PROEL M822USB Notice D'utilisation page 51

‫ - ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﻳﺣﻔﺯ ﺑﻳﺋﺔ ﻗﺎﻋﺔ ﺣﻔﻼﺕ ﻛﺑﻳﺭﺓ. ﺻﺩﻯ ﻗﻭﻱ ﻭﻣﺗﺟﺎﻧﺱ ﻣﻊ ﺫﻳﻝ ﻁﻭﻳﻝ ﻭﺍﻧﻌﻛﺎﺳﺎﺕ ﻗﻠﻳﻠﺔ ﺑﺗﺭﺩﺩﺍﺕ‬DARK HALL .2 ‫ﺹ‬
‫ - ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓ‬BRIGHT ROOM .3 ‫ﺹ‬
‫ - ﻳﻌﻳﺩ ﻫﺫﺍ ﺍﻟﻧﻭﻉ ﻣﻥ ﺍﻟﺻﺩﻯ ﺇﻧﺗﺎﺝ ﺑﻳﺋﺔ ﺻﻭﺗﻳﺔ ﺃﻛﺛﺭ ﺣﻣﻳﻣﻳﺔ ﻟﻠﻘﺎﻋﺔ. ﻳﺗﻣﻳﺯ ﺑﺎﻻﻧﻌﻛﺎﺳﺎﺕ ﺍﻷﻭﻟﻰ ﺍﻟﺳﺭﻳﻌﺔ ﻭﺍﻟﻣﺑﻌﺛﺭﺓ‬DARK ROOM .4 ‫ﺹ‬
.hall ‫ ﺃﻭ‬plate, spring ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ‬
.spring ‫ ﺃﻭ‬tape, hall ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[ ﻣﻊ ﺗﻐﻳﻳﺭ ﺍﻷﻧﻣﺎﻁ ﺍﻟﻣﺗﻧﻭﻋﺔ ﻟﺻﺩﻯ‬
.‫( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP (22 ‫ ﻫﻧﺎ ﻓﻲ ﺍﻷﻋﻠﻰ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬STEREO DELAY ‫ - ﻛـ‬STEREO TAP DELAY .9 ‫ﺹ‬
.‫( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP (22 ‫ ﻧﻣﻁﻲ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬eco mono‫ - ﺇﻥ‬MONO TAP DELAY .10 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻭﻣﺻﻣﻡ ﻟﺗﻣﻭﺟﺎﺕ ﺳﻠﺳﺔ ﻭﺃﺛﻳﺭﻳﺔ ﻣﻥ ﺍﻟﺗﺭﺩﺩ. ﻣﻧﺎﺳﺏ ﺟﺩﺍ ﻟﺗﻘﻭﻳﺔ ﺍﻟﺟﻳﺗﺎﺭ ﻭﺍﻟﺑﺎﺱ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ‬CHORUS .11 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻳﺗﻣﻳﺯ ﺑﺗﺄﺛﻳﺭ ﻗﻭﻱ ﻣﺗﺭﺩﺩ. ﻳ ُ ﺳﺗﺧﺩﻡ ﺧﺎﺻﺔ ﻋﻠﻰ ﺍﻟﺟﺗﻳﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ، ﺍﻟﻣﻧﻔﺭﺩ ﻭﺍﻹﻳﻘﺎﻋﻲ‬FLANGER .12 ‫ﺹ‬
.[1-16] 75% ‫( ﻣﻥ %0 ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[، ﻭﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.[1-16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[، ﻭﺗﺯﻳﺩ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ﺇﻟﻰ 5 ﻫﺭﺗﺯ‬
‫" )ﺹ 9، 01، 51(، ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺯﺭ ﻋﻠﻰ ﺍﻷﻗﻝ ﻣﺭﺗﻳﻥ ﻣﻥ ﺍﻟﻣﻣﻛﻥ ﺿﺑﻁ ﻭﻗﺕ ﺍﻟﺗﻛﺭﺍﺭ ﺍﻟﻣﻁﻠﻭﺏ، ﺣﺳﺏ‬TAP DELAY" ‫ﻋﻧﺩ ﺗﺣﺩﻳﺩ ﺗﺄﺛﻳﺭ‬
