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Les langues disponibles
Section
07
Audio Adjustments
Introduction of audio
adjustments
1 Audio display
Shows the audio adjustments status.
% Press AUDIO to display the audio func-
tion names.
Press AUDIO repeatedly to switch between
the following audio functions:
Fad (balance adjustment)EQ (equalizer
curve adjustment)Bass (bass and treble
level adjustment)Loud (loudness)
Sub-W1 (subwoofer on/off setting)/NonFad
(non fading output on/off setting)Sub-W2
(subwoofer setting)/NonFad (non fading out-
put setting)HPF (high pass filter)SLA
(source level adjustment)
# If EQ-EX function has been selected and only
when EQ-EX is turned on and CUSTOM is se-
lected as the equalizer curve, you can switch to
Bass.
# When the subwoofer controller setting is only
PREOUT:FULL, you cannot switch to Sub-W1.
(Refer to page 33.)
# You can select the Sub-W2 only when sub-
woofer output is turned on in the Sub-W1.
# When the subwoofer controller setting is only
PREOUT:FULL, you can switch to the nonfading
output on/off setting. (Refer to page 33.)
# You can select the nonfading output setting
only when nonfading output is turned on in the
nonfading output on/off setting.
# When selecting the FM tuner as the source,
you cannot switch to SLA.
# To return to the display of each source, press
BAND.
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En
1
Note
If you do not operate the audio function within
about 30 seconds, the display is automatically re-
turned to the source display.
Compensating for
equalizer curves (EQ-EX)
The EQ-EX function smoothes the effects of
each equalizer curve. Furthermore, you can
adjust bass and treble for each source when
CUSTOM curve is selected.
! If SFEQ has been previously selected, press
EQ-EX and hold to switch to EQ-EX and
EQ-EX indicator appears in the display.
% Press EQ-EX to turn EQ-EX on.
EQ-EX ON appears in the display. EQ-EX is
now on.
# To turn EQ-EX off, press EQ-EX.
Setting the sound focus
equalizer (SFEQ)
Clarifying the sound image of vocals and in-
struments allows the simple staging of a nat-
ural, pleasant sound environment. Even
greater listening enjoyment will be obtained if
seating positions are chosen carefully. FRT1
boosts the treble on the front output and the
bass on the rear output. FRT2 boosts the treble
and the bass on the front output and the bass
on the rear output. (The bass boost is the
same for both front and rear.) For both FRT1
and FRT2, H setting provides a more pro-
nounced effect than L setting.
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