Operating The Components - Sony RM-TP2 Mode D'emploi

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Registering the components
(continued)
TUNER
Sony TUNER
(AU1)
Sony TUNER
(AU2)
Sony TUNER
(SYS1)
Sony TUNER
(SYS2)
Sony TUNER
(MLT1)
Sony TUNER
(MLT2)
GB
12
Select this when the command mode
of the amplifier/receiver is AV1 (AV
SYSTEM1).
Also, select this when the tuner does
not operate under Sony TUNER
(SYS1).
Select this when the command mode
of the amplifier/receiver is AV2 (AV
SYSTEM2).
Also, select this when the tuner does
not operate under Sony TUNER
(SYS2).
Select this when the command mode
of the amplifier/receiver is AV1 (AV
SYSTEM1).
Select this when the command mode
of the amplifier/receiver is AV2 (AV
SYSTEM2).
(Default setting of TUNER in the
RM SELECT screen.)
Select this when you control the
tuner in the main room from the 2nd
zone. The tuner operations you can
control depend on the receiver in the
main room. (Some receivers does
not receive this code.)
Select this when you control the
tuner in the main room from the 3rd
zone. The tuner operations you can
control depend on the receiver in the
main room. (Some receivers does
not receive this code.)

Operating the components

Selecting the remote
(component)
To operate the registered components, first
display the RM SELECT screen, then select the
remote (component) you want to operate (CD/
SACD, MD, etc.).
1
Touch RM SELECT.
The RM SELECT screen appears.
2
Touch the remote (component) you
want to operate.
Or, turn the jog dial to select the remote
(component), then press the jog dial to enter
the selection. The screen for operating the
component appears. Touch B or b to
display other screens. See the tables on
pages 12–17 for information on the
displayed keys.
To display other items, use the jog dial, or
touch v or V to scroll through the list.
Tips
• You can change the name of remotes (components)
(page 29).
• On the last screen for each remote (component),
there are 8 keys specially for use with the Learning
function (USER RESERVE KEYS). You can use
these keys for programming additional remote
codes (page 28).

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