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10
LEGEND L10/L6
LEGEND L10 Controls
(1) (2)
(3)
(4)
(7)
(8)
Step 2: Controls
(1)
(2)
(3)
(5)
(6)
(4)
(14)
(13)
(12)
(11)
(10)
(9)
(5)
(6)
Rack Ears - These fi xed rack ears
Power Switch - Set this to the
allow the L10 to be rack-mounted
Up position to turn on the L10.
in a 19" 3U space.
Do this after all connections to
the 500-series modules have
Feet (Horizontal) - These 4
been made. Set the switch in the
feet allow the L10 to be placed
Down position to turn off the
horizontally on a table or other fl at
power to the L10.
surface. If the L10 is rack mounted
(7)
and there is no free rack space
AC Input - The supplied power
below, then these feet need to
cord connects to this AC input.
be removed by carefully undoing
The L10 has an internal switching
the screws holding them to the
power supply that can accept AC
bottom of the chassis.
mains voltages from 100 VAC to
240 VAC, 50/60 Hz. Make sure the
Screw Holes - These holes on the
front panel power switch is turned
top and bottom front rails are used
off before making connections.
to secure the 500-series modules
(8)
in place on the L10. They are also
GROUND LIFT - This switch is
used to secure blank plates (L1B) to
used to remove the audio ground
cover empty spaces in the L10.
in situations where audio hum
is present.
Module Connectors - These
(9)
multi-pin connectors are used to
AUDIO Switch - This switch
connect to the rear connector of
allows you to link the output of
any 500-series module plugged
one module to the input of the
into the L10. The pin-out of these
next module in line, allowing
connectors follows the standard
you to create an audio chain of
conventions for 500-series
modules. For an example, if the
modules for audio input and
fi rst module is a microphone
output, power, phantom power,
preamplifi er and AUDIO 1-2 is
and ground. The exceptions
pressed, then the output from the
are for the Aux input and
preamplifi er will be sent to the
output connections. Check the
input of module 2, such as an EQ.
compatibility of any modules you
If AUDIO 2-3 is pressed, then the
use by comparing the connector
EQ output will go to module 3 such
pin-outs shown on page 19 of this
as a compressor, and so on. In this
quick start guide.
example, IN 2 and IN 3 XLR inputs
are disconnected, and the audio
Power Indicator - This lamp
for this chain of modules comes in
illuminates when AC power is
on IN 1, and out from OUT 3.
applied and the L10 power switch
(10)
is turned on. It indicates that
IN - This balanced XLR audio input
the L10 internal power supply is
connects to the audio outputs of
working and supplying power to
your external equipment, such
the 500-series modules.
as instruments, microphones,
and line-level outputs. The audio
signals are then passed on to the
inputs of the 500-series modules.
Quick Start Guide
11
(11)
AUX IN - This balanced XLR audio
input is used if your module has
this capability.
(12)
AUX OUT - This balanced XLR audio
output is used if your module has
this capability.
(13)
OUT - This balanced XLR audio
output sends the output of the
module to the balanced audio
input of your external equipment.
Use the AUDIO switches if you
want to send the audio output
directly to the input of the next
module in line. In this case the
signals are sent internally and no
XLR patch cords are required.
(14)
COMP BUS - These switches are
used for those compressors that
allow linking together for stereo
or multi-channel compressor
applications. Only certain
compressors have this feature,
and our current MIDAS 522
compressor/limiter does not.
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