Rear Panel - Hughes & Kettner Tube Meister 36 Notice D'utilisation

CLEAN Button
Use it to activate the CLEAN channel. Its LED
lights up blue when you do.
GAIN [CLEAN]
The GAIN knob determines the CLEAN channel's
input sensitivity.
MASTER [CLEAN]
This knob adjusts the CLEAN channel's volume
without affecting the other channels' levels.
BASS, MID, TREBLE [CLEAN]
This passive 3-band voicing section controls
the CLEAN channel's low, midrange and high
frequencies.
CRUNCH Button
Use it to activate the CRUNCH channel. Its LED
lights up yellow when you do.
GAIN [CRUNCH]
This knob controls the amount of tube distortion in
the CRUNCH channel.
MASTER [CRUNCH]
This knob adjusts the CRUNCH channel's volume
without affecting the other channels' levels.
LEAD Button
Use it to activate the LEAD channel. Its LED lights
up red when you do.
GAIN [LEAD]
This knob controls the amount of tube distortion in
the LEAD channel.
MASTER [LEAD]
This knob adjusts the LEAD channel's volume.
BASS, MID, TREBLE [CRUNCH/LEAD]
This is a shared voicing section that controls both
the CRUNCH and LEAD channels.

1.2 Rear Panel

MIDI IN and LEARN
We devoted an entire chapter to MIDI
control. See section 3 to learn more about it.
FOOTSWITCHES
Both CHANNELS and EFFECTS
accept a two-way footswitch equipped with a
standard stereo jack plug, for example the HUGHES
& KETTNER FS-2.
The first switch on the two-way footswitch plugged
into the CHANNELS port selects either CLEAN
or the two overdrive channels; the second switch
activates either CRUNCH or LEAD.
The first switch on the two-way footswitch plugged
into the EFFECTS port switches REVERB on and
off; the second switch enables and disables the FX
loop.
Note: If a footswitch is connected to the CHANNELS
jack plug, you can only activate channels using this
footswitch. In this case, the channel select buttons on
the front panel serve only to indicate the channels'
status. However, you can continue switching channels
via a connected MIDI board.
TIP: You can also connect a MIDI-enabled controller
or foot-switchable board such as the HUGHES
& KETTNER FSM-432 (see section 3). We urge
you to do this. Then you can make the most of the
Power Soak's potential and use it as a sound-shaping
tool unlike any other you've ever experienced. With
MIDI commands, you can switch entire setup – that
is, combinations of different channel, power output,
reverb and FX loop settings – at the touch of a button.
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