‫ ﻭﺭﺅﻳﺔ‬C.ROOM ‫ ﻋﺑﺭ ﺳﻣﺎﻋﺎﺕ ﺍﻟﺭﺃﺱ ﻭﺧﺭﺝ‬FX ‫( ﻟﺗﺄﺛﻳﺭ‬AFL) ‫( ﻭﺍﻟﻌﻭﺩﺓ‬PFL) ‫ﻳﻌﻣﻝ ﻫﺫﺍ ﺍﻟﺯﺭ ﻋﻠﻰ ﺗﻣﻛﻳﻥ ﺍﻟﺳﻣﻊ ﺍﻟﻣﺳﺑﻖ ﻹﺷﺎﺭﺍﺕ ﺍﻹﻳﺎﺏ‬
‫ﺍﺿﻐﻁ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺯﺭ ﻓﻲ ﺣﺎﻟﺔ ﺍﻟﺭﻏﺑﺔ ﻓﻲ ﺇﺳﻛﺎﺕ ﺍﻹﺷﺎﺭﺓ ﺍﻟﻘﺎﺩﻣﺔ ﻣﻥ ﺗﺄﺛﻳﺭ ﺧﺎﺭﺟﻲ. ﻣﻼﺣﻅﺔ: ﻳﻣﻛﻥ ﺗﺷﻐﻳﻝ ﺃﻭ ﺇﻳﻘﺎﻑ ﺍﻟﺗﺄﺛﻳﺭ ﺑﻭﺍﺳﻁﺔ ﺩﻭﺍﺳﺔ ﻣﺗﺻﻠﺔ‬
PROEL ‫( ﻟﺩﻭﺍﺳﺔ ﻣﻔﺗﺎﺡ ﺍﻟﻘﺩﻡ ﺑﻣﻼﻣﺱ ﻣﺅﻗﺕ ﻣﻔﺗﻭﺡ ﻋﺎﺩﺓ )ﻏﻳﺭ ﻣﻭﺭﺩ - ﺍﻟﺩﻭﺍﺳﺔ ﺍﻟﻣﻘﺗﺭﺣﺔ ﻫﻲ ﻣﻥ ﻣﻭﺩﻳﻝ‬TS) ‫ﻗﺎﺑﺱ ¼" )3.6ﻣﻠﻡ( ﻏﻳﺭ ﻣﺗﻭﺍﺯﻥ‬
‫" )ﺹ 9، 01، 51(، ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﻫﺫﻩ ﺍﻟﺩﻭﺍﺳﺔ ﻋﻠﻰ ﺍﻷﻗﻝ ﻣﺭﺗﻳﻥ ﻣﻥ ﺍﻟﻣﻣﻛﻥ ﺿﺑﻁ ﻭﻗﺕ ﺍﻟﺗﻛﺭﺍﺭ‬TAP DELAY" ‫(. ﻋﻧﺩ ﺗﺣﺩﻳﺩ ﺗﺄﺛﻳﺭ‬GF29
51
.‫( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻁﻭﻳﻝ‬VOCAL 1 (STAGE REVERB .5 ‫ﺹ‬
.‫" ﻣﺳﺗﺧﺩﻡ ﻓﻲ ﺍﻟﺗﺳﺟﻳﻼﺕ ﻓﻲ ﺍﻟﺳﺑﻌﻳﻧﺎﺕ ﻭﺍﻟﺛﻣﺎﻧﻳﻧﺎﺕ‬plate" ‫ - ﻫﺫﻩ ﻣﺣﺎﻛﺎﺓ ﻟﺻﺩﻯ ﻛﻼﺳﻳﻛﻲ‬PLATE .7 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﺍﻟﺻﺩﻯ ﻣﻊ ﺍﻟﺑﻳﻧﻎ-ﺑﻭﻧﻎ ﻋﻠﻰ ﻗﻧﻭﺍﺕ ﻳﺳﺭﻯ ﻭﻳﻣﻧﻰ‬STEREO DELAY .8 ‫ﺹ‬
.‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻻﺳﺗﺭﻳﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬REVERB+DELAY 1 .13 ‫ﺹ‬
.‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻟﻣﻭﻧﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬REVERB+DELAY 2 .14 ‫ﺹ‬
.‫ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬mono TAP‫ ﻭ‬hall ‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ‬REVERB+TAP DELAY .15 ‫ﺹ‬
.‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﻠﺻﻭﺕ ﻭﺗﺄﺛﻳﺭ ﺍﻟﻛﻭﺭﺍﺱ ﻳ ُ ﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬REV+CHORUS .16 ‫ﺹ‬
.AUX FX ‫ﻳﺑﻠﻎ ﻋﻥ ﻣﺳﺗﻭﻯ ﺍﻟﺩﺧﻝ ﺍﻟﻌﺎﻟﻲ ﺟﺩﺍ، ﺍﻟﻘﺭﻳﺏ ﻣﻥ ﻗﻁﻊ ﺩﺧﻝ ﺍﻟﺗﺄﺛﻳﺭ. ﻭﻓﻲ ﻫﺫﻩ ﺍﻟﺣﺎﻟﺔ، ﺧﻔﺽ ﻣﺳﺗﻭﻯ ﺗﺳﻠﻳﻡ‬
