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Les langues disponibles
Les langues disponibles
IMPORTANT
Use of controls or adjustments or performance of procedures other than those specified herein may result in
hazardous radiation exposure.
DESCRIPTION
1. HIGH TONE CONTROL MONO CHANNEL
This control gives you up to 15db boost or cut at 10KHz and above. This circuit is flat ( no boost or cut ) at center detent position.
Use it to add sizzle to cymbals and an overall sense of transparency or edge to keyboards, vocals, guitar and bacon frying. Turn it to
reduce sibilance, or to hide tape hiss.
2. LOW TONE CONTROL MONO CHANNEL
This control gives you up to 15db boost or cut at 100Hz and below. This circuit is flat ( no boost or cut ) at center detent position.
This frequency represents the punch in bass drums, bass guitar, fat synth patches, and some really serious male singer.
3. MONITOR LEVEL CONTROL MONO CHANNEL
This control is used to adjust the quantity of the signal you want to send to the monitor output.
4. EFF LEVEL CONTROL MONO CHANNEL
This control is used to adjust the quantity of the signal you want to send to the DSP channel.
5. CHANNEL LEVEL CONTROL MONO CHANNEL
This potentiometer is used to adjust the volume of signal connection into each channel
6. MIC / LINE INPUT MONO CHANNEL
Mic input ( xlr ) : balanced input
Pin 1 = ground
Pin 2 = + ( hot point )
Pin 3 = - ( cold point )
Line input ( Jack 6.35mm ) : The unbalanced mic input is provided for the use of an unbalance mic ans is designed to accept an
unbalanced high impedance input signal.
This use for connection deck, turntable, keyboard,... )
Note : Do not connect XLR and Jack socket in the same time
7. HIGH TONE CONTROL STEREO CHANNEL
This control gives you up to 15db boost or cut at 10KHz and above. This circuit is flat ( no boost or cut ) at center detent position.
Use it to add sizzle to cymbals and an overall sense of transparency or edge to keyboards, vocals, guitar and bacon frying. Turn it to
reduce sibilance, or to hide tape hiss.
8. LOW TONE CONTROL STEREO CHANNEL
This control gives you up to 15db boost or cut at 100Hz and below. This circuit is flat ( no boost or cut ) at center detent position.
This frequency represents the punch in bass drums, bass guitar, fat synth patches, and some really serious male singer.
9. MONITOR LEVEL CONTROL STEREO CHANNEL
This control is used to adjust the quantity of the signal you want to send to the monitor output.
10. EFF LEVEL CONTROL STEREO CHANNEL
This control is used to adjust the quantity of the signal you want to send to the DSP channel.
11. CHANNEL LEVEL CONTROL STEREO CHANNEL
This potentiometer is used to adjust the volume of signal connection into each channel
12. LEFT LINE INPUT STEREO CHANNEL
The left stereo input ( balanced jack ) is used to receive the left signal of a cd player or tape player
13. RIGHT LINE INPUT STEREO CHANNEL
The right stereo input ( balanced jack ) is used to receive the right signal of a cd player or tape player
14. MIC INPUT STEREO CHANNEL
Mic input ( xlr ) : balanced input
Pin 1 = ground
Pin 2 = + ( hot point )
Pin 3 = - ( cold point )
15. TAPE IN INPUT / REC OUT OUTPUT
Tape in : This cinch sockets are to be connected with cassette deck when playing back..
Rec out : This cinch sockets are to be connected with cassette recorder to record the mixed output.
16. MONO / STEREO SWITCH
17. 7 BANDS GRAPHIC EQUALIZER
Equalizer 7 bands. Range adjustment +/-12dB. Use to correct the quality sound of the master output
18. EFFECT LEVEL CONTROL
Used to adjust the quantity of effect put on the signal
19. EFFECT SELECT BUTTONS
This two knobs are used to select one of the 16 effects :
0 = Hall1
1 = Hall2
2 = Room1
3 = Room2
4 = Room3
5 = Plate1
6 = Plate2
7 = Spring
8 = DLY 5ms
9 = DLY 10ms
10 = DLY 20ms
11 = DLY 30ms
12 = DLY 200ms
13 = DLY 300ms
14 = DLY 400ms
15 = DLY 500ms
ENGLISH
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