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12
LEGEND L10/L6
LEGEND L6 Controls
(1)
(2)
(3) (4)
(8)
(9)
(16)
(5)
(6)
(7)
(15)
(14)
(13)
(12)
(11)
(10)
(16)
Step 2: Controls
(1)
(6)
Carrying Handle - This useful
Power Switch - Set this to the
handle allows the L6 to be safely
Up position to turn on the L6.
transported and moved to
Do this after all connections to
various locations.
the 500-series modules have
been made. Set the switch in the
(2)
Feet (Horizontal) - These four
Down position to turn off the
feet allow the L6 to be placed
power to the L6.
horizontally on a table or other fl at
(7)
surface. If the L6 is rack mounted,
Feet (Vertical) - These feet are
and there is no free rack space
used when the L6 is placed in the
below, then these feet need to
vertical position.
be removed by carefully undoing
(8)
AC Input - The supplied power
the screws holding them to the
cord connects to this AC input. The
bottom of the chassis.
L6 has an internal switching power
(3)
Screw Holes - These holes on the
supply that can accept AC mains
top and bottom front rails are used
voltages from 100 VAC to 240 VAC,
to secure the 500-series modules
50/60 Hz. Make sure the front
in place on the L6. They are also
panel power switch is turned off
used to secure blank plates (L1B)
before making connections.
to cover empty spaces in the L6.
(9)
GROUND LIFT - This switch is
(4)
Module Connectors - These
used to remove the audio ground
multi-pin connectors are used to
in situations where audio hum
connect to the rear connector of
is present.
any 500-series module plugged
(10)
AUDIO Switch - This switch
into the L6. The pin-out of these
allows you to link the output of
connectors follows the standard
one module to the input of the
conventions for 500-series
next module in line, to create an
modules for audio input and
audio chain of modules. For an
output, power, phantom power,
example, if the fi rst module is
and ground. The exceptions
a microphone preamplifi er and
are for the Aux input and
AUDIO 1-2 is pressed, then the
output connections. Check the
output from the preamplifi er will
compatibility of any modules you
be sent to the input of module
use by comparing the connector
2, such as an EQ. If AUDIO 2-3 is
pin-outs shown on page 19 of this
also pressed, then the EQ output
quick start guide.
will go to module 3 such as a
(5)
Power Indicator - This lamp
compressor, and so on. In this
illuminates when AC power is
example, IN 2 and IN 3 XLR inputs
applied and the L6 power switch is
are disconnected, and the audio
turned on. It indicates that the L6
for this chain of modules comes in
internal power supply is working
on IN 1, and out from OUT 3.
and supplying power to the
500-series modules.
Quick Start Guide
13
(11)
IN - This balanced XLR audio input
connects to the audio outputs of
your external equipment, such
as instruments, microphones,
and line-level outputs. The audio
signals are then passed on to the
inputs of the 500-series modules.
(12)
AUX IN - This balanced XLR audio
input is used if your module has
this capability.
(13)
AUX OUT - This balanced XLR
audio output is used if your
module has this capability.
(14)
OUT - This balanced XLR audio
output sends the output of the
module to the balanced audio
input of your external equipment.
Use the AUDIO switches if you
want to send the audio output
directly to the input of the next
module in line. In this case the
signals are sent internally and no
XLR patch cords are required.
(15)
COMP BUS - These switches are
used for those compressors that
allow linking together for stereo
or multi-channel compressor
applications. Only certain
compressors have this feature,
and our current MIDAS 522
compressor/limiter does not.
(16)
Rack Ears - The supplied rack ears
can be screwed to the sides of the
L6 to allow it to be rack-mounted
in a 19" 3U space. The feet on the
lower horizontal panel have to be
removed for the L6 to be fi tted
into a rack, if there is no free rack
space below. The handle and the 4
other feet (vertical) can be left in
place, as the rack ears cover them.
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