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Pédale d'expression - Paramètres affectables
Effets Fretless/Wah basés sur :
Dunlop® Cry Baby Wah®
Vox® Clyde McCoy Wah
DigiTech® Full Range Wah
Effets de compresseur basés
sur :
DigiTech Compresseur
Boss® CS-2
Compresseur/Sustainer
MXR® Dynacomp
Effets de distorsion basés
sur :
Ibanez® TS-9
Ibanez TS-808 Tube Screamer
Voodoo Lab Sparkle Drive
Guyatone® Overdrive OD-2
DOD® 250 Overdrive/Preamp
DigiTech Redline Modified
Overdrive
Pro Co RAT
TM
MXR® Distortion +
Boss DS-1
Distortion
TM
DigiTech Grunge®
Boss MT-2 Metal Zone®
DigiTech Death Metal
TM
DOD Gonkulator Ring Mod
Roger Mayer Octavia
TM
Demeter Fuzzulator
DOD Classic Fuzz
Arbiter® Fuzz Face
TM
Electro-Harmonix® Big Muff Pi®
Ampli
Tous modèles d'amplis
(canaux A et B)
EQ
EQ 4 bandes
Noise Gate/Auto Swell
Noise Gate DigiTech
Auto Swell DigiTech
Effets de Chorus basés sur :
Boss CE-2 Chorus
TC Electronic® Chorus
DigiTech Dual Chorus
DigiTech Multi Chorus
Effets de Flanger basés sur :
DigiTech Flanger
DigiTech Triggered Flanger
MXR Flanger
EH Electric Mistress
Effets de Phaser basés sur :
DigiTech Phaser
DigiTech Triggered Phaser
MXR Phase 100
EH Small Stone
32
Wah
Wah
Minimum
Wah Minimum
Wah Maximum
CRYWAH
Wah Minimum
Wah Maximum
CLYDE
Wah Minimum
Wah Maximum
FuLRnG
Comp
Sustain
Sustain
DIGCMP
Sustain
CSCOMP
Sensitivity
DYnCMP
Dist.
Gain
Drive
Scream
Overdrive
808
Gain
SPARK
Drive
oddriv
Gain
DOD250
Gain
redlne
Distortion
rodent
Distortion
mxdist
Gain
dsdist
Grunge
Grunge
Gain
zone
–
death
Gunk
gonklt
(Dist Gain)
Drive
8tavia
Fuzz
fuzltr
Fuzz
clasfz
Fuzz
fuzzY
Sustain
big MP
Amp
Cabinet
–
Cabinet Model
On/Off
Bass
Mid Frequency
–
Bass
Mid Frequency
Gate Type
Threshold
Threshold
GATE
–
SWELL
Effet
Pre/Post Amp
Pre/Post Amp
CE CHS
Pre/Post Amp
TC CHS
Pre/Post Amp
CHORuS
Pre/Post Amp
MCHORS
Effet
Pre/Post Amp
Pre/Post Amp
FLAnGR
Pre/Post Amp
TRGFLG
Pre/Post Amp
MXFLGR
Pre/Post Amp
EHFLGR
Effet
Pre/Post Amp
Pre/Post Amp
PHASER
Pre/Post Amp
TPHASE
Pre/Post Amp
MXPHAS
Pre/Post Amp
EHPHAS
Wah
Wah Level
Maximum
Wah Level
Wah Level
Wah Level
Tone
Attack
Tone
Attack
–
Attack
–
–
Param 1
Param 2
Tone
–
Tone
–
Tone
Clean
–
–
–
–
Low
High
Filter
–
–
–
Tone
–
Butt
Face
Low
Mid Level
Low
Mid
Smear (Ring
Suck
Mod Level)
(Dist Level)
–
–
Tone
Loose/Tight
Tone
–
–
–
Tone
–
Amp Gain
–
Amp Gain
–
Mid Level
Mid Level
Attack Time
Release
Attack Time
Release
Attack Time
Release
Speed
Depth
Speed
Depth
Speed
Width
Speed
Depth
Speed
Depth
Speed
Depth
Speed
Depth
Speed
Sensitivity
Speed
Width
Rate
Range
Speed
Depth
Speed
Depth
Speed
Sensitivity
Speed
Intensity
Rate
–
–
–
–
–
–
–
–
–
X-Over
Level
X-Over
Level
–
Level
–
Output
Distortion
Param 3
Level
–
Level
–
Level
–
Volume
–
Level
–
Level
–
Level
–
Level
–
Output
–
Level
–
Loud
High
Level
High
Level
Heave
–
(Output Level)
–
Volume
–
Volume
–
Volume
–
Volume
–
Volume
–
Amp Level
–
Amp Level
Treble
Presence
Treble
Presence
Swell
Attenuation
Sensitivity
Attenuation
Swell
Attenuation
Sensitivity
Regen
FX Level
–
–
–
Intensity
Waveform
Level
Waveform
Level
Regen
FX Level
Regen
Level
LFO Start
Level
Regen
Manual
Color
–
Regen
FX Level
Regen
Level
LFO Start
Level
–
–
Color
–
X-Edit
–
–
–
X-Edit
–
–
–
X-Edit
–
–
–
–
–
–
–
–
–
–
Mid Freq
–
–
–
–
–
–
–
X-Edit
–
X-Edit
–
X-Edit
–
–
X-Edit
–
–
–
–
X-Edit
Waveform
–
–
–
X-Edit
Waveform
–
–
–
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Table des Matières
