Line Signals; Phono Signals; Microphone Signal; Headphones - Reloop RMX60 DIGITAL Mode D'emploi

1.3 CONNECTIONS

1.3.1 LINE SIGNALS

Connect your line sources (CD player, tape deck, controller, etc.) to the corresponding line/CD channel inputs for channels 1 – 4 -52-.

1.3.2 PHONO SIGNALS

Connect your phono sources to the corresponding phono channel inputs of channels 2 and 3 -52-.
Connect your grounding cable of your turntables to the GND grounding screws -53-.

1.3.3 MICROPHONE SIGNAL

Connect your main microphone to the input for DJ Mic -43-.
Connect a further mic to the input for Mic 2 -46-.

1.3.4 HEADPHONES

Connect your headphones to one of the headphones inputs -44 and 45-.

1.3.5 FADER-START

Connect the fader-start cables of your CD player to the Fader-Start Connection -54-.

1.3.6 MASTER OUTPUT

Connect your sound system to Master Out -48- (RCA) or Master Out Balanced (XLR) -49-.

1.3.7 MONITOR OUTPUT

Connect your monitoring system to Booth Out -50-.

1.3.8 REC OUTPUT

Connect a recording device of your choice to Record Out -51-.
The Record Output provides a steady signal, independent from Master.

1.3.9 POWER SUPPLY

Connect the power cable to the Power Connection -47-.
Connect the power cable to your power outlet.
1.3.10 USB SERVICE PORT
More information can be found under item 5.2.10.

2. BASIC OPERATION

2.1 POWER UP

After all connections have been carried out, you can turn on the device via the ON/OFF Switch -57-.

2.2 SIGNAL INPUT SELECT

Via the Signal Input Select Switch -1- you can select between line, CD and phono sources for channels 1 – 4. Please observe the captions of the
single signal input switches.
Via the Signal Input Select Switch -1.1- you can select between microphone and AUX as source for the Mic/AUX channel.

2.3 GAIN

Via the Gain Dials -2- you can adjust the input volume for channels 1 – 4. Make sure that peak signals should be within the yellow range of the LED
indicator -4-.
Use the Mic Level Dials -15, 17- to adjust the DJ microphone 1/AUX and microphone 2 respectively.
Make sure that the Mic LEDs -16- and -18- are only lit during signal peaks.

2.4 EQUALIZER

With the 3 Band Equalizers -3- you can adjust low, mid and high frequencies for channels 1 – 4.
The equalizer's characteristics can be switched to KILL and CLASSIC via the EQ Curve Switch -14-.
In CLASSIC mode it is possible to lower a frequency band; with KILL it is possible to remove a frequency band completely.
Via the 2-Band Equalizer -19- you can adjust low and high frequencies for the MIC/AUX channel.

2.5 FILTER

Channels 1 – 4 dispose of an individual, bipolar filter -5-.
In the 12 o'clock position the filter is turned off.
When turning clockwise, a highpass effect will be generated; when turning counter-clockwise a lowpass effect will be generated.

2.6 LINEFADER

The Linefaders -7- are used to adjust the output volume for channels 1 – 4.
The Linefader's curve can be adjusted with the help of the Linefader Curve Dial -12-.
In the 12 o'clock position the curve is linear.
By turning clockwise, the CUT limit will be moved to the upper fader pass.
By turning counter-clockwise, the CUT limit will be moved to the lower fader pass.

2.7 CROSSFADER

With the Crossfader -9- it is possible to switch between the left and right crossfader channel. The crossfader's curve can be adjusted via the Cross-
fader Curve Dial -10-. By turning counter-clockwise, the crossfader becomes "sharp", namely good for scratching and cutting.
By turning clockwise, the crossfader becomes "smooth", namely good for long mixes.
You can use the Crossfader Assign Switch -8- to assign the crossfader sides A&B to channels 1 – 4.
NOTE! In THRU position no crossfader side is assgined to the respective channel.
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