.(PROEL GF29 ‫( ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ ﻟﻠﺧﻼﻁ )ﻣﻭﺩﻳﻝ ﺍﻟﺩﻭﺍﺳﺔ ﺍﻟﻣﻘﺗﺭﺣﺔ ﻫﻭ‬MUTE) ‫ﺻﻝ ﺩﻭﺍﺳﺔ ﻣﻔﺗﺎﺡ ﺍﻟﻘﺩﻡ ﻹﺳﻛﺎﺕ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻘﺎﻋﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.‫ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﺟﺩﺍ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺁﻻﺕ ﺍﻟﻧﻔﺦ، ﺍﻵﻻﺕ ﺍﻟﻭﺗﺭﻳﺔ، ﻭﺍﻟﻁﺑﻼﺕ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.‫ﺑﺗﺭﺩﺩﺍﺕ ﻋﺎﻟﻳﺔ ﻗﻠﻳﻠﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ، ﺟﻳﺗﺎﺭ ﺍﻷﺻﺎﺑﻊ، ﻭﺍﻟﻁﺑﻼﺕ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻓﻲ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻭﺣﺟﻡ ﺍﻟﻐﺭﻓﺔ، ﻣﻥ ﻛﺑﻳﺭﺓ ]1[ ﺇﻟﻰ ﺻﻐﻳﺭﺓ‬
.‫( - ﺻﺩﻯ ﻣﻘﻭﻟﺏ ﻟﻸﺻﻭﺍﺕ ﺑﺫﻳﻝ ﻗﻭﻱ‬VOCAL 2 (CLUB REVERB .6 ‫ﺹ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
.[2] ‫ﺗﺑﺩﺃ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻭﻗﺕ ﺗﻛﺭﺍﺭ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
.[16] 90% ‫( ﻣﻥ %5 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.[16] 75% ‫( ﻣﻥ %0 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.‫ﺃﻳﺿﺎ ﺗﻘﻭﻳﺔ ﺍﻷﺻﻭﺍﺕ ﻭﺧﺎﺻﺔ ﺍﻟﻣﺟﻣﻭﻋﺎﺕ ﻭﺍﻟﻛﻭﺭﺍﺱ‬
.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 5 ﻫﺭﺗﺯ‬
.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 2.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 3 ﻫﺭﺗﺯ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
‫( ﺍﻟﻣﻭﺟﻭﺩ ﺑﺎﻷﺳﻔﻝ‬TAP (22 ‫ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬mono ‫ﻭﻗﺕ ﺗﺄﺧﻳﺭ‬
(‫ ﺗﻧﺷﻁ ﺑﺗﺄﺛﻳﺭ ﻣﺳﻣﻭﻉ ﻣﺳﺑﻘﺎ‬LED ‫ )ﺯﺭ‬SOLO .23
.MAIN MIX ‫ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ ﺍﻟﻣﺭﺳﻠﺔ ﺇﻟﻰ ﺧﺭﺝ‬
(AUX 1 ‫ )ﻣﺳﺗﻭﻯ ﺍﻟﺗﺄﺛﻳﺭ ﻋﻠﻰ‬FX TO AUX1 .28
.‫ﻋﺎﻟﻳﺔ. ﻣﻧﺎﺳﺏ ﻟﻸﺻﻭﺍﺕ ﻭﺍﻟﺟﻳﺗﺎﺭ ﻭﺁﻻﺕ ﺍﻟﻧﻔﺦ‬
(‫ ﻟﺿﺑﻁ ﺍﻟﻭﻗﺕ‬LED ‫ ﺑﺯﺭ ﻣﻊ‬TAP .21
.LED ‫ﺍﻹﻳﻘﺎﻉ ﺍﻟﻣﻭﺳﻳﻘﻲ ﻭﺍﻟﻣﺭﺋﻲ ﻣﻥ‬
(‫ )ﻛﺎﺷﻑ ﺍﻟﻘﻣﺔ‬PEAK .22
.LED ‫ﻣﺳﺗﻭﻯ ﻋﺩﺍﺩ‬
(‫ )ﺯﺭ ﻹﺳﻛﺎﺕ ﺍﻟﺗﺄﺛﻳﺭ‬MUTE .24
.FX MUTE ‫ﺑﺎﻟﻣﻘﺑﺱ‬
(‫ )ﻣﺳﺗﻭﻯ ﺍﻟﺗﺄﺛﻳﺭ‬FX LEVEL .25
(‫ )ﻣﺩﺧﻝ ﻗﺎﺑﺱ ﻟﻠﺩﻭﺍﺳﺔ‬TAP DELAY .26
.‫ﺍﻟﻣﻁﻠﻭﺏ، ﺣﺳﺏ ﺍﻹﻳﻘﺎﻉ ﺍﻟﻣﻭﺳﻳﻘﻲ‬
(‫ )ﻣﺩﺧﻝ ﻗﺎﺑﺱ ﻟﻠﺩﻭﺍﺳﺔ‬FX MUTE .27