PROEL Mi10 Notice D'utilisation page 41

.‫( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP (22 ‫ ﻫﻧﺎ ﻓﻲ ﺍﻷﻋﻠﻰ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬STEREO DELAY ‫ - ﻛـ‬STEREO TAP DELAY .9 ‫ﺹ‬
.‫ ـ )22( ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺍﻷﺳﻔﻝ‬TAP ‫ ﻧﻣﻁﻲ ﻣﻊ ﻭﻗﺕ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬eco mono‫ - ﺇﻥ‬MONO TAP DELAY .10 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻭﻣﺻﻣﻡ ﻟﺗﻣﻭﺟﺎﺕ ﺳﻠﺳﺔ ﻭﺃﺛﻳﺭﻳﺔ ﻣﻥ ﺍﻟﺗﺭﺩﺩ. ﻣﻧﺎﺳﺏ ﺟﺩﺍ ﻟﺗﻘﻭﻳﺔ ﺍﻟﺟﻳﺗﺎﺭ ﻭﺍﻟﺑﺎﺱ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ‬CHORUS .11 ‫ﺹ‬
.‫ - ﺗﺄﺛﻳﺭ ﻧﻣﻁﻲ ﻣﻌﺩﻝ ﻳﺗﻣﻳﺯ ﺑﺗﺄﺛﻳﺭ ﻗﻭﻱ ﻣﺗﺭﺩﺩ. ﻳ ُ ﺳﺗﺧﺩﻡ ﺧﺎﺻﺔ ﻋﻠﻰ ﺍﻟﺟﺗﻳﺎﺭ ﺍﻟﻛﻬﺭﺑﺎﺋﻲ ﻭﺍﻟﺻﻭﺗﻲ، ﺍﻟﻣﻧﻔﺭﺩ ﻭﺍﻹﻳﻘﺎﻋﻲ‬FLANGER .12 ‫ﺹ‬
.[1-16] 75% ‫( ﻣﻥ %0 ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[، ﻭﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.[1-16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ ]61[، ﻭﺗﺯﻳﺩ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ﺇﻟﻰ 5 ﻫﺭﺗﺯ‬
‫" )ﺹ 9، 01، 51(، ﺑﺎﻟﺿﻐﻁ ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﺯﺭ ﻋﻠﻰ ﺍﻷﻗﻝ ﻣﺭﺗﻳﻥ ﻣﻥ ﺍﻟﻣﻣﻛﻥ ﺿﺑﻁ ﻭﻗﺕ ﺍﻟﺗﻛﺭﺍﺭ ﺍﻟﻣﻁﻠﻭﺏ، ﺣﺳﺏ‬TAP DELAY" ‫ﻋﻧﺩ ﺗﺣﺩﻳﺩ ﺗﺄﺛﻳﺭ‬
