Table des Matières
Publicité
Les langues disponibles
Les langues disponibles
Effects 1-8
1. Hall Reverb
2. Room Reverb
3. Plate Reverb
4. Chorus
5. Chorus+Reverb
6. Chorus+Rev+Dly
7. Tremolo
8. Tremolo+Reverb
Bass
ss
Lo-Mid
Lo-Mid
Hi-M
Hi-Mid
Gain 1
Gain 1
Ch 1
Ch 1
Ch 1
Ch 1
5
5
5
5
5
5
5
0
0
0
0
0
0
0
0
0
0
0
0
4
4
4
4
4
4
4
6
6
6
6
6
6
6
6
6
3
3
3
3
3
3
3
7
7
7
7
7
7
7
7
7
7
2
2
2
2
2
2
2
8
8
8
8
8
8
9
9
9
9
9
9
9
9
9
9
9
+
+
+
+15
+
+
+ 1
+15
1
1
5
-15
-15
15
5
5
5
10
1
1 0
10
10
1
0
-15
-15
15
5
5
5
5
+15
+
+
+
+ 1
+
+
15
-15
-
15
15
5
5
I N P U T
I N P U T
CLIP
P
Acoustic Master
A
ic M
r
Standard
d
Power
Power
On
On
Off
Off
CAUTION: REPLACE FUSE
WITH SAME TYPE AND RATING
ATTENTION: UTILISER UN FUSIBLE
DE RECHANGE DE MEME
TYPE ET CALIBRE
TYPE: YS1081
A-Z1150 / 1v3
DESIGNED & MANUFACTURED BY
YORKVILLE SOUND • Toronto, CANADA
The Acoustic Master Standard
The Traynor Acoustic Master Standard is a 150-watt stereo acoustic guitar amplifier designed to sound as natural as
your guitar. The compact size and lightweight of the Acoustic Master Standard make it easy to transport anywhere.
The amplifier accepts the output from the active or passive pickups of your acoustic guitar, a microphone, and even
line-level signals. Other features include 16 custom digital effects which can be user modified and independently
selected for each channel. Balanced line outs (pre and post effects), an effects loop, and a sweepable notch filter
make this amp perfect for stage use. The versatility and response of the Acoustic Master Standard will make it a
pleasure to play for years to come.
1. Power
The Blue LED, located next to the Master Volume, will illuminate when the unit is turned on. The power switch is
located at the back of the unit near the power receptacle / fuse holder.
2. Channel 1
Channel 1 has been voiced specifically for acoustic guitars. The input to Channel 1 is unbalanced with an input im-
pedance of 1 Mega-ohm and can accept either passive or active pick-ups (piezo/coil). Controls include gain, bass,
lo-mid, hi-mid and treble equalization, as well as a sweepable notch filter. This filter eliminates most feedback gener-
ated by the guitar at high volumes.
3. Gain Control (Ch 1)
The Gain control is used to set the input level of your instrument. The clip LED can be used to gauge input
level to avoid audible clipping. If clipping does occur, lower the signal by turning the volume down on your gui-
tar or reducing the Gain control.
4. Tone Controls (Ch 1)
The Channel 1 tone controls help you access the wide range of sonic possibilities of the Acoustic Master Standard.
These controls DO NOT affect Channel 2. All tone controls can be used to either boost or cut certain frequencies in
your instrument's signal. Use the Bass control to reduce boominess or add low end thump. Change the mid frequen-
cy controls to add clarity or reduce harshness. The High control can be adjusted to accentuate percussive sounds
when using a light pick or to attenuate the sound of your fingers moving across the strings.
5. Notch Filter Control
Use the sweepable notch filter to eliminate feedback caused by the guitar being too close to the amp at higher power.
If feedback does occur, rotate the notch control slowly until the feedback is eliminated. To bypass this filter, rotate it fully
counter-clockwise to the off position. Please note that if feedback occurs when you are in close proximity to the guitar
amp, the notch filter may not help. Therefore either reduce power or move the guitar farther away from the amplifier.
a
c o u s t i c
Quality & Innovation
Decay
Depth
Rate
Feedback
Feedback
Treble
reble
Modify
odify
Notch
Notch
0
0
0
0
0
0
6
6
6
6
6
6
6
6
7
7
7
7
7
7
7
7
1
1
1
1
8
8
8
8
8
8
8
9
9
9
9
9
9
+15
+
+
+
+ 1
+1
+
+15
+
-15
-15
15
5
5
5
5
+ 1
+
+
+15
+1
+
+15
+
5
Off
Of
Of
f
f
f
f
f
f
f
0
0
0
0
0
0
0
Freq
Freq
Acoustic Master
Standard
1
m
a s t e r
Established 1963
Effects 9-16
9. Stereo Widening
Width
10. Stereo Delay
Time
11. Delay+Reverb
12. Drive
Gain
13. Harmonizer
Pitch
14. Flanger+Delay
Rate
15. Rotary Speaker
16. Compressor
Level
Treble
reble
Gain 2
Gain 2
5
5
5
5
5
5
5
5
5
5
5
5
5
5
0
0
0
0
0
0
0
0
0
0
0
0
0
0
6
6
6
6
6
6
6
4
4
4
4
4
4
4
6
6
6
6
6
6
6
6
6
7
7
7
7
7
7
7
7
3
3
3
3
3
3
3
3
7
7
7
7
7
7
7
7
7
7
8
8
8
8
8
8
8
2
2
2
2
2
2
8
8
8
8
8
8
8
9
9
9
9
9
9
9
Ch 2
Ch 2
Ch 2
Ch 2
10
10
10
1
1
1 0
10
0
0
0
0
0
10
1 0
1
10
10
1
0
+
+1
+
+
+
+
+
+
1
1
+
+
+
+
+
+
+
+1
1
1
I N P U T
I N P U T
+ + 1 1 5V Phantom
5V Phantom
Ch 1
Ch 1
Ch 2
Ch 2
gnd
gnd
Footswitch
Footswitch
BAL
Left/Mono
Left/Mono
Right
Right
Line Out
Line Out
(Post)
(Post)
Select
Select
Modify
Modi
M
Mix
16
16
16
16
16
16
6
6
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
15
1 5
15
1
5
5
5
5
3
3
3
3
3
3
3
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
4
4
4
4
4
4
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
5
5
5
5
5
5
5
5
5
8
8
8
8
8
8
8
6
6
6
6
6
6
7
7
7
7
7
7
7
1
1
1
1
1
9
9
9
9
9
9
9
9
1
1
1
1
9
9
9
9
9
9
9
10
10
10
10
10
10
0
0
8
8
8
8
8
8
8
8
9
9
9
9
9
9
9
0
0
0
0
0
0
0
0
0
0
0
0
PWR
PWR
Master
Master
Effects
s
Effects
Effects
Mode
Mode
Stereo
Stereo
Mono
Mono
Aux Input
Aux Input
Send
Send
Return
Return
Effects
Effects
Send / Return
Send / Return
Lift
Lift
Pin Config.
Pin Config.
(Stereo Mode)
(Stereo Mode)
Gnd
Gnd
Left
Left
Right
Right
gnd
gnd
Line Out
Line Out
(Pre)
(Pre)
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Table des Matières
