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Fender
Fender
6
Your new Hot Rod™ DeVille/DeVille 212 delivers
world–class Fender
®
tone and world–standard Fender
quality.
• 60 watts output into 4Ω or 8Ω (2Ω or 4Ω, DeVille 212)
• All
tube
preamp
harmonically rich distortion and touch-sensitive
dynamics
• Three selectable channels offer a sonic arsenal from
sparkling clean tones to virtually unlimited gain
fueled by 12AX7 Fender
• Output tubes are performance tested and matched
GT6L6B Fender
®
Groove Tubes™
Panel Functions
Panel Functions
INPUTS
VOLUME
6 7
1
2
8
5
5
4
9
4
10
3
3
2
11
2
1
12
1
NORMAL
MORE
BRIGHT
DRIVE
A B C D E F G
A. INPUT 1 - Plug in connection for most guitars.
B. INPUT 2 - Plug in connection for high-output/
pre-amplified instruments.
(sensitivity) than INPUT 1 if used alone - both inputs are
identical if used simultaneously.
C. NORMAL/BRIGHT - Provides a high-frequency boost
for the Normal channel.
Normal
D. VOLUME - Adjusts the loudness of the Normal channel.
E. MORE DRIVE - Provides gain boost for the Drive
channel.
Drive
F. DRIVE - Adjusts the gain level of the Drive/
More Drive channel. Use together with MASTER {L} to
adjust
the
loudness
More Drive channel.
G. CHANNEL INDICATOR -
Off
Normal channel is active
Yellow
Drive channel is active
Red
More Drive channel is active
H. TREBLE - Adjusts the high-frequency tone.
I. BASS - Adjusts the low-frequency tone.
J. MIDDLE - Adjusts the mid-frequency tone.
K. CHANNEL SELECT -
Normal channel
L. MASTER - Adjusts the loudness of the Drive/
More Drive channels in conjunction with DRIVE {F}.
M. REVERB - Adjusts the Reverb level.
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n d
d e
®
Hot Rod™ DeV
®
Hot Rod™ DeV
and
power
amp
provide
®
Groove Tubes™
DRIVE
TREBLE
BASS
MIDDLE
6 7
6 7
6 7
6 7
8
8
8
5
5
5
9
4
9
4
9
4
10
10
10
3
3
3
11
2
11
2
11
2
12
1
12
1
12
1
H
I
J K L
Provides 6dB less gain
Bright
More Drive
of
the
Drive/
Drive channel
e r
r . . c
c o
o m
m
ille/DeV
ille 212
ille/DeV
ille 212
• Two-button footswitch (included) enables remote
®
Normal/Drive/More Drive channel selection
• PREAMP OUT / POWER AMP IN jacks for effects,
amplifiers, recording or sound reinforcement setups
• EXTERNAL SPEAKER jack offers flexibility of
optional speaker array connections
• Rugged cabinet construction and durable vinyl cover
Thank you for choosing Fender
Thank you for choosing Fender
—T
one, T
radition and Innovation—since 1946
—T
one, T
radition and Innovation—since 1946
MASTER
REVERB
PRESENCE
6 7
6 7
6 7
8
8
8
8
5
5
5
9
4
9
4
9
4
10
10
10
3
3
3
11
2
11
2
11
2
12
1
12
1
12
1
12
CHANNEL
SELECT
M
N
N. PRESENCE - Adjusts the tone at a point in the signal
path after the distortion circuitry for unique ultra high-
frequency tone shaping.
O. PRE AMP OUT / POWER AMP IN -
(1) Effects Loop - Connect PREAMP OUT to the input of
an effects device and the output of the effects device to
POWER AMP IN.
(2) Multiple Hot Rod™ Amps - Connect PREAMP OUT
on the primary unit to POWER AMP IN on the auxiliary
unit. The primary unit is used to control all auxiliary
units, except for REVERB and PRESENCE which
remain active on each unit.
(3) Recording or Sound Reinforcement - Connect
PREAMP OUT to the input jack of sound equipment.
Use standard cables with TS (Tip-Sleeve)
plugs for connections. Both jacks are before Reverb
and Presence in the signal path.
P. FOOTSWITCH (Included) - Connect the footswitch here
to enable remote selection of Normal/Drive/More Drive
channels. When connected, the footswitch overrides
the corresponding panel controls. NOTE: A speaker
grade patch cord is preferable to a coax guitar cord for
connecting the footswitch.
Q. POWER INDICATOR - Illuminates when the unit is on.
Unscrew the red jeweled cover to access the bulb (type
T47) for replacement.
R. STANDBY - Use STANDBY
power off during short breaks to eliminate the tube
warm-up delay upon returning to play. Use STANDBY
for 30 seconds when first switching the power on.
Using standby will extend the life span of your amplifier
tubes.
S. POWER SWITCH - Turns the unit on and off.
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w . . m
m r
r g
g e
®
®
PREAMP
POWER
FOOT
OUT
AMP IN
SWITCH
9
10
11
STANDBY
Q
O
P
instead of switching the
e a
a r
r h
h e
e a
a d
d . . n
ON
ON
OFF
R S
n e
e t
t
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