﻳﻳﺭ ﻭﺍﻟﻌﻭﺩﺓ ﺇﻟﻰ ﺗﺣﺩﻳﺩ
- ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻛﺛﻳﺭﺓ ﺑﺗﺭﺩﺩﺍﺕBRIGHT HALL .1 ﺹ
- ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻗﻠﻳﻠﺔ ﺑﺗﺭﺩﺩﺍﺕDARK HALL .2 ﺹ
- ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓBRIGHT ROOM .3 ﺹ
- ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓDARK ROOM .4 ﺹ
.hall ﺃﻭplate, spring ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ
.spring ﺃﻭtape, hall ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ
.( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝTAP (22 ﻫﻧﺎ ﻓﻲ ﺍﻷﻋﻠﻰ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭSTEREO DELAY - ﻛـSTEREO TAP DELAY .9 ﺹ
.( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝTAP (22 ﻧﻣﻁﻲ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭeco mono - ﺇﻥMONO TAP DELAY .10 ﺹ
. - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻭﻣﺻﻣﻡ ﻟﺗﻣﻭﺟﺎﺕ ﺳﻠﺳﺔ ﻭﺃﺛﻳﺭﻳﺔ ﻣﻥ ﺍﻟﺗﺭﺩﺩ. ﻣﻧﺎﺳﺏ ﺟﺩﺍ ﻟﺗﻘﻭﻳﺔ ﺍﻟﺟﻳﺗﺎﺭ ﻭﺍﻟﺑﺎﺱ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲCHORUS .11 ﺹ
. - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻳﺗﻣﻳﺯ ﺑﺗﺄﺛﻳﺭ ﻗﻭﻱ ﻣﺗﺭﺩﺩ. ﻳ ُ ﺳﺗﺧﺩﻡ ﺧﺎﺻﺔ ﻋﻠﻰ ﺍﻟﺟﺗﻳﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ، ﺍﻟﻣﻧﻔﺭﺩ ﻭﺍﻹﻳﻘﺎﻋﻲFLANGER .12 ﺹ
38
.ﻳﺿﺑﻁ ﻛﻣﻳﺔ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺭﺳﺎﻟﻬﺎ ﺇﻟﻰ ﺍﻟﻣﺧﺭﺝ ﺍﻷﻳﺳﺭ ﻭﺍﻷﻳﻣﻥ. ﻳ ُ ﺳﺗﺧﺩﻡ ﻟﻭﺿﻊ ﺍﻟﺻﻭﺕ ﻓﻲ ﻣﺷﻬﺩ ﺑﺎﻧﻭﺭﺍﻣﺎ ﺍﺳﺗﺭﻳﻭ
.، ﻭﻳﻌﺭﺽ ﻛﻝ ﻣﻧﻬﺎ 61 ﻣﺗﻐﻳﺭﺍ ﻣﻥ ﺍﻟﻣﻌﺎﻣﻼﺕ ﻹﺟﻣﺎﻟﻲ 652 ﺗﺄﺛﻳﺭﺍ ﻣﺗﻭﻓﺭﺍstudio-grade ﺑﺧﻭﺍﺭﺯﻣﻳﺎﺕ ﺗﺄﺛﻳﺭ
.، ﺍﺿﻐﻁ ﻟﺛﺎﻧﻳﺗﻳﻥ ﻋﻠﻰ ﺍﻷﻗﻝ ﻋﻠﻰ ﺍﻟﻣﻘﺑﺽ ﺣﺗﻰ ﺗﻭﻣﺽ ﺷﺎﺷﺔ ﺍﻟﻌﺭﺽpreset - ﻟﺗﺣﺩﻳﺩ ﺗﻐﻳﻳﺭ
.( ﻟﻠﻘﻧﺎﺓ ﺍﻟﻣﺭﺍﺩ ﺇﺿﺎﻓﺔ ﺍﻟﺗﺄﺛﻳﺭ ﺇﻟﻳﻬﺎAUX (9)(17 - ﺃﺭﺳﻝ ﺇﺷﺎﺭﺓ ﺑﺎﻟﺗﺄﺛﻳﺭ ﺑﺎﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺣﻛﻡ
.(23) ﻟﻠﻘﻣﺔLED ( ﻗﺑﻝ ﺗﺷﺑﻊ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻣﻭﺿﺢ ﻋﻠﻰAUX (9)(17 - ﺍﺿﺑﻁ ﺍﻟﺗﺣﻛﻡ
.، ﻭﺍﻟﺘﻐﻴﻴﺮ ﺍﻟﻤﺤﺪﺩ ﺃﻳﻀﺎ ﻓﻲ ﺣﺎﻟﺔ ﺇﻏﻼﻕ ﺍﻟﺨﻼﻁpreset ﻓﻲ ﺍﻟﺬﺍﻛﺮﺓPROFEX ﻣﻼﺣﻈﺔ: ﻳﺤﻔﻆ
.( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻁﻭﻳﻝVOCAL 1 (STAGE REVERB .5 ﺹ
." ﻣﺳﺗﺧﺩﻡ ﻓﻲ ﺍﻟﺗﺳﺟﻳﻼﺕ ﻓﻲ ﺍﻟﺳﺑﻌﻳﻧﺎﺕ ﻭﺍﻟﺛﻣﺎﻧﻳﻧﺎﺕplate" - ﻫﺫﻩ ﻣﺣﺎﻛﺎﺓ ﻟﺻﺩﻯ ﻛﻼﺳﻳﻛﻲPLATE .7 ﺹ
. - ﺗﺄﺛﻳﺭ ﺍﻟﺻﺩﻯ ﻣﻊ ﺍﻟﺑﻳﻧﻎ-ﺑﻭﻧﻎ ﻋﻠﻰ ﻗﻧﻭﺍﺕ ﻳﺳﺭﻯ ﻭﻳﻣﻧﻰSTEREO DELAY .8 ﺹ
. - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻻﺳﺗﺭﻳﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎREVERB+DELAY 1 .13 ﺹ
. - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻟﻣﻭﻧﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎREVERB+DELAY 2 .14 ﺹ
( )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﻣﺳﺗﻭﻯ ﺍﻟﻘﻧﺎﺓFADER LEVEL .14
.MAIN MIX ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﻘﻧﺎﺓ، ﻭﻳﺭﺳﻠﻬﺎ ﺇﻟﻰ ﻣﺧﺭﺝ
( ﺍﻟﻣﺭﺍﺩ ﺍﺳﺗﺧﺩﺍﻣﻪ؛preset) - ﺃﺩﺭ ﻣﻔﺗﺎﺡ ﺍﻻﻧﺗﻘﺎء ﻻﺧﺗﻳﺎﺭ ﻧﻭﻉ ﺍﻟﺗﺄﺛﻳﺭ
.( ﺣﺗﻰ ﺗﺳﻣﻊ ﺍﻟﺗﺄﺛﻳﺭFX LEVEL (24 - ﻟﻑ ﺍﻟﻣﻘﺑﺽ
. ﻟﺟﻣﻊ ﺇﺷﺎﺭﺓ ﺍﻟﺗﺄﺛﻳﺭ ﻣﻊ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻁﺑﻳﻌﻳﺔFX LEVEL - ﺍﺿﺑﻁ ﻣﺟﺩﺩﺍ ﺍﻟﻣﻘﺑﺽ
.ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﻭﺍﻟﺟﻳﺗﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ ﻭﺍﻷﻭﺗﺎﺭ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ
.ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﺟﺩﺍ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺁﻻﺕ ﺍﻟﻧﻔﺦ، ﺍﻵﻻﺕ ﺍﻟﻭﺗﺭﻳﺔ، ﻭﺍﻟﻁﺑﻼﺕ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ
.ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﻗﻠﻳﻠﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺟﻳﺗﺎﺭ ﺍﻷﺻﺎﺑﻊ، ﻭﺍﻟﻁﺑﻼﺕ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ
.( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻗﻭﻱVOCAL 2 (CLUB REVERB .6 ﺹ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ
.[2] ﺗﺑﺩﺃ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺗﻛﺭﺍﺭ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ
.[16] 90% ( ﻣﻥ %5 ]1[ ﺇﻟﻰfeedback) ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ
.[16] 75% ( ﻣﻥ %0 ]1[ ﺇﻟﻰfeedback) ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ
.ﺃﻳﺿﺎ ﺗﻘﻭﻳﺔ ﺍﻷﺻﻭﺍﺕ ﻭﺧﺎﺻﺔ ﺍﻟﻣﺟﻣﻭﻋﺎﺕ ﻭﺍﻟﻛﻭﺭﺍﺱ
.[16] ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 5 ﻫﺭﺗﺯ
.[16] ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 2.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 3 ﻫﺭﺗﺯ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ
.[16] ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ
( )ﺗﺣﻛﻡ ﺍﻟﺑﺎﻧﻭﺭﺍﻣﺎPAN .11
( )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﺗﻭﺍﺯﻥBAL .12
.STEREO ﺍﺳﺗﺧﺩﺍﻡ ﺍﻟﻘﻧﺎﺓ ﻓﻲ ﻭﺿﻊ
( )ﻛﺎﺷﻑ ﺍﻟﻘﻣﺔPEAK .13
.(GAIN) ﺑﺎﺳﺗﺧﺩﺍﻡ ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻛﺳﺏ
( )ﻣﻔﺗﺎﺡ ﺍﻧﺗﻘﺎء ﻭﻋﺭﺽ ﺍﻟﺗﺄﺛﻳﺭPRESETS .15
:PROFEX ﻛﻴﻔﻴﺔ ﺍﺳﺘﺨﺪﺍﻡ ﺗﺄﺛﻴﺮ
.- ﺛﻡ ﺃﺩﺭ ﺍﻟﻣﻘﺑﺽ ﻻﺧﺗﻳﺎﺭ ﻭﺍﺣﺩﺍ ﻣﻥ 61 ﺗﻐﻳﻳﺭﺍ
.ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ ﻭﺍﻟﺟﻳﺗﺎﺭ ﻭﺁﻻﺕ ﺍﻟﻧﻔﺦ
:preset ﻭﺻﻒ