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RB-800
USER GUIDE
Secondly, if more control is required then the 340hz and 1.6Khz controls
can also be used to tailor the E.Q. In the regions between the main tone
controls. This provides a very versatile equalisation section, it is simple
to understand and operate, yet provides a wide degree of variation. It
retains the simplicity of a three control tone section but provides the
flexibility of a graphic equaliser.
COMPRESSION
Adding a small amount of compression gives a fat bottom end to the
sound and allows a greater volume of amplification to be used without
the playing peaks distorting the amplifiers output stage.
You will also find that this will add definition to your playing bringing
out notes within a run more clearly as it evens out the dynamics of your
playing. A large amount of compression can be used as an effect but it
will tend to reduce the dynamics in your playing to such an extent that the
volume of the note will be the same no matter how hard or soft you hit
the string. Compression also adds sustain to notes making them longer
before they die away.
The compression level control adjusts the degree of compression applied
to the bass signal. For this to function correctly the input level must be
correctly set as described in the input control section above. When the
input level is correctly set there will be hardly any difference in volume
between compression in and compression out. This is because the
RM automatically compensates for the reduction in level that would be
apparent when compression is added by increasing the overall gain to
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