Like flanging, chorus serves to thicken the sound of an instru-
ment, creating the effect of several instruments playing at
once. The A and B chorus effects split the incoming signal into
three
signals placed at the center left and right of the stereo
image.
The delay time and level of the three signals are then
modulated by the LFO (Low Frequency Oscillator). The Chorus
C effect sends the direct sound to the left channel and the
processed sound to the right channel.
(dB) DIRECT SIGNAL
AM DEPTH
(TIME)
DM DEPTH
Modulation Frequency (MOD. FRQ): 0.1 Hz — 20 Hz
Sets.the speed at which the effect varies.
Delay Modulation Depth (DM DEPTH): 0% — 100%
This sets the amount by which the delay time of one delay
signal is varied in relation to the other, and thus the depth of
the CHORUS effect.
Amplitude Modulation Depth (AM DEPTH): 0% — 100%
Sets the amount by which the amplitude (level) of the input
signal is varied.
|
25. Stereo Phasing
|
(dB)
L АА
MOD.
DEPTH
.
(TIME)
* .
МОР. DLY
&
Modulation Frequency (MOD. FRQ): 0.1 Hz — 20 Hz
Sets the speed at which the phasing effect varies.
Modulation Depth (MOD. DEPTH): 0% — 100%
Sets the amount of delay time variation, thus adjusting the
depth of the effect.
Modulation Delay (MOD. DLY): 0.1 — 8 milliseconds
This sets the delay time from the initial direct sound to the
beginning of the phasing effect.
26. Tremolo
27. Symphonic
Sets the speed of the effect variation.
. Modulation Depth (MOD. DEPTH): 0% — 100%
Sets the depth of the effect.
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