‫، ﺧﺭﺝ‬CD/DVD ‫ ﺃﻭ ﻗﺎﺭﺉ‬MP3 ‫ ﻟﺗﻭﺻﻳﻝ ﻣﺧﺭﺝ ﻣﺻﺩﺭ ﺧﻁ ﻣﺛﻝ ﺍﻟﻣﺳﺟﻝ ﺍﻟﺗﻧﺎﻅﺭﻱ، ﻗﺎﺭﺉ‬RCA ‫ﺗ ُ ﺳﺗﺧﺩﻡ ﻫﺫﻩ ﺍﻟﻣﺩﺍﺧﻝ ﻏﻳﺭ ﺍﻟﻣﺗﻭﺍﺯﻧﺔ ﻣﻊ ﻣﻭﺻﻼﺕ‬
.‫ ﺇﻟﻰ ﻣﺳﺟﻝ ﻣﺛﻝ ﻣﺳﺟﻝ ﻛﺎﺳﻳﺕ ﺗﻧﺎﻅﺭﻱ ﺃﻭ ﻛﻣﺑﻳﻭﺗﺭ ﺑﺩﺧﻝ ﺻﻭﺕ‬MAIN MIX ‫ ﻏﻳﺭ ﺍﻟﻣﺗﻭﺍﺯﻧﺔ ﻹﺭﺳﺎﻝ ﺇﺷﺎﺭﺓ ﺧﺭﺝ‬RCA ‫ﺍﺳﺗﺧﺩﻡ ﻣﻭﺻﻼﺕ‬
.‫ ﻓﻘﻁ‬C.ROOM/PHONES ‫ ﺃﻭ ﺇﻟﻰ‬MAIN MIX ‫2 ﺇﻟﻰ‬TRK ‫ﺍﺳﺗﺧﺩﻡ ﻫﺫﺍ ﺍﻟﺯﺭ ﻟﺗﻭﺟﻳﻪ ﺍﻹﺷﺎﺭﺓ ﺍﻟﺻﺎﺩﺭﺓ ﻣﻥ ﻣﺩﺧﻝ‬
‫. ﻭﺑﻨﺎء ﻋﻠﻰ ﺫﻟﻚ، ﻳﻤﻜﻦ‬phantom power ‫ ﻋﺒﺎﺭﺓ ﻋﻦ ﻣﺨﺮﺝ ﻣﺘ ﻮ ﺍﺯﻥ ﻓﻌﻠﻴﺎ ﻳﺴﺘﻄﻴﻊ ﺇﺭﺳﺎﻝ ﺇﺷﺎﺭﺓ ﻋﻠﻰ ﺧﻂ ﻣﺘ ﻮ ﺍﺯﻥ ﻣﻊ ﺃﻭ ﺑﺪﻭﻥ ﺗﻨﺸﻴﻂ‬MAIN OUT ‫ﻣﻼﺣﻈﺔ: ﺇﻥ‬
‫ ﻓﻲ ﺣﺩﻭﺩﻩ‬fader ‫2. ﻋﻧﺩﻣﺎ ﻳﻛﻭﻥ ﺍﻟـ‬TRK OUT ‫، ﻭﻣﺧﺭﺝ‬MAIN MIX ‫ ﻓﻲ ﻣﺳﺗﻭﻯ ﺍﻟﻣﺧﺭﺝ ﺗﻣﺎﻣﺎ ﻗﺑﻝ ﻣﺧﺭﺝ‬MAIN MIX FADER ‫ﻳﺗﺣﻛﻡ‬
‫ ﻣﻧﻁﻔﺋﺎ، ﺑﻳﻧﻣﺎ ﻧﻘﻁﺔ "0" ﺗﺩﻝ ﻋﻠﻰ ﺃﻥ ﺍﻟﻣﺳﺗﻭﻯ ﺍﻻﺳﻣﻲ ﻟﻠﺧﺭﺝ ﻋﻠﻰ ﻛﺑﻝ ﻣﺗﻭﺍﺯﻥ ﺑـ 4+ ﻭﺣﺩﺓ ﺩﻳﺳﻳﺑﻝ. ﻳﺗﻡ ﻋﺎﺩﺓ ﺗﻌﻳﻳﻥ ﻫﺫﺍ ﺍﻟـ‬MAIN MIX ‫ﺍﻟﺩﻧﻳﺎ، ﻳﺻﺑﺢ‬
.‫ ﻗﺭﻳﺑﺎ ﻣﻥ "0"، ﻭﻳﺗﺭﻙ ﻫﻧﺎ، ﻭﻟﻛﻥ ﻳﻣﻛﻥ ﺍﺳﺗﺧﺩﺍﻣﻪ ﺃﻳﺿﺎ ﻟﺗﻅﻠﻳﻝ ﺍﻷﻏﻧﻳﺎﺕ ﺃﻭ ﺇﺳﻛﺎﺕ ﻣﻧﻅﻭﻣﺔ ﺍﻟﺻﻭﺕ ﺑﺳﺭﻋﺔ ﻓﻲ ﺣﺎﻟﺔ ﺍﻟﺿﺭﻭﺭﺓ‬fader
‫ ﻫﺫﻩ ﻣﺧﺭﺝ ﻏﻳﺭ ﻣﺗﻭﺍﺯﻥ ﻟﻣﺳﺗﻭﻯ ﺧﻁ ﻳﻣﻛﻥ ﺍﺳﺗﺧﺩﺍﻣﻪ ﻟﻠﺗﺣﻛﻡ ﺑﻁﺭﻳﻘﺔ ﻣﻧﻔﺻﻠﺔ ﻭﺃﻳﺿﺎ ﻛﻣﺧﺭﺝ ﺗﻛﻣﻳﻠﻲ ﻓﻲ ﺑﺭﻧﺎﻣﺞ ﺍﻟﻣﺧﺭﺝ ﻣﻥ‬JACK ‫ﺗﻌﻁﻲ ﻣﻭﺻﻼﺕ‬
.‫ ﻟﻣﺧﺭﺝ ﺳﻣﺎﻋﺎﺕ ﺍﻟﺭﺃﺱ: ﻳﺟﺏ ﺃﻥ ﺗﺣﺗﻭﻱ ﺳﻣﺎﻋﺎﺕ ﺍﻟﺭﺃﺱ ﻋﻠﻰ ﻣﻌﺎﻭﻗﺔ ﻻ ﺗﻘﻝ ﻋﻥ 23 ﺃﻭﻡ‬STEREO JACK ‫ﻣﻭﺻﻝ‬
