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Contour Switch (28)
Engaging this switch enhances the signal by adding both bass and treble frequencies. This is especially effective
at lower volumes or for tape/CD playback.
Master Level Faders (29)
The Master Faders control the levels sent to the main left/right outputs. Best results are obtained when these
controls are set near the 0 point.
R R E E A A R R P P A A N N E E L L
30
31
32
Mic (XLR) Inputs (30)
XLR balanced inputs optimized for a microphone or other low impedance source. Pin 2 is the positive input.
Because of the wide range of gain adjustment, signal levels up to +14 dBu can be accommodated.
Line (
1
⁄
) Inputs (31)
"
4
1
⁄
" balanced (TRS) 10 k Ohm impedance input. The tip is the positive input and should be used for unbalanced
4
inputs. It has 20 dB less gain than the XLR input and does not have phantom power available. The Mic and Line
inputs should not be used simultaneously.
Insert (32)
1
⁄
" TRS connector allows external signal processors to be inserted into the channel signal path. Tip=Send;
4
Ring=Return; Sleeve=Ground.
Stereo (
1
⁄
4 "
These
1
⁄
" unbalanced inputs work as a stereo line input using both jacks or as a mono input if the connection is
4
made to the left/mono input only. The A/B input selector must be in the "A" position for these jacks to be
active.
RCA Inputs (34)
These RCA inputs work as stereo line inputs. The A/B input selector must be in the "B" position for these jacks
to be active.
A/B Switch (35)
The A/B input selector switch expands the capability of the PV
stereo sources to be connected to each stereo line input. Instead of repatching, the switch selects which input
jacks are active.
) Inputs (33)
33
34
35
®
10 and the PV
11
38
39
36
37
40
®
14 mixers by allowing two
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