Gemini PS-626 Manuel D'instructions page 4

INTRODUCTION:
Congratulations on your purchase of a Gemini PS-626x 10" 3
channel stereo mixer. This state-of-the-art mixer features the
latest technological advances and is backed by a 1 year warran-
ty, excluding the cross fader. The cross fader is backed by a
separate 90 day warranty. Prior to use we suggest that you
carefully read all the instructions.
FEATURES:
- 10" 3 stereo channel mixer
- 6 line, 3 convertible phono/line, RCA inputs
- Master, record, & zone RCA outputs
- Microphone Input
- Ground screw for easy connectivity
FACE:
- Removable face plate for user replaceable Pro Glide cross fader
- 3 band rotary line EQ with cut feature & rotary gain channel control
- Cue Ch1/Ch2/Ch3 switch
- Rotary cue volume, CUE/PGM rotary knob
- Dual VU display with mode switch
- Master volume fader control
FRONT:
- ¼" headphone output
PRECAUTIONS:
1. All instructions should be read before using this equipment.
2. To reduce the risk of electrical shock, do not open the unit.
Please refer all servicing needs to a Gemini-qualified service
technician.
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N THE IF YOU EXPERIENCE PROBLEMS WITH THIS UNIT
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CALL EMINI USTOMER ERVICE AT
ATTEMPT TO RETURN THIS EQUIPMENT TO YOUR DEALER
3. Do not expose this unit to direct sunlight or a heat source
such as a radiator or stove.
4. This unit should be cleaned only with a damp cloth. Avoid sol-
vents or other cleaning detergents.
5. When moving this equipment it should be placed in its origi-
nal carton and packaging. This will reduce the risk of damage
during transit.
6. DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
7. DO NOT USE SPRAY CLEANERS OR LUBRICANTS ON
CONTROLS, SURFACES OR SWITCHES.
CONNECTIONS:
1. Ensure that the POWER SWITCH (1) is in the OFF position
prior to making any connections. This unit comes with a power
cord. Plug into the rear panel POWER CORD (2) jack before
plugging it into a proper power source.
2. The PS-626x has 2 stereo outputs located on the rear panel:
- The MASTER RCA OUTPUT (3) connects the mixer to your
main amplifier using standard audio cables with RCA-type con-
nectors.
: 1 (732) 346-0061. D
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.
(3)
The REC (4) output jacks can be used to connect the mixer to
the record input of your recording unit, thus enabling you to
record your mix with RCA cables.
4. Headphones may be plugged into the front panel-mounted
HEADPHONE (5) ¼" jack.
5. Microphones may be plugged into the rear panel-mounted
MICROPHONE (6) ¼" jack.
6. The PS-626x has 2 CONVERTIBLE PHONO/LINE (PH/LN)
RCA INPUTS (7) located on the rear panel on either side of the
RCA INPUTS. Facing the rear panel, the convertible RCA input
on your right is for PH 1/LN 1 (7). The convertible RCA input on
your left is for PH 3/ LN 5 (7). Using the PH/LN CONVERTERS
(8), located just below each input, you may convert the PH to LN
and vice versa. Plug the RCA's from your playable medium into
each input to be connected to their respective CHANNELS
(CH). When the PH/LN CONVERTERS (8) are set to Phono,
the CONVERTIBLE PHONO/LINE (PH/LN) RCA INPUTS (7)
only accept turntables with a magnetic cartridge. The STEREO
LN INPUTS (7) only accept line level inputs such as a CD, DAT,
Mini Disc, etc and require the proper switch setting.
7. When using (a) turntable(s), you will need to ground the RCA
cable(s) by screwing in the grounding fork(s) to the GROUND-
ING SCREW (9) located in the rear panel of the PS-626x mixer.
Attach each PH ground line to the GROUND THUMB SCREW
(9). This is located directly above the REAR PANEL MICRO-
PHONE JACK (6).
NOTE: WHEN USING TURNTABLES, NOT ATTACHING A GROUND MAY
CAUSE A SYSTEM "HUM."
1. Once all of your connections have been made in the rear
panel, turn on the mixer by pressing the POWER SWITCH (1).
2. CH 1: To bring this channel into program output (PGM), you
must first decide which line will be in use. Use the LN SWITCH
(10) to toggle from PH 1/LN 1 to LN 2 on this channel. Once
you've selected the proper line, slowly raise the CH 1 SLIDE
CONTROL (11) to a comfortable level. You can further modify
the sound output of this channel by adjusting the rotary GAIN
(12), HIGH (13), MID (14), LOW (15) controls located above the
CH 1 SLIDE CONTROL (11).
3. CH 2: To bring this channel into PGM, you must first decide
which line will be in use. Use the LN SWITCH (10) to toggle from
PH 2/LN 3 to LN 4 on this channel. Once you've selected the
proper line, slowly raise the CH 2 SLIDE CONTROL (11) to a
comfortable level. You can further modify the sound output of
this channel by adjusting the rotary GAIN (12), HIGH (13), MID
(14), LOW (15) controls located above the CH 2 SLIDE CON-
TROL (11).
4. CH 3: To bring this channel into PGM, you must first decide
which line will be in use. Use the LN SWITCH (10) to toggle from
LN 5 to LN 6 on this channel. Once you've selected the proper
line, slowly raise the CH 3 SLIDE CONTROL (11) to a comfort-
able level. You can further modify the sound output of this chan-
nel by adjusting the rotary GAIN (12), HIGH (13), MID (14),
LOW (15) controls located above the CH 3 SLIDE CONTROL
(11).
NOTE: FOR OPTIMAL PERFORMANCE, BEGIN PROGRAM MIX WITH
ROTARY GAIN () CONTROLS SET TO MINIMUM (ROTATE IT COUNTER-
CLOCKWISE TO THE COUNTER CLOCKWISE POSITION). MAKE ALL
ADJUSTMENTS IN SOUND OUTPUT WITH THE USE OF YOUR CHANNEL
SLIDE CONTROLS AND MASTER () VOLUME ROTARY CONTROLS. THIS WILL
PREVENT SIGNAL OVERLOAD AND DECREASE DISTORTION. ONCE YOU HAVE
MODIFIED YOUR SOUND AND WOULD LIKE TO INCREASE THE OUTPUT OF YOUR
SOUND, THEN YOU MAY ADJUST THE ROTARY GAIN CONTROL IF NEEDED.
5. CUE: By connecting a set of headphones to the HEAD-
PHONE (5) jack, you can monitor any or all channels.
PS-626x