Table des Matières
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Surround Mode
Description
DTS-ES Discrete
DTS-ES Discrete is another Extended Surround mode that adds a surround
back channel, but this information is encoded discretely on the disc, and is
not derived from information contained in the surround channels.
DTS Stereo
Delivers a 2-channel downmix of DTS Digital materials, or presents a matrix-
encoded surround presentation.
DTS Neo:6
DTS Neo:6 analog processing is available with DTS and DTS 96/24 signals and
Mode Group
2-channel analog or PCM signals to create a 3-, 5- or 6-channel presentation.
DTS Neo:6
Depending on the number of speakers in your system, select 3-, 5- or
Cinema
6-channel modes, enhanced for movie or video presentations.
DTS Neo:6
Available only in 5- and 6-channel modes, creates a surround presentation
Music
suitable for music recordings.
Logic 7
A Harman International proprietary technology, Logic 7 technology enhances
Mode Group
2-channel and matrix-encoded recordings by deriving separate information
for the surround back channels. This provides more accurate placement of
sound, improves panning and expands the sound field, even when used
with 5.1-channel systems. Logic 7 technology uses 96kHz processing, and is
available in 5.1- or 7.1-channel modes. Three variants are available.
Logic 7
Especially suited to 2-channel sources containing Dolby Surround or matrix
Movie
encoding, Logic 7 Movie mode increases center channel intelligibility.
Logic 7
The AVR 160 is programmed at the factory to default to this mode for
Music
2-channel signals. Logic 7 Music mode is well suited to conventional
2-channel music recordings.
Logic 7
Use Logic 7 Game mode to enhance enjoyment of video game consoles.
Game
5-Channel Stereo
Useful for parties, the left- and right-channel information is played through
both the front and surround speakers on each side, while the center speaker
plays a summed mono mix.
7-Channel Stereo
Expands the 5-Channel Stereo presentation to include the surround back
channels.
2-Channel Stereo
Turns off all surround processing and plays a pure 2-channel signal or
a downmix of a multichannel signal. The signal is digitized and bass
management settings are applied, making it appropriate when a subwoofer
is used.
2-Channel Stereo
Maintains an analog input signal in that form, bypassing all digital
(Analog Bypass)
processing (i.e., surround and bass management). Requires Tone Control
setting to be off.
aPPENDIX
Incoming Bitstream or Signal
•
DTS-ES Discrete
•
DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1,
3/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1
•
DTS 96/24
•
DTS-ES Matrix
•
DTS-ES Discrete
See below
•
DTS 2/2/.0 or .1, 3/2/.0 or .1
•
DTS 96/24
•
Analog (2-channel)
•
PCM (32kHz, 44.1kHz or 48kHz)
•
DTS 2/2/.0 or .1, 3/2/.0 or .1
•
DTS 96/24
•
Analog (2-channel)
•
PCM (32kHz, 44.1kHz or 48kHz)
See below
•
Analog (2-channel)
•
Tuner
•
PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
•
Analog (2-channel)
•
Tuner
•
PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
•
Analog (2-channel)
•
Tuner
•
PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
•
Analog (2-channel)
•
Tuner
•
PCM (32kHz, 44.1kHz or 48kHz, 96kHz,
192kHz)
•
Analog (2-channel)
•
Tuner
•
PCM (32kHz, 44.1kHz or 48kHz, 96kHz,
192kHz)
•
Analog (2-channel; DSP downmix available
for multichannel)
•
Tuner
•
PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
•
Analog (2-channel)
•
Tuner
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