Peavey RQ 200 Guide D'utilisation page 5

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Channel 6 features the following:
14. RCA Stereo Inputs: The Left and Right Inputs (RCA) are identical to the
Left and Right Inputs found on Channels 3-5. The RCA inputs, however, do not
feature the mono switching function. Each jack (L and R) remains operative at
all times.
15. 3.5mm Stereo Inputs: These inputs are wired in parallel to the RCA Stereo
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Inputs and share the exact functions.
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OUTPUTS
16. Main Out: The Main Output of the RQ
of stereo audio output sources. This is intended to give you the flexibility for any application and to
eliminate the need for adapters. The 1/4" jacks are standard TRS connector which can be used in
either balanced or unbalanced applications.
SENDS
17. Monitor Send: This 1/4" mono jack provides an output for the Monitor bus. The level of the
signal is controlled by the Monitor Master control as well as the individual channel Monitor controls.
18. Effects Send: This 1/4" mono jack provides an output for the Effects bus. The level of the
signal is controlled by the Effects Master and the individual channel Effects controls.
HEADPHONE
19. 1/4" Stereo Headphone Output: This stereo jack (TRS) provides the signal to
drive stereo headphones. The level is set by the headphone level
control. Tip= Left, Ring= Right, Shield= Ground.
20. 3.5mm Stereo Headphone Output: 3.5mm stereo jack wired
in parallel to the 1/4" Stereo Headphone Output jack providing an
alternate headphone output for smaller type headphone sets.
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Channels 3-5 feature the following:
11. Left/Mono Input: High impedance input for line-level signals.The
left/mono input supplies signal to both the left and right inputs (if there is
nothing inserted in the right input jack). This input is controlled by the Line
Gain and Pan controls as well as the High/Low EQ and Fader controls.
12. Right Input: High impedance input for line-level signals. The Right Input
supplies signal to the the channelÕs right bus and is controlled by the Line
Gain and Pan controls as well as the High/Low EQ and Fader controls.
13. Line Gain: Varies the gain of the Line Input to allow for a wide dynamic
range. Adjusting this input gain properly will maximize the signal-to-noise ratio.
Remember that this control will not control a signal from the Mic Input.
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ª 200 offers three different types (RCA, 3.5mm, and 1/4")
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