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V3.12A – V3.12A Dlx
ANSCHLUSSBEISPIEL
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Main
L
audio out
Main
R
audio out
PEDAL
MAN. II
MAN. II
Coupler
Coupler
Coupler
Tremulant
Tremulant
I/P
III/P
Coupler
Coupler
Coupler
Coupler
II/P
III/II
I/II I/II
AMPLIFICAT.
CANCEL
MIDI
Mixture
Mixture
Trompete
Trompete
Cornet
Cornet
IV
8'
V
Super-
Super-
Schalmei
Schalmei
oktave
Mixture
Mixture
Console
Ext.
Pedal
Man. II
Man. II
4'
V
Speaker
Reed
Mixtur
Pedal
Man. II
Man. II
Man. III
Man. III
Man. I
Man. I
2'
On
On
SEQUENC.
SEQUENC.
ENTER
Cello
Harp
Choral-
Choral-
Posaune
Quinte
Quinte
bass
bass
16'
2 3
4'
VOLUMES
FIELD
FIELD
VALUE
VALUE
EXIT
Gedackt
Oktave
Clarine
8'
4'
4'
Oktav-
Contra
Spitzflöte
Spitzflöte
bass
Bombarde
8'
32'
4'
Unda
Gedackt
Maris
Trompete
16'
8'
8'
HR
HR
1
2
3
4
5
6
P
HR
1
2
3
4
5
6
Prinzipal-
Prinzipal-
bass
Dulciana
Dulciana
Gedackt
16'
8'
8'
Subbass
Prinzipal
Fagott
16'
8'
16'
Contra
Contra
Prinzipal
Prinzipal
Hohlflöte
Hohlflöte
Bourdon
Bourdon
16'
8'
7
8
9
10
PREV
NEXT
P
HR
1
2
3
4
5
6
32'
POWER
0
1
S
HR
HR
1
2
3
4
5
6
P
HR
1
2
3
4
5
6
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MASTER
MASTER
THRU
THRU
OUT
OUT
IN
REVERB
REVERB
VOLUME
VOLUME
MIDI
USB
PHONES
PHONES
VOLUME
VOLUME
CRESCENDO
MAN. I
MAN. I
MAN. III
MAN. III
DE - 7
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out
MAN. III
MAN. III
MAN. I
MAN. I
Coupler
Tremulant
Tremulant
Tremulant
III/I
Clarion
Mixture
Sesquialtera
Sesquialtera
ORCHESTRA
4'
IV
II
Krumm-
Krumm-
Terz
horn
Mixture
3 5
IV
8'
Vox
Man. II
Man. II
Man. III
Man. III
Man. III
Man. III
Man. I
Man. I
Man. I
Man. I
CRESCENDO
Humana
Gemshorn
Gemshorn
Sifflöte
4'
1'
Strings
Strings
Chimes
Celesta
Piano
Harpsich.
Harpsich.
8'
Spanische
Spanische
M. BANK
M. BANK
Blockflöte
Doublette
Doublette
2'
Trompete
Trompete
2'
8'
Oboe
Oktave
Larigot
8'
4'
1 3
Nasard
Regal
Regal
Prestant
Prestant
2 3
16'
4'
Trompete
Trompete
Gamba
Offenflöte
8'
8'
4'
-
+
MEM.
MEM.
M.SOLO
ENC
BANK
BANK
Vox
Rohrflöte
Celeste
Celeste
Prinzipal
Prinzipal
4'
8'
8'
Contra
Prinzipal
Prinzipal
Flöte
Trompete
Trompete
8'
8'
16'
Rohr-
Bourdon
III
I
M.SOLO
O.SOLO
A.P
T
gedackt
16'
8'
UNICO 500
UNICO 500
III
M.SOLO
C