.‫. ﻣﻼﺣﻈﺔ: ﺇﺷﺎﺭﺓ ﻫﺬﻳﻦ ﺍﻟﻤﺨﺮﺟﻴﻦ ﻫﻲ ﻧﻔﺴﻬﺎ‬PHONES‫ ﻭ‬CONTROL ROOM ‫ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﻣﺧﺭﺝ ﻗﺎﺑﺱ‬
.‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻻﺳﺗﺭﻳﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬REVERB+DELAY 1 .13 ‫ﺹ‬
.‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ ﺍﻟﺻﻭﺕ ﻭﺍﻟﻣﻭﻧﻭ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬REVERB+DELAY 2 .14 ‫ﺹ‬
.‫ ﻭﺍﻟﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬mono TAP‫ ﻭ‬hall ‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﺗﺄﺧﻳﺭ‬REVERB+TAP DELAY .15 ‫ﺹ‬
.‫ - ﺻﺩﻯ ﻧﻣﻁﻲ ﻟﻠﺻﻭﺕ ﻭﺗﺄﺛﻳﺭ ﺍﻟﻛﻭﺭﺍﺱ ﻳ ُ ﺟﻣﻊ ﺑﻳﻧﻬﻣﺎ ﺳﻭﻳﺎ‬REV+CHORUS .16 ‫ﺹ‬
.PROFEX ‫ ﻟﻠﻣﻌﺎﻟﺞ‬A/D ‫ ﺍﻟﻘﻣﺔ ﻋﻧﺩﻣﺎ ﺗﻘﺗﺭﺏ ﺇﺷﺎﺭﺓ ﺩﺧﻝ ﺍﻟﺗﺄﺛﻳﺭ ﻣﻥ ﺗﺷﺑﻊ ﺍﻟﻣﺣﻭﻝ‬LED ‫ﻳﻭﻣﺽ‬
.(AUX2 (Mi12) / AUX1 (Mi10 ‫ ﺧﻔﺽ ﻣﺳﺗﻭﻯ ﺍﻟﺩﺧﻝ ﺑﺧﻔﺽ ﺗﺣﻛﻡ‬LED PEAK ‫ﻫﺎﻡ: ﻓﻲ ﺣﺎﻟﺔ ﻭﻣﻳﺽ‬
.MAIN MIX ‫4+( ﻣﺧﺭﺟﺎ ﺫﻱ ﻣﺳﺗﻭﻯ ﺧﻁ ﻣﺗﻭﺍﺯﻥ ﻟﻠﻧﺎﻗﻝ ﺍﺳﺗﺭﻳﻭ‬dBu) ‫ ـ‬JACK ‫ﺗﻌﻁﻲ ﻣﻭﺻﻼﺕ‬
.‫ ﻹﺭﺳﺎﻝ ﺇﺷﺎﺭﺓ ﺇﻟﻰ ﺍﻟﺨﻼﻁ ﺍﻟﺮﺋﻴﺴﻲ‬DI ‫ ﻛﺘﻮﻟﻴﻔﺔ ﺧﻼﻁ + ﺻﻨﺪﻭﻕ‬Mi10 e Mi12 ‫ﺍﺳﺘﺨﺪﺍﻡ‬
(c.room‫ )ﻣﺳﺗﻭﻯ ﺧﺭﺝ ﺳﻣﺎﻋﺎﺕ ﺍﻟﺭﺃﺱ ﻭ‬C.ROOM/PHONES LEVEL .34
.[16] 90% ‫( ﻣﻥ %5 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.[16] 75% ‫( ﻣﻥ %0 ]1[ ﺇﻟﻰ‬feedback) ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﻛﻣﻳﺔ ﺍﻟﺗﻛﺭﺍﺭ‬
