Rear Panel
20 WATTS
POWER
FUSE: REPLACE WITH
SAME TYPE FUSE AND
RATING.
ATTENTION: UTILISER
UN FUSIBLE DE
RECHANGE DE MEME
TYPE ET CALIBRE.
100-120V
50/60 Hz
FUSE: 250mA 250V
AC Power Receptacle - Use the supplied AC cable to connect the unit to AC power. The AC receptacle
includes an integral pull-out fuse drawer which contains two fuses: the active fuse and a spare fuse.
Replace the fuse with the same type and rating only.
AC Power Switch - Use this switch to turn the unit on and off. The 1066 may also be turned on and off
via a master equipment power switch.
Audio Inputs - Each channel features both XLR and 1/4" TRS electronically balanced inputs. Inputs
may be used in a balanced or unbalanced configuration.
Audio Outputs - Each channel features both XLR and 1/4" TRS servo-balanced outputs. Outputs may
be used in a balanced or unbalanced configuration.
Operating Level Switch - This switch selects between a -10 dBV and +4 dBu nominal operating level.
When the switch is in the in position, a -10 dBV operating level is selected. When it is in the out position,
+4 dBu is selected.
Sidechain Send Output - Each channel has a balanced 1/4" TRS SIDECHAIN SEND output. This out-
put may be used in a balanced or unbalanced configuration.
Sidechain Return Input - Each channel has an unbalanced 1/4" TS SIDECHAIN RETURN input.
Applications
Fattening Kick Drums and Compressing Other Drums
Weak, flabby kick drums often have too much boom, and not enough slap. To tighten them up, start with
the 1066 adjusted for a medium to high RATIO (e.g., 6:1), adjust the THRESHOLD control so that the
GAIN REDUCTION meters show 15 dB of gain reduction, then increase the RATIO if necessary. In
OverEasy mode, the 1066 takes slightly longer to react than in Hard Knee mode, and will therefore
emphasize the slap at the beginning of the note and reduce the boominess of its body. The 1066 also
works well for tightening snare drums and tom toms and can be used with drum machines to effectively
alter the character of any electronic drum sound.
Cymbals and tom-toms can be effectively compressed (using the 1066's Sidechain) to help prevent tape
saturation. Use the SIDECHAIN SEND of the 1066 to send a signal to the input of an equalizer (e.g.,
dbx's 242 Parametric Equalizer or the 30 Series Graphic Equalizers). Then connect the equalizer's out-
put to the 1066's SIDECHAIN INSERT. The equalizer can be adjusted for boost with a peak at about
5kHz, causing the cymbal to be compressed on a very loud crash, stopping tape saturation at high fre-
MADE IN USA
MODEL 1066
PROFESSIONAL
PRODUCTS
A HARMAN
INTERNATIONAL
COMPANY
SALT LAKE CITY,
UTAH
SLOW BLOW
MANUFACTURED UNDER ONE OR MORE OF THE FOLLOWING U.S. PATENTS: 4,234,804 4,316,107 4,329,598 4,331,931
CHANNEL TWO
PIN1 / SLEEVE
+
SIDECHAIN
PIN 2 / TIP
-
PIN 3 / RING
RETURN
OUTPUTS
OPERATING
LEVEL
SEND
+4 dBu
-10 dBV
INPUTS
Applications
®
9