.‫ﺃﻳﺿﺎ ﺗﻘﻭﻳﺔ ﺍﻷﺻﻭﺍﺕ ﻭﺧﺎﺻﺔ ﺍﻟﻣﺟﻣﻭﻋﺎﺕ ﻭﺍﻟﻛﻭﺭﺍﺱ‬
.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 5.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 5 ﻫﺭﺗﺯ‬
.[16] ‫ﺗﺯﻳﺩ ﺍﻟﺗﻧﻭﻳﻌﺎﺕ ﻣﻥ ﺗﺭﺩﺩ ﺍﻟﻣﻭﺟﺎﺕ ﻣﻥ 2.0 ﻫﺭﺗﺯ ]1[ ﺇﻟﻰ 3 ﻫﺭﺗﺯ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
.[16] ‫ﺗﻐﻳﺭ ﺍﻟﺗﻧﻭﻋﻳﺎﺕ ﻣﻥ ﻭﻗﺕ ﺍﻻﺿﻣﺣﻼﻝ ﻣﻥ ﻁﻭﻳﻝ ]1[ ﺇﻟﻰ ﻗﺻﻳﺭ‬
‫( ﺍﻟﻣﻭﺟﻭﺩ ﺑﺎﻷﺳﻔﻝ‬TAP (22 ‫ ﻗﺎﺑﻝ ﻟﻠﺿﺑﻁ ﺑﺯﺭ‬mono ‫ﻭﻗﺕ ﺗﺄﺧﻳﺭ‬
.MAIN MIX ‫ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ ﺍﻟﻣﺭﺳﻠﺔ ﺇﻟﻰ ﺧﺭﺝ‬
(Mi12 ‫ ﻓﻘﻁ ﻣﻥ ﺃﺟﻝ‬AUX 1 ‫ )ﻣﺳﺗﻭﻯ ﺍﻟﺗﺄﺛﻳﺭ ﻋﻠﻰ‬FX TO AUX1 .25
.AUX1 ‫ﻳﻧﻅﻡ ﻣﺳﺗﻭﻯ ﺇﺷﺎﺭﺓ ﺍﻟﺗﺄﺛﻳﺭ ﺍﻟﺩﺍﺧﻠﻲ ﺍﻟﻣﺭﺳﻠﺔ ﺇﻟﻰ ﺧﺭﺝ‬
(rca stereo ‫2 )ﺧﺭﺝ‬TRK OUTPUT .27
(‫2 )ﺍﻟﺗﺣﻛﻡ ﻓﻲ ﺍﻟﻣﺳﺗﻭﻯ‬TRK IN LEVEL .28
(‫ ﻣﺗﻭﺍﺯﻧﺔ‬jack ‫ )ﻣﺧﺎﺭﺝ‬MAIN MIX L & R .30
(MIX ‫ )ﻣﺳﺗﻭﻯ ﺧﺭﺝ‬MAIN MIX FADER .31
(‫ ﻟﺳﻣﺎﻋﺎﺕ ﺍﻟﺭﺃﺱ‬jack stereo per ‫ )ﻣﺧﺭﺝ‬PHONES .33
(Mi12 ‫ ﻓﻘﻁ ﻋﻠﻰ‬jack ‫ )ﺧﺭﺝ‬AUX 1 OUT .35
(‫ )ﺯﺭ ﺿﺑﻁ ﺍﻟﻭﻗﺕ‬TAP .22
.‫ﺍﻹﻳﻘﺎﻉ ﺍﻟﻣﻭﺳﻳﻘﻲ‬
(‫ )ﻛﺎﺷﻑ ﺍﻟﻘﻣﺔ‬PEAK .23
(‫ )ﻣﺳﺗﻭﻯ ﺍﻟﺗﺄﺛﻳﺭ‬FX LEVEL .24
(rca stereo ‫2 )ﺩﺧﻝ‬TRK INPUT .26
.‫ﺻﻭﺗﻲ ﻟﻛﻣﺑﻳﻭﺗﺭ‬
.2TRK INPUT ‫ﻳﺿﺑﻁ ﻣﺳﺗﻭﻯ ﻣﺩﺧﻝ‬
(‫ )ﺯﺭ‬TO MIX / TO PHONES .29
(jack ‫ )ﺧﺭﺝ‬C.ROOM L & R .32
.MAIN MIX
41